Sentences with phrase «whose early paintings»

During a period when Rockburne was completing a body of process - based works made from chipboard stained with crude oil, her own assistant was Carroll Dunham, whose early paintings employed different types of veneer as support that, in their material investigations, harken back to this period.

Mr. Stella, a titan of postwar art whose early paintings sell for millions of dollars, told her that a dealer hadn't officially represented him in a long while.

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

Not exact matches

His paintings were exhibited in important shows in Europe early in the century and on equal terms with Cezanne, Gauguin, and Van Gogh, whose public acceptance has been secure.

Abingdon's One And A Half — Jonathan Wood recalls the VA the smallest of the three saloons made by MG towards the end of the»30s / Pau: A Popular Revival — The inaugural Grand Prix Historique contained all the ingredients for lasting success reports Douglas Blain / Bellows To Buses — Norman Painting relates how a West Midlands general engineer became a diversified vehicle producer but lost the plot after the First World War / Maudslay's Might - Have - Beens — Concluding Nick Baldwin's account of the early years of the Maudslay Motor Co. / Japanese Microcars — Michael Worthington - Williams recalls some amazing light cars and microcars produced up to the 1950s when Japan was far from the successful motor manufacturing nation it is today / Phantom a La Packard — This month the Editor tries out a Phantom II whose dual cowl bodywork was modelled on a Packard phaeton.

Junction Point Studios» concept artist A.J. Trahan, whose work we last featured in our round - up of Epic Mickey concept images, has posted more early and beautiful paintings from the Wii's recently released platformer / action - adventure game.

A solid half of the artists in Grupo Ruptura were European immigrants, including the Austrian - born Lothar Charoux, who made whispering compositions of orthogonal and diagonal lines, and Waldemar Cordeiro, from Rome, whose intriguing paintings of interconnected circles give a tiny hint of his future as an early computer artist.

During the late 1960s Larry Poons whose earlier Dot paintings were associated with Op Art began to produce looser and more free formed paintings that were referred to as his Lozenge Ellipse paintings of 1967 - 1968.

Terre verte also figures in two single - panel monochromes whose composition — a large rectangle or square resting on a smaller rectangle — recalls Marden's early paintings and drawings, particularly their disclosure, in the lower rectangle, of the many layers used to build up the painting.

It has become a commonplace that Stella peaked too early, and that the deep - thinking black paintings and other inexpressive canvases of the 1960s have more virtue than the hulking late works, whose swooping forms seem more pedestrian.

She is no more representative of her generation than De Keyser is of his, but like him she has been a favorite of fellow painters, most notably, in her case, Mary Heilmann, whose gloss of Greenbaum's early work is worth quoting here, for the sake of its descriptive energy (which matches the nondescriptive energy of the paintings) and the way it highlights how Greenbaum's work has changed: «Joanne seemed to be remembering the atmosphere of a festive female experience of the 60s.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Cage mentioned Robert Rauschenberg's early white paintings as an inspiration for «4» 33»» - the soundless piano piece whose performance makes his point that «there is no such thing as silence,» only failures of attention.

A British room contains four works by Lucian Freud (1922 - 2011), ranging from an early painting (Self Portrait, 1949) to the remarkable etching, Self - Portrait: Reflection (1996); two paintings by Francis Bacon (1909 - 92); the heavily impasto Head of Man (Self - Portrait)(1964) by Leon Kossoff (b1926), whose thick paint swirls offer his own form of distortion, concealment and ensuing excavation; and a delightful recent graphite piece by Frank Auerbach (b1931), Self - Portrait II (2010).

Vogel also did a little research on the price history behind an early Hirst medicine cabinet that had a nice showing for an artist whose market has been soft and struggling in recent years, especially the spot paintings which were meant to have a revival after the worldwide Gagosian show and announcement of a catalogue raisonnée (the one spot in Christie's sale went below the estimate range):

The Incendiary Nocturne paintings lean heavily on earlier masterworks of this era, especially the Romanticist paintings of J.M.Turner (1775 - 1851) whose The Eruption of the Souffrier Mountains looks as though it was painted on an adjacent easel with the same palette of burnt umber and cadmium yellow.

One of my heroes is Charles Sheeler, whose early 20th century paintings of new massive industrial plants were like proud birth announcements for modern industry.

«Izhar Patkin: The Wandering Veil,» on view through Sept. 1 at Mass MoCA, caps a return from the shadows for this artist, whose early breakthroughs included a full gallery devoted to his attention - grabbing paintings on black neoprene curtains at the 1987 Whitney Biennial.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

artSümer represents artists at early stages of their career development, whose diverse practices include painting, drawing, sculpture, photography, video and new media.

Earlier, a Golden Lion for lifetime achievement was awarded to the American artist Carolee Schneemann, whose paintings, performances and videos explore the boundaries of the body and the political power of women's sexuality.

Then it went from this deeply physical experience to the complete opposite, which is Agnes Martin, whose most recent work then had been painted two or three years earlier.

During the early 1960s, he painted personalities whose faces were as recognizable as everyday consumer products.

Yes, in the early»50s, he had indulged in some pretty extreme gestures: making paintings of perfectly uninflected white, whose only formal content is the square or rectangular shapes of the abutted panels on which they were painted, or making a print some 24 feet long by inking one of the tires on his friend John Cage's Model A Ford and having him drive across the paper.

After visiting a number of different galleries last week, I was struck by a few young artists whose paintings would indicate that they are responding to early modern art but not with irony.

There was also increased recognition for significant artists whose importance might have been overshadowed previously, such as 84 - year - old Sam Gilliam, whose abstract «color field» painting at New York's Mnuchin gallery sported a red dot sticker — meaning it was sold — early on.

