Sentences with phrase «whose curatorial work»
Koyo Kouoh is an exhibition maker and cultural producer whose curatorial work revolves around the redefinition of the contemporary African persona.
http://www.iniva.org/ Not exact matches
Over the years, Arnett has «discovered» a number of self - taught African American artists from the South whose work he collected, promoted, and sought scholarly and curatorial recognition for.
A darling of the curatorial class whose work is marked by acrobatic juxtapositions of various mystical and artistic avant - gardes, Shezad Dawood — a London - based artist of joint Indian and Pakistani descent — has enjoyed a steady simmer of building acclaim over the past few years, taking home the Abraaj Capital Art Prize in 2011 and landing respectable shows.
We are pleased to partner with the Walker Art Center in the organization of the first major retrospective of the artist's career, adding to new curatorial insight and broadening public understanding of an artist whose work deserves even greater national and international recognition,» said Maxwell L. Anderson, the DMA's Eugene McDermott Director.
The curatorial method applied allows for the resonances between artists to be explored, while also allowing in - depth focus on individuals who have either had longer careers (Sam Gilliam, b1933, Charles Gaines, b1944) or whose work has developed in a particularly singular style (Lynette Yiadom - Boakye, b1977).
The curatorial premise brings artists together whose work concerns «automated empathy, new age philosophy, digital death and the rise of artificial intelligence in contemporary society.»
Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.
The CCS Bard Library and Archives support research by a wide range of constituencies including students in the MA Program in Curatorial Studies, Bard College undergraduates, faculty, and other researchers and scholars whose work relies on access to primary resource materials.
Patty and I are especially proud of the students whose research and curatorial work contributed to this exhibition.
an exhibition from an emerging Chicago curator whose work transgresses or questions traditional curatorial conventions
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Monday, July 2, 5:30 pm Kris Grey is a New York City based gender - queer artist whose cultural work includes curatorial projects, performance, writing, and studio production.
A.L. Steiner is an artist whose work engages photography, video, installation, collage, performance, pedagogy, writing, and curatorial projects.
In turn, each of the eleven artists represented by Cumberland engages their own curatorial voice, selecting another whose work they respect and whose artistic experience shares influence and dialogue.
Amy Sillman Is New York - based artist Amy Sillman whose major 2014 solo exhibition «One lump or two» travelled from Institute of Contemporary Art, Boston to Aspen Art Museum, Colorado and the Center for Curatorial Studies at Bard College, New York and whose works are held in the public collections of many prominent US institutions.
The most heavy - handed curatorial touch belonged to Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija, whose «Utopia Station» section crowded the work of over 160 artists into a cluttered lounge - like environment, replete with the obligatory computer stations and clubhouse ambience.
To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.
Jimmy Ogonga (b. 1977) is an itinerant Artist and Producer whose work interweaves between Artistic practice and Curatorial strategies.
A special thank you today to Kelsey Cassin, our Young Canada Works Curatorial Assistant, whose work has been essential is preparing each Object of the Week.
Preceding her tenure at the Studio Museum, Beckwith was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia, where she worked on numerous exhibitions including Locally Localized Gravity (2007), an exhibition and program of events presented by more than 100 artists whose practices are social, participatory, and communal.
Alexandra Picard Originally from France, Picard is a practicing artist whose work and curatorial projects focus on the integration of art and life through structural works that convey a sense of journey, perception and discovery.
Alexandria Eregbu is a visual artist, whose work often takes shape in the form of performance, programming, and curatorial practices.
This studio visit was one of nearly 1,000 stops made by the curatorial team during a year - long, 100,000 mile journey across the country to discover artists whose work has not yet been fully recognized.
The exhibition is based on the curatorial premise of selecting artists whose work is characterised by oppositions such as utopia - dystopia; critical - contemplative; segregation - consistency.
SVA Galleries and Rail Curatorial Projects present curator Phong Bui speaking with a selection of artists whose work is on view in «Unreasonable Sized Paintings» at the SVA Chelsea Gallery and a concurrent exhibition, «Reasonable Sized Paintings,» at Mana Contemporary.
As Catherine Wagley discussed in this month's earlier Looking at Los Angeles post, summertime tends to be dominated by endless group exhibitions whose curators often force connections between works through an overdetermined idea or curatorial thesis, or else leave the viewer adrift in a sea of contemporary plurality.
«We were interested in people whose practice might lend itself to responding to some of the aspects of Calder's work [by] thinking about abstract shapes, or thinking about his relationship to sound and music,» explains Greta Hartenstein, Senior Curatorial Assistant.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
This marked what feels like a natural progression for Marino, whose studio presence and curatorial work at pump project have undoubtedly influenced her capacity for medium exploration beyond the images she has shown in the past.
Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.
His curatorial philosophy is to provide a platform for artists whose work examines multidisciplinary approaches to addressing contemporary issues.
In the Autumn we present a major exhibition of artist Emily Jacir, whose work explores silenced historical narratives, movement and resistance, and in a new invited curators initiative Indian curator Sumesh Sharma and Irish curator Kate Strain will present projects at IMMA that reflect their individual practices and bring new curatorial perspectives into IMMA's programme»
Gain a new appreciation for Koons's work and for the roles of museum staff whose efforts were marshalled around the exhibition in this tour with Eleonora Nagy, conservator of three - dimensional works of art; Laura Phipps, senior curatorial assistant; and Joshua Rosenblatt, head preparator.
The Jewish Museum exhibit in which it was featured is a compact and focused show, curated by a talented young Jewish Museum curatorial assistant, Rachel Furnari, featuring work by seven contemporary artists whose wide - ranging explorations of the complicated intersections of national, ethnic, and sexual identities are central to their artistic practice.