Sentences with phrase «whose death and resurrection»

The missionary preaching in Mark and in the speeches of Acts tells of him whose death and resurrection is the meaning and purpose of his conflict on earth.

But the clear and overwhelming witness is to Jesus himself as the new and living way, whose death and resurrection are decisive.

Not exact matches

I learned this not from a class in feminist studies, but from Jesus — who was brought into the world by a woman whose obedience changed everything; who revealed his identity to a scorned woman at a well; who defended Mary of Bethany as his true disciple, even though women were prohibited from studying under rabbis at the time; who obeyed his mother; who refused to condemn the woman caught in adultery to death; who looked to women for financial and moral support, even after the male disciples abandoned him; who said of the woman who anointed his feet with perfume that «wherever this gospel is preached throughout the world, what she has done will also be told, in memory of her»; who bantered with a Syrophoenician woman, talked theology with a Samaritan woman, and healed a bleeding woman; who appeared first before women after his resurrection, despite the fact that their culture deemed them unreliable witnesses; who charged Mary Magdalene with the great responsibility of announcing the start of a new creation, of becoming the Apostle to the Apostles.

Instead, they are directed by God, whose call to live a holy life dedicated to the rescue of others is laid bare in the life, death and resurrection of Jesus Christ.

In my view, belief in the death and resurrection of Jesus is only necessary for those whose target is salvation.

This Spirit mediated relationship with the triune God and with the entire history of God's people — a history whose center resided in Jesus» own proclamation of the reign of God, in his death and resurrection — constitutes an assembly [congregation] into a church (p. 129)[italics mine].

Concerning these he said, «I count everything sheer loss, because all is far outweighed by the gain of knowing Christ Jesus my Lord, for whose sake I did in fact lose everything... All I care for is to know Christ, to experience the power of his resurrection, and to share his sufferings, in growing conformity with his death, if only I may finally arrive at the resurrection from the dead.

I Peter doesn't leave us to suffer injustice passively but points us to Jesus, whose suffering and death were transformed into resurrection.

They presented a Jesus of social challenge and communitarian vision, a moral and political hero whose struggles mirrored our own, whose death, whose resurrection is symbolic.

Jesus, therefore, is not a mere teacher but the Son of God whose incarnation, death and resurrection usher in a new eschatological age of redemption.

Christians find this creative Word most fully actualized in the life, death, and resurrection of Jesus as they participate in that body whose living mind they discern to be the risen Christ.

When confronted by suffering, death, and sin, it does not despair but affirms meaning in Christ crucified, whose resurrection proves that Love is stronger than sin and death.

Jesus, whose love is more extravagant than we can measure, came to sacrificially die for us so that we might gain through His grace what the Bible defines as eternal life through His death and resurrection: to know the only true God and take hold of this present life by the direction and abundant strength afforded to us by through the Spirit.

The early Church included individuals who not only proclaimed the gospel but also remembered who the Jesus was whose life, death and resurrection were being proclaimed.

The genre - fueled likes of «Wolfen» and «Deadly Blessing» gave James Horner his first real breakthrough at the age of 25 with «Star Trek II: The Wrath of Khan» — a seminal sci - fi movie whose nautical feel introduced the themes of friendship, death, resurrection and the joy of flight that would not only distinguish an astonishingly diverse, Oscar - winning career filled with the likes of «Titanic,» «Glory,» «Legends of the Fall,» «Apollo 13,» «The Boy in the Striped Pajamas» and «Jumanji,» but also become motifs for the composer's life itself — one that ended in the jetting into the sky he so much loved at the age of 61.