Sentences with phrase «whose final work»

The Sorigué Foundation has been building one of the most important contemporary art collections in Spain for the past 15 years, a collection of more than 450 works by artists including Doris Salcedo, George Segal, Antony Gormley, Anish Kapoor, Cristina Iglesias, Tony Cragg, Eric Fischl, Kiki Smith, Juan Muñoz (whose final work «Double Bind» is also installed in this vast industrial landscape) and, of course, Kiefer.

As for Gandolfini, it's easy to remember that for every Heath Ledger who gets a posthumous nomination or award, there are actors whose final work failed to get recognition.

Not exact matches

And since all «being» is found only in «doing» — Whitehead's maxim that «a thing is what it does» is crucial here — the creaturely energizing which is at work in the whole creation finds its goal in, and its final significance through its being taken «up» into himself by the unsurpassable God «whose nature and whose name is Love».

A late chapter comparing Voegelin's work with the Catholic theology of Bernard Lonergan - whose ambitions in responding to the modern crisis matched Voegelin's and whose work, like his, takes its stand on a foundational account of consciousness - helps Morrissey to bring Voegelin's thought into what he calls a «theological community of discourse» and sharpens his final chapter's presentation of Voegelin's «reconstruction» of Christian theology.

Here, my explanation of the profound difference between single and married female voters involves a final assumption: The Democratic Party is the party that promises to expand government to take care of people whose lives aren't working out.

Lindsay - Hogg is the eminent film, television and theatre director whose work includes the 1970 Beatles documentary Let It Be, about the band's recording of their final studio album, while Della Sciucca is a writer, director, designer and illustrator.

And it appeared again as if Wall, whose adrenal glands start working feverishly when he is playing in the final round of a golf tournament, might come sailing up from far back and win this event just as he had won the Masters.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

Take «Late Carnations,» a short story about a young employee of China Datang Corporation, a large state - controlled power company, whose gruelling work ethic causes him to miss the final hours of both his parents.

If it is indeed his final work, it's a fitting one that's in keeping with the actor's career of telling stories of grand, often larger - than - life men whose self - identity clashes with, and often destroys, their relationships.

It will be directed by Oliver Hirschbiegel whose previous work includes the final days of Hitler's life in DOWNFALL and the astute FIVE MINUTES OF HEAVEN that starred James Nesbitt and Liam Neeson squaring up in a very insightful retrospect in Northern Ireland.

As mentioned, The Raven follows the final days of Edgar Allan Poe's life — presenting the tortured author as a self - absorbed and desperate social outcast whose work was still, at the time, mostly under - appreciated.

Not content with reaching a dazzling apotheosis in the on - screen presentation of song and dance, Fosse wove singing and dancing into a semi-autobiographical narrative chronicling the final days in the life of Joe Gideon, a genius director - choreographer whose non-stop work regimen is making him physically ill.

The third, and final, panel will consist of community and legal groups and advocates whose work centers around facilitating community stakeholder involvement in the Local Control Accountability Plan (LCAP) and budget development processes.

If an author isn't smart enough to read over their own work before submitting their final copy, then whose fault is that?

I know more than a few authors who are upset at how their books have been priced in the past, and have yet to meet one whose traditionally published who has final say over what their work sells for.

On numerous occasions during Westminster's televised finals competition at Madison Square Garden, the heroic dogs, individuals and organizations whose work has touched people in need have been regularly recognized.

Yoshitaka Amano, whose work included such famous efforts as Gatchaman and Vampire Hunter D, did concept art, character designs, monster designs, and more in his time as lead artist on the Final Fantasy series.

Magnus Games is thrilled to announce its collaboration with legendary composers Shota Nakama, founder of the Video Game Orchestra and best known for his work on Final Fantasy XV, Falk Au Yeong, a veteran whose portfolio includes audio work on film and anime as well as video games, and Yoshitaka Suzuki, who has contributed to several epic franchises like Metal Gear Solid and Final...

Magnus Games is thrilled to announce its collaboration with legendary composers Shota Nakama, founder of the Video Game Orchestra and best known for his work on Final Fantasy XV, Falk Au Yeong, a veteran whose portfolio includes audio work on film and anime as well as video games, and Yoshitaka Suzuki, who has contributed to several epic franchises like Metal Gear Solid and Final Fantasy.

The Battlefield Hardline Open Beta ended early this week with a final tally of over six million participants whose voices are being heard as Visceral / Electronic Arts work for improvements before this game officially releases as a hopefully lucky 13th installment in the Battlefield game series in about five weeks.

The two hour lecture was headed by Square Enix Visual Works General Manager and Chief Creative Director, Kazuyuki Ikumori, whose work spans across Final Fantasy, Tomb Raider, Deus Ex, and Hitman video games.

Additionally, the logo for the «Final Fantasy XR Ride» is a new illustration by artist Yoshitaka Amano, whose work has long been associated with the Final Fantasy series.

