Sentences with phrase «whose exhibition work»

Jennifer Samet interviews painter David Humphrey whose exhibition Work and Play at Fredericks & Freiser, New York, on view through November 8, 2014.

Not exact matches

Mixed media artist and clothing designer Marie Cordella is just one of the 40 artists whose work can be viewed at ArtSpace, a visual art center that features 23 open studios, three exhibition galleries, lectures, classes and many other stimulating art events.

As previously announced, the inaugural LFF Connects will feature British filmmaker Christopher Nolan, internationally acclaimed for some of the most original, compelling and successful films in contemporary cinema (Interstellar, Inception, The Dark Knight, Memento), and Tacita Dean, lauded for her art work in film (and whose grand - scale Tate Modern exhibition FILM transfixed audiences).

The story is about a war photographer (Huppert) whose family discovers secrets about her after her death, when an exhibition of her work is mounted.

The story is about a war photographer (Huppert) whose family discover secrets about her after her death, when an exhibition is mounted of her work.

The Dallas Zoo is hosting a photo exhibition from photographer Joel Sartore, whose work is featured in National Geographic and contributes to their Photo Ark Project.

Dan Coombs responds to the exhibition Matter at APT Gallery, London, a show of artists whose works «display abstract qualities, have a strong material presence and use their own materiality as subject.»

One of Marks's summer 2015 exhibitions examined the Hairy Who, a faction of Chicago Imagists whose work drew directly from vernacular art, comics, and ecstatic pop culture, and who, in the 1960s, helped introduce Darger, Martín Ramírez, whose drawings appeared this year on a series of U.S. postage stamps, and Joseph Yoakum, a creator of fantastical landscapes, to the mainstream art world.

The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main exhibition, the late Harun Farocki (whose entire film catalogue is being screened there); the Aboundaddera collective, which is presenting videos from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its scale.»

Born in Salt Lake City and now living in Seattle, Marisa Cole is a transgender artist whose work has been exhibited in 15 different gallery and museum exhibitions since the 1990s.

Also creating new work for the exhibition is Adam Pendleton, whose Black Dada works draw on traditions of absurdist poetry with minimal compositions based on letters, lines and shades of black, both abiding by and resisting historical concepts of language as image or material.

Ibid Gallery is hosting a solo exhibition of Mexican artist Alejandro Almanza Pereda, whose work explores the relationships and invisible links between sculptures, architectural spaces, and the spectator.

This exhibition presents work by the innovative Dutch designer Joris Laarman, whose approach to design is marked by combining science, technology, restless curiosity, and creativity with lyrical aesthetics.

You can see them in Our words return in patterns (part 1), a group exhibition organised by NOVEL with ICA curator Matt Williams at Galerie pcp in Paris and drawing on artists whose work explores language and fiction.

In curating this exhibition, Liu Wei and Bowen Li have selected the work of seven young artists, all born in Mainland China, whose practices range from performance to abstract sculpture.

NORTH ADAMS, MASSACHUSETTS — In conjunction with her solo exhibition at MASS MoCA, Liz Deschenes curates a group exhibition featuring six artists whose work expands the field of photography.

As mentioned by gallery owner and curator, Elizabeth Denny, including an artist whose work is cross-generational is important to the exhibition because it reveals diverse generations tackling similar ideas.

Chicago artist Lora Fosberg, whose exhibition «The End of Absurdity» runs at Linda Warren Projects through February 15, puts me in mind of that — her work is a witty and gentle raillery about both kinds of nature, and the stresses and strains of coordinating them.

An exhibition in a major museum of work by two centuries of American painters, clock - makers, photographers, quilters, silversmiths, sculptors, printmakers, and potters, whose only commonality is race, is a bit startling in 2015.

Featuring 42 contemporary artists from around the world whose work spans painting, sculpture, photography, and video, this exhibition explores issues of politics, religion, and racism.

Evans is a painter and installation artist whose work appears in public collections and exhibitions across the country and around the world.

«(Hotel) XX» is an immersive installation and group exhibition, presenting the work of female identifying artists whose work explores the intimate experiences of the transient visitor, a traveler on a journey to a strange and new place.

Xavier Hufkens represents the Robert Mapplethorpe Foundation, NY, from whose archive the works in this exhibition have been selected.

Linder (b. 1954, Liverpool, U.K.), whose full name is Linder Sterling, has had numerous solo exhibitions of her work, including The Lives of Women Dreaming at the British Council, Prague (2004) and The Return of Linderland at Cornerhouse, Manchester (2000).