[4] Although he worked for years prior to that period, Katz reached great public prominence in the 1980s when he became known for his large paintings whose striking simplicity and the heightened sense of colors are now seen as early precursors to Pop Art.

There he was introduced to the work of Mark Gertler, Henry Moore, Augustus John and other prominent English artists of the time whose emphasis on visual acuity and technical skill would have a major effect on Mead and accounted for the restraint of his early paintings.

The earliest piece in the show is Swimming, Smoking, Crying (2009), whose title — through an evident nod to Philip Guston's 1973 masterpiece Painting, Smoking, Eating — suggests, albeit more indirectly, that this is another of Schutz's allegories of pPainting, Smoking, Eating — suggests, albeit more indirectly, that this is another of Schutz's allegories of paintingpainting.

The space is divided into two conjoined galleries, one of which hosts the third solo exhibition of Ryan Travis Christian — whose drawings and paintings are clearly influenced by early Disney animation, George Condo, and the Chicago Imagists — while the smaller gallery hosts text - heavy prints by Steve Reinke.

We witness the tension between surface and depth and the tension of the modernist struggle familiar through the push - pull theories of painting and surface put forth by the influential teacher Hans Hoffman, the entanglement between line and space so apparent in Robert Motherwell's early open form paintings, and especially Lucio Fontana, whose Spatialism in the 1940s through the 1960s emphasized the puncturing of surface and the monochrome as a two dimensional membrane.

André Emmerich, an influential Manhattan art dealer whose gallery was an early champion of the 1950s and»60s school of Color Field painting and who also mounted important shows of pre-Columbian art, died yesterday at his home in Manhattan.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

In The Phoenix Greg Cook reports that Alexis Rockman, whose earlier work is often compared to the Museum of Natural History's diorama painting, has adopted an «expressionist action - painting style while holding to the disasters - of - global - climate - change theme.

IJ: I'm also thinking of artists like Denzil Forrester [born in Ghana in 1956, who studied at Central School of Art and the Royal College of Art in the early 1980s] whose paintings you showed last year, Peter, at Tramps [the London gallery space in Peter Doig's former studio that is programmed by Parinaz Mogadassi, along with Doig and artist Alastair Mackinven].

Highlights from the collection include furniture by Charles and Ray Eames, ceramics by Beatrice Wood, and sculptures by Claire Falkenstein, George Rickney and Peter Voulokos; Early 20th Century European Modernist paintings by Vasily Kandinsky, Alexej Jawlensky and others from the Milton Wichner Collection; and contemporary artists such as James Jean, Sherrie Wolf, and Sandow Birk whose paintings have recently been added to the collection.

John Hoyland, born in 1934, belongs to that generation of British painters whose careers were decisively affected in the late fifties and the early sixties by the impact of American painting since the war.

Most of the paintings have a bright white background whose texture is extremely lovely and relatively smooth as opposed to what I probably called the «mud pies» of his early women.

Instead, he combines his own pigments in an attempt to explore pure unadulterated light through color that can not be easily explained... Unlike Yves Klein, known for the idiosyncratic blue paint, or Frank Stella, whose early works are exclusively black, Knutsson investigates the entire color spectrum, focusing on one hue at a time.

In addition, by lecturing at Yale and other universities and creative forums, and by staging Surrealist exhibitions with their ideas of automatism and intuitive creativity, Breton influenced several members of the New York School of Abstract Expressionism - notably the gesturalist Jackson Pollock whose early works and styles (like action - painting) contained several important Surrealist features.

Early pioneers included Van Gogh (1853 - 1890), most of whose paintings were autobiographical, notably his self - portraits; Paul Gauguin (1848 - 1903), noted for his use of Cloisonism (blocks of colour) and Symbolism; Edvard Munch (1863 - 1944), the nervy student of psychoanalysis; and the primitivist painter Paula Modersohn - Becker (1876 - 1907).

Yves Klein, whose «Sculpture éponge bleue sans titre, SE 168,» sponges painted blue and stuck on a sinuous rod, set a world auction record for the artist at $ 22 million a day earlier at Sotheby's, equally defies aesthetic commentary.

UP ON 79TH STREET, Skarstedt is showing 10 large paintings by Richard Prince, a Goldstein contemporary whose early work fits the Pictures mold.

Kandinsky's manifesto «On the Spiritual in Art» (1911) served as Der Blaue Reiter's sacred writ and inspired not only Klee's early paintings but also his own seminal text, «Creative Credo» (1920), whose punchline, «Art does not reproduce the visible; rather, it makes visible,» influenced both his contemporaries and his Surrealist scions.

Organised in collaboration with MoMA in New York, each chapter of Rauschenberg's long career will be represented by important works, among which will be a stellar selection of his legendary Combines — hybrids between painting and sculpture — as well as his graphic screen prints whose depiction of the assassinated US president John F Kennedy signal the artist's early commitment to political activism.

Biala, whose painting career spanned most of the 20th Century, developed a style that was a synthesis of the intimacy and light often associated with early French Modernism, and the painterly directness and active brush strokes of Abstract Expressionism.

She beat competition from the other shortlisted artists: Dexter Dalwood, whose contemporary take on traditional history painting saw him an early bookies» favourite; Angela de la Cruz, whose mangled, dishevelled canvases place her somewhere between painter and sculptor; and the Otolith Group, whose work, often in film, encompasses curating as well as creating.

Paintings by the early Australian modernist Roy De Maistre, for example, share a space with a series of pieces by the young Dutch artist Riet Wijnen, whose interest in «the impossibility» of pure abstraction has led her to create a fictional dialogue between Grace Crowley (also a pioneering early Australian modernist), and the British constructivist Marlow Moss.