Sentences with phrase «whose culture represented»

The family into which he was born would have been the noblest in a nation whose culture represented the peak of human achievement.

Not exact matches

The contemporary ecological crisis represents a failure of prevailing Western ideas and attitudes: a male oriented culture in which it is believed that reality exists only as human beings perceive it (Berkeley); whose structure is a hierarchy erected to support humanity at its apex (Aristotle, Aquinas, Descartes); to whom God has given exclusive dominance over all life forms and inorganic entities (Genesis 1 - 2); in which God has been transformed into humanity's image by modern secularism (Genesis inverted).

Here is a story whose plot links a few incidents to represent the identity of a congregation in a culture disposed to deny it.

The cover story of today's The Australian Financial Review Magazine features Judith Neilson whose White Rabbit art gallery, Phoenix performance space, and Indigo Slam house, represents more $ 100 million in investment in culture.

For autistic girls, whose lives can be changed by early diagnosis, the mutually reinforcing trends in culture and science represent a dangerous blind spot.

Harriet Kelley, whose art collection with husband Harmon Kelley forms the reason the exhibition came into being, spoke to the ways black artists represented their culture in the days of the 1920s Harlem Renaissance.

Both social commentary and a poetical discourse of Persian culture, Postcards from Tehran represents unique viewpoint of contemporary artists from Iran whose dissenting viewpoints will be a revelation to a national American public whose main knowledge about Iran is derived from corporate cable news channels.

Stripped of any recognizable features, they are representing women whose «interiority, subjectivity, and psychology is completely absent as a visual language in western culture.»

Her stark black - and - white photographs document subjects whose images and stories are under - represented in mainstream culture — people of color, gays and lesbians and large people.

In OF THE PEOPLE, Shepard Fairey, the Guerrilla Girls (feminist artists who, since 1985, have commented on the role of women in politics and art), and the Bruce High Quality Foundation (whose well - honed commentary on politics and culture in America debuted at the Whitney Biennial) represent the American scene.

In group portraits, the power plays between the represented countries are illustrated through references to sexual scenarios from BDSM culture, with the dominant authority marked with a «D» and the submissive player marked with a «S.» The artist employs queer models of all shapes, sizes, and genders whose anonymous bodies, decidedly distinct from those of the men whose faces they are wearing, peek through holes in their masks and costumes in jarring ways.

The works in Shell Game represent a major departure for Gruzis, whose earlier work used intensive ink washed to create hazy, funky riffs on the objects and places that make up a kind of pop - culture landscape by way of Los Angeles.