Sentences with phrase «whose first exhibition»

The long - awaited museum, whose first exhibition features 34 emerging, mid-career, and established artists (all living, save for Felix Gonzalez - Torres), has been approximately 15 years in the making.

The end of the decade was marked by popular protest in Europe and North America, clearly reflected in the activities of the arte povera movement, whose first exhibition was organised in 1967 by the Genoese critic Germano Celant.

The artist, whose first exhibition was with Miles Davis, picked up art from his mother, who was a painter.

Deveron Richard, whose first exhibition...

Not exact matches

EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented apartheid.

This exhibition presents works by eight mid - to late - 20th century artists represented in the museum's collection (Elizabeth Catlett, David Hammons, Al Loving, Adrian Piper, Betye Saar), juxtaposed with 18 younger contemporary artists whose works will appear for the first time at the museum (Nona Faustine, Ayana V. Jackson, Tschabalala Self, Talwst, Billie Zangewa).

Ballroom Marfa is proud to announced its first group exhibition devoted to emerging artists whose work is informed by their experience of urban and suburban life in contemporary American culture.

This exhibition is the first large - scale installation of Simmons» ongoing Index series, photographic works whose core are found in the language of the sculptural.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

As if this weren't enough, Frieze has established its first themed exhibition, a tribute to Hudson (1950 - 2014), the visionary art dealer whose gallery, Feature, gave first shows to some of the art world's current best sellers, including Takashi Murakami, Charles Ray and Raymond Pettibon.

Baltimore photographer Devin Allen, a novice whose image of police protests landed on the cover of Time magazine, is getting his first - ever exhibition at the city's Reginald F. Lewis Museum of Maryland African American History and Culture.

Four grant - supported exhibitions focus on individual artists, including the established artist Andrea Fraser, whose new performance and publication will premiere at the Hammer Museum, and emerging artist Indira Allegra, whose first solo museum exhibition, «No Space Without Tension,» will open at the Craft and Folk Art Museum in September 2019.

And in 1931, Matisse was the subject of the Museum of Modern Art's first monographic exhibition, organized by its founding director, Alfred H. Barr, Jr., whose continued advocacy of Matisse (organizing a larger retrospective, and authoring a substantial monograph in 1951) solidified Matisse's relevance to a younger generation — right as the New York art scene was on its way to replace Paris as the art capital of the world.

Published to coincide with Chicago - based Kerry James Marshall «s first exhibition at David Zwirner Gallery in London, this catalog documents the 14 paintings on view («the majority of which are portraits of subjects whose disassociated stares suggest the differences between «looking» and «seeing»»).

Strassfield was inspired to curate an exhibition on first generation abstract expressionists after seeing the work of Frank Wimberley, whose solo show also opens today.

If Pollock and Kline proved influential, so too did the «flatness» of work by Barnett Newman — as did paintings by Jasper Johns, whose 1958 exhibition first inspired Stella to use his now - trademark stripes as a compositional tool.

This exhibition will be the first comprehensive North American museum survey of the internationally recognized artist Walid Raad (b. 1967, Lebanon), whose work in photography, video, sculpture, and performance in the last 25 years investigates the distinctions between fact and fiction and the ways we represent, remember, and make sense of history.

Zabludowicz Collection is pleased to announce the first UK solo exhibition by Lizzie Fitch / Ryan Trecartin, two artists whose collaborative practice is one of the most significant in contemporary art today.

A Constellation traces connections among twenty - six artists of African descent: eight who emerged in the mid - to late twentieth century, and who are represented in the exhibition by works from the Studio Museum's permanent collection, and eighteen younger artists whose works are being shown at the Studio Museum for the first time.

The first bronze works to be hallmarked are by sculptor Maurice Blik, whose solo exhibition took place at Bowman Sculpture, London (13 April — 4 May 2018).

And he enriched his schedule with exhibitions of the esoteric and the overlooked, including the exquisitely rendered, sexually explicit homoerotic drawings of Tom of Finland, whose work he first exhibited in 1988, and the small, anonymous Tantric paintings on paper that he showed several times.

Lawrence Abu Hamdan, an artist whose investigations into sound have been used as forensic analyses in legal cases, tackles this issue in his first solo exhibition in France.

Tracey Emin, Sarah Lucas and Mona Hatoum are among the artists of today whose work is linked with the surrealist movement of the 1920s and 30s by this exhibition; one of the first modern art movements to involve a significant number of women.

Sarah Wiseman Gallery in Oxford presents Connections an exhibition with Andrew Hood and Carol Peace (whose work First Sun is shown here courtesy of the artist and Sarah Wiseman Gallery), two artists exploring the connections we make with one another and with the landscapes around us.