Here, then, some observations about one of the period's best painters, whose work, at least for the moment, is hovering silently in barely visible empyrean zones like one of the floating mandalas in his final paintings.

It's a fitting parallel for an artist whose work often draws its strength from its surroundings, letting light and shade dictate the final presentation of the painting's surface.

A following section will focus on artists — Domenico Tintoretto, Palma Giovane, and others working in Venice during the late sixteenth century — whose drawing style was influenced by Tintoretto's, while in a final section, visitors will be able to consider an interesting group of drawings, previously attributed to Tintoretto or to Palma Giovane, which have recently been proposed as the work of the young El Greco during his time in Italy.

The artist, whose work is both in dialogue with and enigmatically outside of the Pop tradition, always starts with drawings and then builds them into sculptures, which carries over into the final piece a satisfying 2 - D quality — as if Simpson were drawing in space, like the disembodied cartoonist's hand in a Chuck Jones short.

In his third (and final) tribute show Sam Nhlengethwa portrays the imagery of famous artists who have made an impression on him, and whose work places before us questions about progress and the limits of representation.

Other well know names represented include Cy Twombly and Richard Diebenkorn at Susan Sheehan Gallery, a Jim Dine solo show at Pace Gallery, Sam Francis at Manny Silverman Gallery and lastly Michael DeLucia, a former assistant to Jeff Koons, whose sculptural work is engaged with appropriation and the exploitation of objects of mass production in the search of a final abstract form, who is in a two person show with Al Held at the Van Doren Waxter / Eleven booth.

Lucy Raven is similarly involved with concepts of exchange and globalization in her physical and photographic tracing of copper wire manufacture routes from the mines of Nevada all the way to smelters in China in a work whose final presentation is formed from a sped - up animation of 7,000 still photographs that investigate what it is to be «wired.»

In this sense, Cesarco is a type of composer for his own practice, whose structural and methodological approach both embraces and distances the artist from the final work — a type of hard to place, yet intimate, familiarity that one feels when they hear a chorus or refrain from a song whose words they can no longer remember.

(But, contradictorily, this didn't stop me from choosing for the final image in my web show, a work whose maker I was not only unfamiliar with, but the dimensions of which were only described as «[shoe] size 10».)

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

But Caro after the 1960s gradually turned into the sterile virtuoso whose works in this final exhibition are physically grand yet intellectually flimsy.

But the real low - point for me is the final artist here, Dexter Dalwood, whose work might make him a candidate for the world's first talent transplant.

Thus, as she worked on her final book, she engaged a range of other voices whose presence at Cooper Union had become an extension of her own legacy as mentor and collaborator — among the myriads, Daniel Meridor, Peter Schubert, Mersiha Veledar and Daniel Sherer, who worked within Cooper Union, but also an extended cohort of intellectuals such as Barry Bergdoll, Merrill Elam, Calvin Tsao and Roger Duffy, who brought critical insight from intellectual boundaries beyond.

The result would be a work whose final appearance can not be ascribed to any intentional intervention on the part of the artist.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs.

The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Alex Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs, When You're Free, You Run in the Dark.

Taking its name from the final line of Dante's Inferno (1314), A Riveder le Stelle, «to gaze once more upon the stars,» is conceived as a virtual conversation between two artists, separated by time, place, and practice, whose work nevertheless manifests striking formal and conceptual correspondences.

His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.

The exhibition will also present three major series of prints that spotlight Dieter Roth's stunning mastery over and subversion of the printmaking process, drawing in fugitive materials whose ongoing deterioration gorgeously alter the final work over time.

A pioneer of photomontage, whose images of women presaged the ideas of Simone de Beauvoir and Second Wave Feminism half a century later, Hoch was a pivotal figure in Dada, the anti-art movement that outraged conventional opinion in the final years of World War One, working alongside iconic male artists such as George Grosz, John Heartfield and Raoul Hausmann.

From his immersion in 1960s counterculture to his life and work in New York City and final return to Rio de Janeiro, this catalog charts the development of an utterly original talent whose work is both wide - ranging and thoroughly engaging.

A display at Flowers Gallery focuses on the human form, with artists showing diverse approaches to the theme, with more works by McFadyen and a rare figure painting by fellow Royal Academician Tom Phillips (below), whose piece A Humument (1966 - 2015) is currently on display in the final room of the Summer Exhibition.

Each work begins with a process of drawing and in the finished painting one senses the vestiges of figures and forms that were born in this early stage, but whose integrity was quickly subsumed within the final scheme of the work.

The auction also features works by acclaimed living artists such as Stephen Scott Young, whose Hibiscus Dress (Little Cindy), 2009, realized $ 68,500 and Final Study for Mr. Buck's Funeral, 2010, sold for $ 62,500.

The final room of the exhibition features artworks by Jorge Pardo and George Segal, both of whose works make use of light and the space they occupy as formal elements.

Each of the artists selected produced a group of works at the end of his or her creative lives whose quality as «final works» offers a particular, sometimes innovative angle on the artist's oeuvre.