Sentences with phrase «whose drawing style»

A following section will focus on artists — Domenico Tintoretto, Palma Giovane, and others working in Venice during the late sixteenth century — whose drawing style was influenced by Tintoretto's, while in a final section, visitors will be able to consider an interesting group of drawings, previously attributed to Tintoretto or to Palma Giovane, which have recently been proposed as the work of the young El Greco during his time in Italy.

Not exact matches

DJ (whose fighting style I am a massive fan of) unfortunately just does not draw a crowd.

French animator Sylvain Chomet, whose idiosyncratic, elegant, hand - drawn style and quirky approach to narrative were introduced to American viewers in 2003's The Triplets of Belleville, is returning to screens with another largely wordless feature...

Terry Zwigoff's landmark 1995 film is an intimate documentary portrait of the underground artist Robert Crumb, whose unique drawing style and sexually and racially provocative subject matter have made him a household name in popular American art.

The former is quite a departure for Jeep, whose styling identity is typically more macho and square - jawed, while the latter draws criticism for its somewhat lackluster performance and unrefined nature.

He has drawn upon his experiences in the Middle East to become a first - rate thriller author, whose meticulous attention to detail and subtle style remind me a lot of Daniel Silva.

In one building, you have the late, Italian visionary Carol Rama, whose drawings bring us into the optical inner sanctums of sexuality, self - doubt, and female power; the wild - style, Mike Kelly — like dandy and dynamism of Kaari Upson (who in one video fake - shops for a Las Vegas tract house and inspects the home by crawling on the kitchen counter and rubbing her hair on the stucco ceiling); Elaine Cameron - Weir's utterly alchemical, materially masterful installation; and Lynette Yiadom - Boakye, plying her still - developing portrait skills in the spirit of Neel herself.

Rauschenberg's style derived from his ability to marry Schwitters's magpie sensibility with a sense of scale, and of the grand gesture, that he'd learned from the Abstract Expressionist painters whose work he had gotten to know after arriving in New York in 1949: artists like Jack Tworkov (a fervent early supporter), Franz Kline, and, of course, Willem de Kooning, whose own art would become raw material for Rauschenberg's famous Erased de Kooning Drawing (1953).

The book is a beauty... There is, throughout Ms. Jones's essay and the book as a whole, voluminous documentation of work by major artists who still rarely figure in most histories of American postwar art, like Betye Saar, who made intricate figurative drawings on covered glass windows; Senga Nengundi, who was conjuring unusual forms from sand and pantyhose before Ernesto Neto was even a teenager; and John Outterbridge, whose multifarious assemblages took on a gamut of styles.

By contrast, the charmingly folkloric style of Cambodian artist Vann Nath's paintings jars with the first - hand recollections of torture by the Khmer Rouge that they depict, while Dinh Q. Lê, whose family was driven into exile by the Khmer Rouge, has curated a lyrical exhibition of observational drawings by artists in the Vietcong of downtimes between engaging the enemy.

Since the artworld has become relatively borderless, and recently fashion has also swung towards Cianciolo's rough - edged mix - and - match style, she's been included in Greater New York (2015), participated in this year's Whitney Biennial and, after showing with Bridget Donahue (Fluxus - like boxes containing her archival materials), has another gallery show, in London, with Modern Art — whose director, Stuart Shave, began his career as a dealer in the 1990s by showing work that drew on skater, graffiti and fashion subcultures: a perfect circle.

She was put off by the dominant style espoused by the school at the time, impressionism, and found herself drawn instead to the realism of the Ashcan school, whose focus on the popular and the urban had a profound impact on her work.

The Summer Exhibition will also see the launch of American contemporary painter, John Bauer, whose monochromatic artworks draw reference from the immediacy of graphic design and new technology, while resonating in the style and execution of the Abstract Expressionism.

Dashi Namdakov is a Russian sculptor, graphic artist and jeweller whose works draw on the ancient culture and artistic styles of the Eurasian steppes and on Buddhist and shamanic mythology.

A multiform corpus that includes paintings, drawings, collages, sculptures, videos and artist's books, her art mixes literature, mythology, and autobiography in a colorful style whose influences range from popular art to Byzantine mosaic to erotic miniatures.

Early works in this style typically filled large scale canvases, whose size was designed to overwhelm spectators and draw them into another world.

Brett Flanigan is a bay area - based artist and muralist whose abstract, illustrative style draws from a set of self - imposed constraints that he designs for himself.

He was also especially drawn to the decorative paintings of Theodore Chasseriau, whose style combined the classical linear composition of J.A.D.Ingres and the colour of Delacroix, and who would be the model for several of his later works.

Other abstract artists whose works were grounded in nature include Manoucher Yektai, who absorbed the ideas of abstract expressionism and the School of Paris; Sohrab Sepehri whose semi-abstract compositions drew on imagery of desert landscapes from his native Kashanor; and Abolghassem Saidi known for his lyrical and sensuous style.

«Picasso and Jacqueline: The Evolution of Style,» the doubleheader mounted by the Pace Gallery in its spaces on East 57th Street and West 25th Street, marshals paintings, drawings, prints, and sculpture to explore the changing image of Jacqueline, Picasso's second wife and last great love, whose dark, compact beauty dominated his art in his final twenty years.