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

«The exhibition brings the public's attention to African American artists whose works have long been omitted from the study and appreciation of American art,» the Smithsonian said in a statement last week.

EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented apartheid.

This exhibition presents works by eight mid - to late - 20th century artists represented in the museum's collection (Elizabeth Catlett, David Hammons, Al Loving, Adrian Piper, Betye Saar), juxtaposed with 18 younger contemporary artists whose works will appear for the first time at the museum (Nona Faustine, Ayana V. Jackson, Tschabalala Self, Talwst, Billie Zangewa).

Margaret Adams Parker A printmaker and sculptor whose works often deal with religious and social justice themes, Ms. Parker has an extensive exhibition record, including 25 solo shows.

Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing, collage, sculpture and paint.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

In that spirit, this exhibition explores the work of 35 dynamic Brazilian artists — many of whom have never been widely exhibited in the US — whose practices and influences are as varied as the social, racial, and geographical composition of the country itself.

An important additional focus of the exhibition is Roussel's significant reception in America, most prominently through John Ashbery whose life - long engagement with the work of Raymond Roussel began with a trip to Paris in 1955 to research for a planned PhD thesis on the author.

Ballroom Marfa is proud to announced its first group exhibition devoted to emerging artists whose work is informed by their experience of urban and suburban life in contemporary American culture.

He is one of the most important young sculptors working today, whose work has been included in the last two Whitney Biennials; the Lyon Biennale in 1997; and Sunshine & Noir exhibitions at the Louisiana Museum, Humblebaek; Castello di Rivoli, Italy; and the Armand Hammer Museum, Los Angeles.

Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.

Deep Comedy is an exhibition of work by artists whose conceptual practices are underpinned by humor.

At the center of the space is a cube, its outer walls lined with what she calls «Tête - à - Tête,» a constantly changing group exhibition of pieces by artists — Derrick Adams, Malick Sidibé, Carrie Mae Weems, among others — whose work has influenced Thomas's.

nine seventeen is accompanied by a catalogue which features texts by Dr. Peter Miller, whose shared enthusiasm for Meppayil's work brought the exhibition to the American Academy in Rome; historian and critic, Deepak Ananth, a specialist on Meppayil's work and its relationship to Indian art history; and Harvard professor and Art Historian Dr. Benjamin H.D. Buchloh, whose original essay stations Prabhavathi's work amongst the greats.

Postmasters is pleased to announce: RICHTERIANA GREG ALLEN, DAVID DIAO, RORY DONALDSON, HASAN ELAHI, FABIAN MARCACCIO, RAFAËL ROZENDAAL May 12 — June 16, 2012 opening reception, saturday, may 12, 6 - 8 Postmasters «new exhibition Richteriana attempts to examine the current canonization of Gerhard Richter, presenting six artists whose works pre-date, update, expand, and subvert «the greatest living artist's» own.

This exhibition is the first large - scale installation of Simmons» ongoing Index series, photographic works whose core are found in the language of the sculptural.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships, and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at the Museum of Modern Art in 1967.

Taking this intergenerational artistic milieu as its point of departure, this exhibition brings together works by artists whose output subverts a rigorous formalism through references to subjectivity, narrative, and process.

The New York space is dedicated to curated exhibitions both historic and contemporary, which cast a unique and often iconoclastic view on the work of established artists or artists whose works have been somewhat overlooked.

This exhibition will include women artists whose work portrays a world of fantasy, fairytales or legends.

by Stephanie Cristello Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

This exhibition presents 30 artists whose work reflects the language and style of abstraction: Markus Amm, Mark Bradford, A.K. Burns, Sarah Cain, Aaron Curry, Theaster Gates, Mark Grotjahn, Iva Gueorguieva, Sergei Jensen, Rashid Johnson, Jennie C. Jones, Rachel Lachowicz, Dashiell Manley, Julie Mehretu, Dianna Molzan, Albert Oehlen, Alexandra Olson, Laura Owens, Anthony Pearson, Howardena Pindell, Gerhard Richter, Sterling Ruby, Analia Saban, Maaike Schoorel, Amy Sillman, Diana Thater, Lesley Vance, Mary Weatherford, Lisa Williamson, and Christopher Wool.

For the exhibition, Goldin chose works by artists who were directly affected by the AIDS crisis and whose works fearlessly portrayed the ravages of the disease and the widespread cultural indifference to AIDS patients.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

This exhibition is curated by art historian Kene J. Rosa and artist Louis Jacinto, whose work has been exhibited in the Southern California area since 1980.