If the intuitive
vision itself contradicts other intuitive
visions, after all the clarifications and siftings of dialogue have been run through, I do not know where to turn but to acknowledge diversity in the ultimate decisions
whose apocalyptic force gives content to religion.
Earlier this year «System and
Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of vernacular artists such as Morton Bartlett, a doll maker who photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt
apocalyptic fervor; and George Widener, a living artist
whose mixed - media pieces entail complex mathematical and calendrical calculations.