This is not a film easy to love or even like, but it's also one that makes a substantial impression on you with its lack of artifice and the light it shines on tragic figures about
whom modern fiction rarely considers and modern society hardly notices.
Not exact matches
I'm teaching a course on
Modern American
Fiction this semester, and we started off with Nella Larsen's classic about two black childhood friends, one of
whom is now living as a white woman.