Another highly renowned name today in the field of photography is Desiree Dolron whose work Flatland Gallery showed at the first edition of Paris Photo in 1997 and for who Flatland organized in conjunction with the Groninger Museum in 1998 her first solo exhibition behind the eye.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

This exhibition is the first solo exhibition by the artist, whose work was exhibited in Germany at Kunsthaus Hamburg (with the Gedok Association) and at Documenta 5 in 1972.

This five - venue national exhibition marks the first major survey of this Los Angeles — based artist whose multifaceted practice encompasses painting and sculpture as well as media and sound installation.

Campbell, whose solo exhibition at Kate Werble Gallery coincides with her first museum survey at the Aldrich, will talk to Smith - Stewart about her multidisciplinary practice, which ranges from drawing to sculpture and installation focusing on subject matter that delves into everyday experience.

Emily Roysdon's work was first shown at Art in General as a co-founder and editor of the feminist journal and artist collective, LTTR, whose exhibition and residency, Explosion LTTR: Practice More Failure, was on view in 2004.

As the artist's first West Coast presentation, the exhibition is an unprecedented opportunity for Bay Area audiences to immerse themselves in the work of an artist whose singular contributions to twentieth - century modernism anticipate today's renewed interest in the sculptural and material qualities of abstract painting.

This is the first New York solo exhibition ever of the late Mildred Thompson, whose career produced things that look like magnetic vectors and landscapes of the mind.

As the first major exhibition to span Heinecken's career since his death, the presentation reveals an artist whose work was a precursor to many techniques that define contemporary art practice.

Revealing one of the South's best - kept secrets, this exhibition was the first retrospective dedicated to Lockett, whose career was cut short when the artist died of AIDS - related pneumonia at the age of thirty - two.

Ben Brown Fine Arts is honoured to present the first UK exhibition of American artist Ena Swansea, whose work has been widely exhibited in the United States and abroad.

This was the first UK museum exhibition of work by the renowned American artist KAWS, whose wide ranging practice includes painting, sculpture, graphic design, toys and prints.

Produced in conjunction with her inaugural solo exhibition at Kayne Griffin Corcoran, Mary Corse is the first major catalogue on an artist whose visibility has unfairly lagged far behind her importance and influence.

Jack Shainman Gallery For its inaugural presentation at Frieze London, Jack Shainman Gallery featured works by a selection of artists, including Nick Cave, Barkley L. Hendricks, Titus Kaphar, Andres Serrano, Hank Willis Thomas, Carrie Mae Weems, Lynette Yiadom - Boakye and Toyin Ojih Odutola, whose first solo museum exhibition in New York opens at the Whitney Museum of American Art Oct. 20.

Zina Saro - Wiwa is a video artist and filmmaker whose first solo museum exhibition, Did You Know We Taught Them How to Dance?

Such were the concerns at the heart of the Spiral Group, whose only exhibition, the 1965 First Group Showing: Works in Black and White, is represented by works by Emma Amos, Reginald Gammon, Norman Lewis, Hale Woodruff, and others — along with additional works by these artists, including Woodruff's large abstract painting Blue Intrusion (1958).

Drawn from Life, the first major exhibition of Lozano's work since her death in 1999, focuses on her drawings and notebook pages, with a selection of related paintings, to reveal the complexity and depth of an artist whose body of work remains elusive.

The first exhibition to focus exclusively on photographs made in the eastern half of the United States during the 19th century, East of the Mississippi: Nineteenth - Century American Landscape Photography showcases some 175 works — from daguerreotypes and stereographs to albumen prints and cyanotypes — as well as several photographers whose efforts have often gone unheralded.

Episode 88: This week Claire Maxwell speaks with Mimi Hart Silver, whose first solo exhibition, Dead of Night, is currently on view through July 27 at Whitespace Gallery.

is presenting the first museum exhibition in the UK devoted to the artist Joan Mitchell (1925 - 1992)- one of the most important and singular American painters of the post war period, whose work is gaining increasing recognition today.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

To commemorate Taylor De Cordobaʼs first five years and more than thirty past exhibitions, the gallery will feature one new piece by each represented artist, whose visions have shaped the face of the gallery.

The first of a three - part series devoted to cross-cultural identity, «Global Vision: New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»90s.

Ben Brown Fine Arts is pleased to present the first UK exhibition of French - Algerian artist Djamel Tatah whose work has been widely exhibited in France...

Also at Sperone Westwater is the first American exhibition of Zero Group artist Nanda Vigo, whose Cronotopi (1963 — 69), are minimalist structures of glazed surfaces that play with light and form.

In what is for each of them the first comprehensive solo exhibition in an institution whose exhibits receive attention beyond the regional level, the two artists are essentially presenting the fruits of their two years «residence in the studio house of the Kunstverein Hannover, Villa Minimo.