Sentences with phrase «whom are curators»

Not exact matches

His New York City - based team of five is supplemented by eight part - time curators in cities around the world, from Los Angeles to Tel Aviv, all of whom are tasked with finding stylish clothes, interesting books, vintage watches, antique furniture and other desirables for the Bureau.

At the end of the tour, there was a moment of awkwardness as parents — many of whom had just spent considerable energy shushing their tiny curators — tried to signal appreciation and respect with elaborate body language.

In a world in which so many of our professionals have lamentably shown deep moral failings, the librarians of our society have maintained a level of unrivaled integrity and are the curators whom I trust the most to separate the music from the noise.

Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts — both of whom possess deep roots in the Riot Grrrl movement.

Indeed, because he wasn't living in New York, Friedlander continues, «he wasn't influenced by critics or dealers or curators, all of whom had their own stake in Abstract Expressionism and the New York School.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Ten curators from nine different countries are given a task to perform: Each must choose one artist with whom to create a major show.

But that cult, and the ascendance of spectacle, may be the end of museums as we know them and has been the subject of countless conversations I've had over the past year with curators, artists, gallerists, and collectors, all of whom acknowledge a major shift under way.

The exhibition's curators, Elisabeth Sussman and Elisabeth Sherman of the Whitney and Christine Macel of the Centre Pompidou, chose to round out the collection's context by including artists whose works are destined for the Whitney as well as the Pompidou, some of whom, Weinberg noted, have their studios in the 10th and 11th arrondissements, the areas afflicted by the worst of the carnage, where poets, dancers, critics, artists and architects were among the dead — «a strike against the heart of Paris's creative community.»

Included in this exhibition are portraits of his son Jake, his wife Julia, art critic William Feaver, curator Catherine Lampert and businessman David Landau, all of whom faithfully sit for him on a regular basis.

A common refrain among dealers — many of whom stoically stuck through the first two editions in hopes it would catch on — was that the fair had «turned a corner,» with the heartland's hoped - for collectors, curators, and students showing up in force, and sales ringing up in both the middle and high ranges.

It was great to share our research with curators like Philippe Pirotte, Trevor Schoonmaker, Naomi Beckwith, Tobias Berger, Dan Leers and Rita Kersting, all of whom have played important roles in Langa's career.»

«This is the biggest fear for most artists for whom there is serious demand,» said Allan Schwartzman, a veteran art adviser and curator, who, like others involved in selling work, described an increasingly complex interplay between contemporary artists» market value, collector base and long - term reputation.

Through all of this, a single aspect is essential: the new generation of critics, curators and gallerists to whom I belong has a great responsibility to fill this critical void and raise the curiosity of our international fellows.

Although many of the shows Silverman curates (and is drawn to) are directly influenced by the artists and curators with whom she has worked closely, the ethic of the gallery was also shaped by her curatorial residency at Frankfurter Kunstverein in summer 2006.

She was chosen by a panel of nine curators each of whom had six suggested artists.

Awarded the 5th annual Middlebrook Prize for Young Canadian Curators, Yasmin Nurming - Por's exhibition My curiosities are not your curios examines the idea of collections and their institutional and colonial histories through the work of contemporary artists for whom the act of collecting is both a creative and critical practice.

This show presents work by more than a dozen artists (all of whom are also curators, and / or have run or currently run spaces of their own) in a range of media that covers several bases: conceptual and abstract art, figural painting and drawings, and political pieces.

Presenters — most of whom knew Wong personally — are Sean Corcoran (who also moderates), curator of prints and photographs at the Museum of the City of New York, where he organized a major exhibition of Wong's collection of graffiti and street art; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with his.

As a local arts organization, we are continually evolving with the changing needs of the artists and curators whom we serve.

The Art Matters board is comprised of a diverse group of artists, curators, educators and other arts workers, a core of whom helped found the organization in 1985.

The vast exhibition, assembled by the Centre Pompidou's chief curator Christine Macel, brings together 120 artists and collectives — 70 percent of whom are making their Biennale debut — and opens in the Giardini's Central Pavilion with a series of self - portraits of an artist idly passing time in bed.

It is the joy, but there are many serious collectors, museum curators, and directors with whom it is also a joy to work.

VOTI was an online forum that was founded in 1998 — long before such forums were common — as a digital venue for discussion among contemporary art curators, many of whom are among today's most prominent museum professionals.

The armory project's curators are Hans Ulrich Obrist, artistic director of the Serpentine Galleries, a noncollecting exhibition space in London (for whom the artist and architects designed a collaborative pavilion in 2012), and Tom Eccles, executive director of the Center for Curatorial Studies at Bard College in Annandale - on - Hudson, N.Y.

We contacted Brazilian artists and curators whom we already knew and asked them to introduce us to the Brazilian art world, and then we met critics, independent curators, museum curators, journalists, editors of magazines, residency programme managers, academics, art lovers, gallerists and collectors, always asking the same questions on our quest to find the best of the new generation of young artists who are emerging in the Brazilian art world.

The other five participants are Los Angeles based artists whom the five artists / curators do not know personally.

In order to define a broader milieu for her group of artists, curator Jessica Cochran will pair each one to a non-resident artist with whom they share a strong link in the form of a shared thematic orientation or conceptual framework; in some cases the artists may be from different generations or geographic areas and often they utilize entirely divergent artistic mediums.

