Not exact matches
(1910 - 1962) American, yet imbued with visual culture of Europe, Franz Kline exemplifies the development of pictorial language from a
figurative form that derives from Rembrandt and the other great masters
whose work he knew well from visiting European museums, to
abstraction.
The are few overt reference to the
figurative images still prevalent (and perhaps unexpected) in some works of the thirties,
whose creators were so militant about
abstraction.
After experimenting with
figurative art, Spanish - born artist Esteban Vicente (1903 - 2001) immigrated to the U.S. in 1936, embraced
abstraction and teamed up with Abstract Expressionists like Mark Rothko, Jackson Pollock and Willem de Kooning,
whose New York studio was on the same floor as Vincente's.
It wasn't surprising, then, that these abstract paintings,
whose abstraction never seemed absolute, soon had
figurative elements (mushrooms and tin cans) sprouting up in their midst, elements that Hawkins described as «not non-representational».
During the late 1960s, Guston became frustrated with the limitations of
abstraction and returned to
figurative painting, amassing a potent language of motifs
whose roots can be seen in the forms and shapes of Traveler III, and illustrating what Christoph Schreier refers to as subcutaneous figuration.2 Following his 1966 exhibition at the Jewish Museum in New York, Guston relocated to Woodstock, New York, embarking on what would become a two - year hiatus from painting.
This exhibition highlights the extensive career of Los Angeles - based artist Walter Askin
whose multi-faceted work ranges from sardonic graphic works, large painterly
abstractions, to vibrant
figurative sculptures.
Hassel Smith, a major figure in Bay Area art
whose expressionist
abstractions and
figurative paintings were admired for their improvisational zeal, potency and humor, has died at age 91.
Conceived as the companion to Black in the Abstract, Part 1: Epistrophy, which explored the fragmentation of the
figurative as well as the loose and expansive nature of
abstraction, this section chronicles the history of black artists
whose work relies on the drama of restraint.
An extraordinary colorist
whose style transformed from
figurative expressionism to lyrical
abstraction, Beauford Delaney was born in Knoxville, Tennessee in 1901.