Sentences with phrase «whose contemporary performance»
The MAP Fund, administered by Creative Capital, supports artists, ensembles, producers and presenters whose contemporary performance work embodies a spirit of exploration and deep inquiry.
https://blog.creative-capital.org/ Not exact matches
When one talks of World Cups and match - winning performances it is easy to overlook the achievements of Plánička and his contemporaries, their performances on grainy, monochrome film, in favour of more modern keepers, whose every save and move is captured in High Definition and repeated ad nauseam.
Vibrant and energetic artwork by local singer, contemporary painter and performance artist extraordinaire Stuart Carey, whose jazz band X-Tet performs at Seven every other Thursday.
Seven Bar & Kitchen: Vibrant and energetic artwork by local singer, contemporary painter and performance artist extraordinaire Stuart Carey, whose jazz band X-Tet performs at Seven every other Thursday.
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, photography, and performance.
Lastly, I would like to mention the Swedish - born duo Nathalie Djurberg and Hans Berg, whose work Worship (2016) resonates with different works from various disciplines, bringing performance up to the present day, conceptually and technologically, and also in the way in which it reflects the fluidity of contemporary creative practice.
Joan Jonas (b. 1936, New York) is a pre-eminent figure in contemporary performance and an acclaimed multimedia artist whose work encompasses video, performance, installation, sound, text and drawing.
Segade is a founding member of the collective My Barbarian, whose fantastical, political performances and videos have been exhibited at the Hammer Museum, the Museum of Contemporary Art, and Los Angeles County Museum of Art in Los Angeles; The Kitchen, the New Museum, the Whitney Museum, MoMA P.S. 1, Joe's Pub, the Studio Museum in Harlem, and Participants Inc. in New York; San Francisco Museum of Modern Art and Yerba Buena Center in San Francisco; the Museum of Contemporary Art, Miami, Museo Experimental El Eco, Mexico City, the Power Plant, Toronto, De Appel, Amsterdam, El Matadero and ARCO, Madrid, Galleria Civica di Arte Contempraneo, Trento, Italy, the Center for Contemporary Art, Tel Aviv, and Rawabet Theater / Townhouse Gallery in Cairo, for which the group received an Art Matters grant in 2008.
The Hodgkin show was announced on Thursday along with an exhibition pairing the works of the contemporary artist Gillian Wearing with the early 20th century surrealist photographer Claude Cahun — two artists whose work shares similar themes around gender, identity, masquerade and performance.
Gates, whose practice includes performance, installation, and urban interventions, created 12 Ballads for Huguenot House as part of his ongoing efforts to rejuvenate — both socially and architecturally — his South Chicago neighborhood LOCATION: Museum of Contemporary Art Chicago
Rematerialized included a group of eight contemporary artists from US and Canada, whose work focuses on the use of objects, performances, and spaces, recycled, reapplied, recast, recombined and re-contextualized from our everyday world.
«I think it's not that the two are merging, but rather that our experiences are becoming altered in a new way by our interactions with technology,» says contemporary video and performance artist Ann Hirsch, whose work will be featured in «Electronic Superhighway.»
Moving restlessly between disciplines of film, performance, sound and site - specific installation, the exhibition captures the diversity and complexity of Laure Prouvost whose name has now become a topical buzzword of the contemporary art scene.
Charles Mayton is New York - based contemporary artist, whose paintings combine the abstract and the schematic, exploring the questions of time, language and performance in painting, straddling abstraction and figuration.
William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of William Kentridge, the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today.
Theseprocesses seek to approach conceptual and formal relations between different and less - known performance artists — or artists whose works activate performative notions — both historical and contemporary.
Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world - wide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance.
Lauren Kalman is a visual artist based in Detroit, whose practice is invested in contemporary craft, video, photography and performance.
Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.
March 9: Heiner Contemporary spotlights the work of Avery Lawrence, a promising, New Orleans - based artist whose practice incorporates performance, photography, drawing, video and installation.
March 17: Conner Contemporary opens two concurrent shows, one featuring New York video artist Janet Biggs, and the other featuring Washingtonian Wilmer Wilson IV, whose performance - based art was a standout at this summer's (e) merge art fair.
Here's what they will tell us: for abstract painting look elsewhere (narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and film and video will «be selected from the point of view of two curators of contemporary art.»
The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.