Now, though, some of the most revelatory art on sexual themes is being made by women like Bernstein, Betty Tompkins, Juanita McNeely and Joan Semmel, best known for their paintings, and multidisciplinary artists like Schneemann and Valie Export, among others, all of whom have been producing their work for decades to little notice — if not outright persecution — from critics, curators and audiences.

Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts, both of whom possess deep roots in the Riot Grrrl movement.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

British artists and curators, who have migrated to Australia mostly since the 1970s, have brought with them an appreciation and awareness of the work of the London School of Artists, for whom drawing is pivotal, even though British artists in Australia from the 70s have developed a wide range of art practices.

When I wrote a story about Jay De Feo for Art & Auction magazine, published March 2007, Whitney Museum of Art associate curator Dana Miller — who has a DeFeo retrospective in the future of the Whitney, date as yet unannounced — told me that the only 20th century artists to whom to potentially compare De Feo would be sculptors Lee Bontecou and Eva Hesse — «and they arent really close at all,» said Miller.

Artists, «starchitects», entrepreneurs (some of whom might also be artists like Damien Hirst), global supercollectors and a new breed of «art journalists» and «curators» (no longer involving intellectually - driven critics) collectively inflate and extend via the media the seamless bubble of London's art world.

In his role as an adjunct professor in the curatorial studies program at California College of the Arts, Leiber inspired a new generation of curators, many of whom are still locally active and influencing the course of our cultural climate.

It brings together in a lively dialogue leading artists, curators, art historians and critics, many of whom were actively involved in the Black Arts Movement.

Curators and directors are part of the mix, of whom women make a significant number: Sheikha Hoor Al - Quasimi (41), an artist running the Sharjah Art Foundation and biennale, in the United Arab Emirates and — just setting out — Maria Balshaw, (16) heading the Tate galleries.

The Windy City iteration, working with the curators, has added works by Nan Goldin, Barbara Kruger, and African - American activist artist Howardena Pindell, as well as local artists, many of whom are of color and / or are women

Organized by independent curator Leo Xu, formerly associate director at James Cohan Gallery Shanghai, the exhibition examined how Chinese artists, most of whom have never been to the United States, see the nation based on what they have culled from movies, television, the Internet, and art - history books.

Indeed, Marclay, who now lives in London with his wife, curator Lydia Yee, was back in New York in November 2011 for a live performance at the Japan Society, in a show titled «Turntable Duo,» where he shared the stage with Otomo Yoshihide, with whom he has performed since the 1980s.

A year or two ago she asked Ann Temkin, whom she is quick to call a «great curator» (and who is now chief curator of painting and sculpture), why there was no Bourgeois or Joan Mitchell on view.

AS MUCH OF A LONER AS Kertess can be, he knew that an exhibition of this scale could not be put together without substantial help and he found it mostly from within the Whitney: Minou Roufail, his assistant, who oversaw the logistics of the show with a temperament similar to Kertess's combination of gentle firmness and utter precision; Matthew Yokobosky, a young assistant curator of film and video who is also a set designer and whom Kertess, unwilling to yield control of the biennial layout to an outside architect, tapped as the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertise.

The sentiment was appreciated by curator and Pratt professor Greg Drasler, for whom «it's going to be fun rather than impressive [like the Seagram show]-- which isn't to say work isn't impressive, but the context is more fluid and much more understandable by these artists.»

Visitors will have the chance to browse pieces by talents from such less recognized places in the art world as Kazakhstan, the country of video artist Erbossyn Meldibekov, whom the independent curator Sara Raza is presenting.

The exhibition spans about twenty - seven years of work, and was put together by curator Joan Simon in collaboration with Marta Gili of the Jeu de Paume and Okwui Enwezor of the Haus der Kunst in Munich, both of whom I have worked and exhibited with in the past, in different European countries.

Writing in the catalogue of the exhibition, Enrique Juncosa, Director of IMMA and curator of the exhibition, describes how Winters, while participating in the aesthetic debates of his time, is also «heir to a tradition that includes some of the greatest names in abstraction — Kandinsky, Jackson Pollock and Cy Twombly — all of whom had a profound impact on 20th - century painting... Winters is without doubt, one of the leading painters maintaining the currency of abstraction after Minimalism.

Ackermann's distinctive imagery, an amalgamation of drawing and painting, collage and ballpoint scribbles, is the subject of a monograph published by Rizzoli, with accompanying essays by Bonnie Clearwater, the executive director and chief curator for the Museum of Contemporary Art, and the filmmaker Harmony Korine, with whom Ackermann collaborated previously on a series of collages.

VOTI was an online forum founded in 1998 — long before such forums were common — as a digital venue for discussion among contemporary art curators, many of whom are among today's most prominent museum professionals.

Nina Felshin, the show's curator, found that several of the artists from whom she offered to commission nuclear - related pieces had already done works they thought would be appropriate, and in her catalogue essay she contends that in all cases, «either directly or indirectly,» the nuclear issue is a part of «the ongoing aesthetic concerns of the artist.»

Nina Felshin, the show's curator, found that several of the artists from whom she offered to commission nuclear - related pieces had already done works they thought would be appropriate,