Sentences with phrase «whose artistic practice»

A self - taught artist and larger - than - life personality, Curtis Andrews is an illustrator whose artistic practice has grown out of his everyday experience and environment.
Céline Condorelli, whose artistic practice is based on the social and cultural context she finds herself interacting with, has wished to meet Nathalie Du Pasquier, one of the key figures on the Milan art scene since the 1980s.
Osorio, whose artistic practice involves a process of social engagement, spent the past year sharing conversations, stories, and meals with many people in both Williamstown and North Adams.
Here Cuevas, whose artistic practice makes use of painting, video, sculpture, photography and installations, uses images and objects from everyday consumption and life, which she deliberately changes through critical interventions and actions in the public space.
Galleria PACK is proud to present a chronicle of pictures of the most extreme actions by Russian artist Pyotr Pavlensky, whose artistic practice draws attention to and protests against the social and political injustices in Russia today, he points his finger at hard issues such as human rights, censorship as well as the lack freedom of expression and thought in today's Russia and Europe in general.
Galleria PACK is proud to present a chronicle of pictures of the most extreme actions by Russian artist Pyotr Pavlensky, whose artistic practice draws attention to and protests against the social and...
Judithe Hernandez and Patssi Valdez: One Path Two Journeys through January 28th Millard Sheets Art Center, Pomona in participation with Pacific Standard Time: La / LA By Mario Vasquez What happens when two women artists, whose artistic practice involved political and social activism, begin painting?
Displayed in the centre of the first space alongside Yee's work, is a multimedia sculpture by Kosisochukwu Nnebe, a Nigerian - Canadian artist whose artistic practice engages with critical race theory.
Massa Lemu (assistant professor, Sculpture + Extended Media) is a visual artist and writer whose artistic practice takes the form of drawing, performance and multimedia installations.
Representing a generation of artists active since the late 1990s, Body Talk foregrounds six African women artists whose artistic practice is concerned with past and current iconography of social protest and resistance.
I'm a multidisciplinary artist and musician whose artistic practice is made up of photography, music, painting, drawing, design, organising exhibitions, performance and writing and facilitating workshops.
We are offering an 11 - month residency for one visual artist whose artistic practice will resonate with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
Darien Wendell is a transdisciplinary artist whose artistic practice is preoccupied with deconstructing and reconfiguring our bodies, histories, and selves as they are known through systems of domination, colonialism, racism, sexism, oppression, and repression.
Marissa Lee Benedict is a sculptor, researcher, writer, explorer and teacher whose artistic practice investigates the complex and ever - evolving relationship between humans and the material world.
Raimo Saarinen is a Helsinki based sculptor whose artistic practice focuses on the various ideas of nature and people's relationship with plants and ecosystems in the western post-industrial cultures.
For this residency, the Museum is looking to award one visual artist whose artistic practice will resonate with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
Twenty artists whose artistic practice is informed by the past were invited to submit work that is inspired by, responds to, or relates to The Frick Pittsburgh's collection.
At A+P, McMillian, whose artistic practice embodies a wide range of media and techniques, will discuss how he manipulates a multitude of materials, including those found in his everyday life, to create striking sculptural works, paintings, and videos that challenge the relationships between language, aesthetics and content.
The Pain Store will be host to authors whose artistic practice extends beyond writing, into the uncharted and mysterious territories of dance, performance art, and installation.
In this exhibition, the gallery explores artists rooted in a specific culture, yet whose artistic practice defies place or origin.
This will be followed by a performance from Lucky Dragons, an experimental music group from Los Angeles whose artistic practice aims to create a better understanding of existing ecologies through workshops, publications, and recordings.
For the first edition of Amsterdam Art Fair Dürst Britt & Mayhew presents a solo presentation by Dutch artist Pieter Paul Pothoven, whose artistic practice concerns itself with the historic and social connotations of various valuable objects, ranging from lapis lazuli to ancient Egyptian mirrors.
She is widely regarded as one of the most influential artists of her generation, one whose artistic practice, teaching, and writing continue to influence succeeding generations.
How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and / or analogue photographic processes.
The viewer is presented with an older Nara whose artistic practice embodies a meditative approach.
As an awards exhibition, We Hereby Declare celebrates the achievements of contemporary artists working in Israel and whose artistic practices have been awarded prizes by the Ministry of Culture and Sport: Creative Encouragement Award, Young Artist Award, Design Award, Video Art Award, and Lifetime Achievement Award.
Wosene Worke Kosrof (b. 1950) and Girma Berta (b. 1990) are two internationally renowned artists whose artistic practices are informed heavily by their experiences with Ethiopia.