A survey of the state of contemporary art in America, the biennial features emerging and established artists whose work spans a wide - range of mediums, from painting, drawing, sculpture and photography to music, film, performance, activism, and video game design.
At the Atlanta Contemporary Art Center: Dana Schutz's drawings, followed by one of her influences, Peter Saul, whose paintings were half of an unlikely but quite provocative pairing with Mel Edwards» sculptures; the opening tableau of Shana Robins» performance; sculptures by David Shaw and Elonda Billera, from the sublime to the ridiculous; curator Matthew Hicks.
Moving restlessly between disciplines of film, performance, sound and site - specific installation, the exhibition captures the diversity and complexity of this artist whose name has now become a topical buzzword of the contemporary art scene.
Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.
Support for this program is provided by the Amphion Foundation and the Institute for Interdisciplinary Innovation (I ³), a three year pilot project of the Contemporary Arts Center, New Orleans (CAC), supported by The Andrew W. Mellon Foundation, designed to provide both the context and content for the expanding aesthetic landscape of interdisciplinary performance as practiced by artists whose projects are drawn from or inspired by the rich cultural traditions of the South.
Tulsa Kinney is a painter and performance artist from Los Angeles, California, and Ron Terada is a Vancouver artist whose work was shown recently in the exhibition Young Contemporaries, circulated by the London Regional Museums in Ontario.
More theoretically inclined Feminist artists of the late 1980s and 1990s included: the conceptual artist Mary Kelly, now Professor of Art at the University of California, Los Angeles, whose work borrows from both Marxism and psychoanalysis; the contemporary German photographer Katharina Sieverding, who uses make - up and face - painting to explore gender borders; the German multimedia artist Iza Genzken, noted for her assemblages of household objects; the American postmodernist Lynda Benglis, best - known for her wax paintings and poured latex sculptures; and the English conceptual Helen Chadwick (1953 - 96), noted for her feminist performances and installations, but perhaps best - known for photocopying her body next to dead animals.
The Foundation's programming also encompasses its own exhibitions, lectures, performances and events, on Calder as well as contemporary artists, including those whose work the Foundation supports through its biannual Calder Prize and the Atelier Calder residency program in Saché, France.
Over the past several years, the Calder Foundation has expanded its programming to include its own exhibitions, lectures, performances, and events on Calder as well as contemporary artists, including those whose work the Foundation supports through its biannual Calder Prize and the Atelier Calder residency program in Saché, France.
The International Biennial of Contemporary Art of Cartagena de Indias is an exhibition of contemporary art with international and national artists.The Biennial brings together artists from different countries whose works will be exhibited throughout the city of Cartagena and will include painting, sculpture, photography, electronic and audiovisual media, installation and Contemporary Art of Cartagena de Indias is an exhibition of contemporary art with international and national artists.The Biennial brings together artists from different countries whose works will be exhibited throughout the city of Cartagena and will include painting, sculpture, photography, electronic and audiovisual media, installation and contemporary art with international and national artists.The Biennial brings together artists from different countries whose works will be exhibited throughout the city of Cartagena and will include painting, sculpture, photography, electronic and audiovisual media, installation and performance.
A further three prominent international artists will present their first one - person exhibitions in this country at IMMA in the coming year — the Portuguese artist João Penalva (opening 14 June), whose work, encompassing painting, installation and performance, is often process - based, involving language and narrative; the German photographer Candida Höfer (opening 12 July), whose exquisitely - composed photographs will present the results of a working visit to Dublin, and Iran do Espírito Santo (opening 8 November), one of Brazil's most interesting contemporary artists, best known for his sensual minimalist works dealing with structure, design and space.
The Institute for Interdisciplinary Innovation (I ³) is a three year pilot project of the Contemporary Arts Center, New Orleans (CAC), supported by The Andrew W. Mellon Foundation, designed to provide both the context and content for the expanding aesthetic landscape of interdisciplinary performance as practiced by artists whose projects are drawn from or inspired by the rich cultural traditions of the South.
Line up of artists include: Bad - girl performance art legend Penny Arcade; pioneering artist Christian Marclay, whose work explores the connections between visual and audio cultures; Turner Prize - winning artist Martin Creed; investigatory pop / electronic composer and performer Simon Bookish and the spectacular contemporary dance choreographer Frauke Requardt.