For me, Beach Rats is a movie
whose emotional underpinnings and images feel always just out of reach, too personal for me to access them fully, and that's the kind of thing that keeps me coming back.
The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans,
whose goal was to define a new way to explain how we «see» architecture that incorporated the balancing of all sensations (mental, physical and
emotional) that
underpin the human experience of built structures.