Not exact matches

About The Motion Picture Sound Editors (MPSE) The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award - winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.
In 1954, after a stint in Japan during the Korean War, he settled in New York and met artist Robert Rauschenberg, who introduced Johns to John Cage and Merce Cunningham, whose practices would have a strong impact on Johns's artistic development.
As the idea for Iniva developed, it grew to encompass internationalism and the study of global artistic practice; the remit being that Iniva should seek out and champion artists from around the world whose work and ideas would provide new perspectives for Britain's then predominantly western - centric view of the visual arts.
However, for Chimes this flight from reality was achieved, not through abuse of drink or drugs, but through a prolonged engagement with literary and artistic subcultures, whose radical nature deeply enriched his artistic practice
His was one of the most critical and persistent voices during the AIDS crisis and arguably the one whose theoretical insights most shaped the development of activist artistic practices, even beyond the confines of queer and AIDS politics (e.g. AIDS Demo Graphics, 1990; Melancholia and Moralism: Essays on AIDS and Queer Politics, 2004).
Each of these artists — many whose works have been featured in exhibitions that the Museum has originated — contributes to the field of visual art in tangible ways and consistently demonstrate a commitment to expanding their artistic practice.
John Fare, who himself was present as a sort of phantom host, is an artist whose myth extends much further than his artistic practice.
In 1974 he founded, together with a group of artists, writers, film - makers, performance artists and musicians, the Laboratoire Agit» Art, whose aim was to transform the nature of artistic practice from a formalist, object - bound sensibility to practices based on experimentation and agitation, process rather than product, ephemerality rather than permanence.
Gareth Long is an artist whose diverse artistic practice derives from questioning and dismantling notions of authorship.
Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary artistic practice takes the form of drawing, performance, and multimedia installations that are concerned with the contradictions of migration within globalization and the effects of an immaterial, flexible and mobile capitalism on the post-colonial subject.
Dr. Pauwels is currently completing her first book on the American artist Napoleon Sarony, whose complex legacy as a printmaker and photographer illuminates the ways in which commercial art and mass media shaped artistic practice and visual experience in the late nineteenth - century United States.
ELIGIBILITY Fellowships are awarded to artists whose careers and artistic practices would benefit from the opportunity.
Each celebrates a friend with whom the artist had developed a rich artistic exchange or collaboration in the early 1960s — in this instance the dancer and choreographer Yvonne Rainer (b. 1934), whose significance to Rauschenberg's practice will be discussed in greater depth below.
He is a member of several photographic and artistic spaces, whose practice is balanced by his commercial and freelance work.
(FT) Of Algorithms and Architecture — Esteemed artist Julie Mehrehtu, whose work is currently in solo shows at Marian Goodman Gallery in New York and White Cube in London (not to mention highly coveted by collectors worldwide) shares 500 words with Artforum about her artistic practice and mark - making process.
Bodies of Resistance presents emerging and established artists whose work and artistic practices has been influenced by HIV / AIDS.
«Unorthodox is a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistic conventions.
For its Organizations in Residence program, 18th Street Arts Center seeks to work with artistic organizations whose practices relate to our organization's mission statement, which is to «provoke public dialogue through contemporary art making.»
The work displayed here is created by folks whose lives and artistic practice have been impacted by movement.
Jimmy Ogonga (b. 1977) is an itinerant Artist and Producer whose work interweaves between Artistic practice and Curatorial strategies.
A significant part of this exhibition is devoted to the works of Andy Warhol, whose ideas and artistic practice continue to have a decisive impact on the contemporary art scene.
This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic - artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality.
Light Work and Urban Video Project (UVP) are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of Xaviera Simmons, whose multidisciplinary artistic practice includes photography, sculpture, installation, sound art, video, and performance.
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