Sentences with phrase «whose aesthetic styles»

Not exact matches

But the possibility that a relatively casual and unchallenging style might be all there is to a community's worship life is bound to be deflating to those whose call to discipleship and cause them to yearn for something more in aesthetic formation and development.

The possibility that a relatively casual and unchallenging style might be all there is to a community's worship life is bound to be deflating to those whose call to discipleship causes them to yearn for something more in aesthetic formation and development.

Nohant (pronounced NO - AHNG) is the brainchild of designer Noah Nam whose preppy - meets - urban - edge aesthetic takes inspiration from French style and the words of Coco Chanel: «Luxury must be comfortable, otherwise it is not luxury.»

On a trip to Shanghai last year, L.A. based designer Geren Ford discovered a little - known Chinese artist, LanLan, whose work dates back to the 1930s — an era of style that fits perfectly with Ford's effortlessly elegant yet simple aesthetic.

[But] the soul is created [and] enhanced by the people working on it and experiencing it and these initiatives can come to life in magical ways resulting in repeat business,» says Ghizlan Guenez, CEO of The Modist, a Dubai - based e-commerce site that offers contemporary designer brands like Stella Jean and Maison Rabih Kayrouz to women whose religious, cultural or personal tastes lean to a modest style aesthetic.

I'm a bigger lady whose god damn gorgeous, and i'm looking for someone as passionate as i am that knows make - up and has a style or aesthetic.

When it comes to aesthetic and production value, this film is a triumph, almost a masterpiece, at least for its time, remaining, to this day, a marvel whose style and technical proficiency compliment entertainment value and immerse you into a distinguished world and story.

Sally Potter: An English filmmaker whose intelligent and sophisticated film style often explores the capacity of aesthetic, and human intimacy to transcend categories such as gender, sexuality, religion, culture and politics.

From the magic lantern - style innovation of his sculpture installation Six Men Getting Sick to the fixed camera placements of The Alphabet to the rudimentary narrative of The Grandmother (whose heavy's freakishly accentuated jawline transforms his countenance into that of a snarling villain in the «Perils of Pauline» mode) to, finally, the total aesthetic compromise of the shot - on - video The Amputee, the first few entries contained on «The Short Films of David Lynch» imply that there is only one destiny for the medium, whether its evolution is spread out over a century or concentrated in the time it takes for an artist to develop a conscience.

An austere portrait of a man whose body and mind are slowly coming undone as he surveys a world apathetic to its own survival, First Reformed represents Schrader's most mature filmmaking to date, featuring a grab bag of styles taken from many mid-century Europeans directors (Bresson, of course, but also Dreyer, Ozu, and Tarkovsky) that ultimately merges into an aesthetic that's wholly and unmistakably his own.

These insurgents find the American presence as unwelcome as the alien one, setting IEDs and taking captives in a way that recalls contempo war movies (like «Lone Survivor»), whose style has clearly inspired the pic's gritty, oversaturated aesthetic and deafening rock score (this on top of its already overkill Dolby Atmos sound design).

But unlike many directors whose visual identity is overwhelmed by the sheer scale of a Hollywood blockbuster, Greengrass actually brought his jittery, handheld docu - style with him to the tentpole, unassumingly (and jerkily) revolutionizing the action blockbuster aesthetic in the process.

Together, they reveal an innovative artist whose style is distinguished by partial images, unexpected juxtapositions, harmonious collisions, and a dynamic modernist aesthetic that continues to inspire and challenge viewers today.

Atlas's other works on view, Painting by Numbers and Plato's Alley, also deal in a retro - futuristic aesthetic familiar not only from the Wachowski Brothers» blockbusters but also from the work of artists like Ryoji Ikeda, whose video installation The Transfinite took over the Park Avenue Armory in similar style last spring.

Characterized by compositions of various types of steel, Bove's ongoing series of «collage sculptures,» begun in 2016, amalgamates theoretical and art - historical influences across time periods and disciplines, much like the Chicago Imagists of the 1960s, whose collagist aesthetic combined disparate styles and techniques.