Not exact matches
who stumble across a serial killer
whose motivation seems to be lifted directly from the
classics: Each victim is slaughtered according to one of the seven deadly sins, and passages from Dante's Divine
Comedy keep turning up as mocking clues.
There is nothing conspicuously revolutionary about the «The Kids Are All Right», a sleek, smart, enormously entertaining film about a middle - aged lesbian couple (played by Annette Bening and Julianne Moore)
whose teenage kids seek out the sperm donor who is their biological father (Mark Ruffalo); it has big - name actors, a sun - dappled Los Angeles setting, and the feel of a
classic Hollywood
comedy at its snappiest.
It's an overachieving showcase for the hitherto - unknown comic chops of Channing Tatum (
whose big year challenged that of Magic Mike co-star Matthew McConaughey) but it's no Hot Fuzz, nor the instant
comedy classic its passionate acolytes held it up to be.
Ramis started his
comedy career at Second City in Chicago (not to mention the improv troupe's TV series «SCTV»), where he would become buddies with the late John Belushi, a comedian
whose career he helped launch by writing the college
comedy classic National Lampoon's Animal House.
Classic comedy starring Spencer Tracy and Katherine Hepburn as husband - and - wife journalists
whose relationship flounders when her career begins to eclipse his.