Sentences with phrase «whose images make»

Not exact matches

And it makes no secret of whose lunch it plans to eat, noting in one release, «the exact same clip can sell for as much as $ 450 on Getty Images.»

Black and white and Persian and Korean they come, not to mark the occasion of death, but to get where they are going — to pick up bulgogi from a nearby street cart, or fill a prescription at the Shoppers Drug Mart, or to make it to an appointment with the dentist whose office sits under the image of a broad smile just down the block.

The building of the local hospital, the ambulance that got me there before I died from blood loss, the image of God in the paramedics that made them give their lives to rescuing people they've never met, the wisdom of the surgeon, the intelligence and skill of the thousands of individuals whose discoveries have made operating theatres and anaesthesia possible — all of these are gracious gifts of a loving God, whose mercy enables healings to take place across the world that would, in any other generation, be considered quite miraculous.

Three - year - old Aylan, whose body washed up on a beach in southwest Turkey, drowned along with his mother and brother among a group of migrants trying to make it to Greece and sparked global reaction as images circulated the web in September.

Most especially, it is the authority of the one true God, in whose image male and female are made, that insures the dignity and equality of women and men.

While I agree we can't go making demands and bending God into our own image, it doesn't make sense to me that a God whose defining characteristic is supposed to be love would present Himself to His creation in a way that looks nothing like our understanding of love.

One sometimes becomes aware that one has been making God in one's own image and praying habitually to an idol, an idol who can even be made to give answers but whose answers will always be the perpetual reflections of one's own thoughts.

However, even if the results turn out not to be significant enough to indicate the discovery of the Higgs boson, the intellectual and technological work involved in looking for it are a testament to the unique brilliance of the human mind, which is itself a reflection, we believe, of the Mind of God in whose image we are made.

Physical matter is intrinsically determined, and spiritual mind, whether of man or of the Transcendent God in whose image he is made, is intrinsically a free determiner.

In whose image am I made?

I see myself, however, as having depicted and lampooned «another Jesus» (2 Corinthians 11:4), the one made over in the image of those whose PC propaganda he is made to spout.

Secondly, since this Name is the all - sufficient image or representation of the God whose name it is, any other image one may try to make of him will only derogate from this.

The one for whose image we have settled is a sure, triumphant God who runs no risks, makes no commitments, embraces no pain that is definitional.

There remains an irreducible quality to our experience which tells us that we are not perishing with it, that we are also made in the image and likeness of Another, whose code is transcendent.

An object is that which has the relationship of being known by a subject - which Knower in the final analysis is the Mind of God, in whose image our own minds are made.

«The images now are just at that intriguing resolution that lets you make stuff up,» says Mike Brown, the California Institute of Technology astronomer whose work helped motivate the reclassification of Pluto and Ceres as dwarf planets.

In the initial stages of the research project, Yaniv's team members Julian Nicenboim and Dr. Guy Malkinson obtained images of developing zebrafish embryos, whose transparent bodies make it possible to document embryonic development in real time over several days.

Adaptive optics images made with ARIES at the MMT of 87 Kepler Objects of Interest place limits on the presence of fainter stars in or near the Kepler... ▽ More The Kepler mission has revolutionized our understanding of exoplanets, but some of the planet candidates identified by Kepler may actually be astrophysical false positives or planets whose transit depths are diluted by the presence of another star.

For the latest study, whose results are published in the May 20 issue of the Astrophysical Journal Letters, Fomalont, Geldzahler and Bradshaw used telescopes around the world to make highly - detailed radio images of the ejections.

Corbijn, a veteran of music video and photography whose iconic images include the cover of U2's «Joshua Tree,» made his feature debut with 2007's «Control,» a word that fits «The American» just as well.

Federico Fellini was one of the leading figures of the international cinema in the 1960s, whose dreamlike images and indelible characters made La Dolce Vita, 8 1/2, and Juliet of the Spirits among the most acclaimed films of that era.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening March 18, 2011 BIG BUDGET FILMS Limitless (PG - 13 for profanity, mature themes, violence, sexuality and disturbing images) Bradley Cooper stars in this action thriller about a frustrated writer whose life is transformed after he is introduced to a top - secret, smart drug which enables him to use 100 % of his brain.

Of course, any Western with dips into orgiastic images of blood splashes has to owe some sort of gratuity or hat tip to Sam Peckinpah, whose name is synonymous with plasma bursts and gratis gore ever since The Wild Bunch (1969) made its auspicious and unforgettable debut, and Bone Tomahawk has a similar tenebrous heart.

One can't help but imagine what a different filmmaker might have made of this lurid, plot - hole - riddled soap opera with a body count (including a perfect over-the-top image of bourgeois degeneracy: murder by wine corkscrew) or the character of Rachel, a bad drunk whose list of past humiliations includes an incident in which she stumbled into the Watsons» house in an apparent attempt to kidnap their infant daughter.

Rightfully, Olson reserves a special section for the unions whose far left agenda has been well documented, and who have gone to great lengths to make this country over in their own image.

Similarly, although Assistive Technologies have access to information about native [HTML] form elements (e.g., buttons and inputs), Authors often create custom elements whose state is opaque without correct use of [WAI - ARIA 1.1] roles, state and properties (e.g., checkboxes made out of images).

Co-curated by Shonagh Marshall and Holly Hay of The Ground Floor Project, it's the first iteration of a three - part partnership with luxury online retailer The Outnet and brings together diverse photographers whose images push the boundaries of fashion image - making.

While Schnabel has been making paintings with spray - paint for more than thirty years, the body of work on view in Enigmas remains relatively unknown; these more recent paintings are built on a single found photograph whose weathered emulsions gave birth to an image beyond the original.

Gander is an inventive polymath, a creator of worlds and teller of tales, whose making takes forms as varied as a lecture series entirely based on «loose associations,» a nonlinear narrative of wildly disparate ideas and images found and collected by the artist; re-creations of children's tent - forts sculpted in marble; the construction of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.

This interest extends into the language of computer image - making, suggesting an archaeology of computer software, whose extractions reveal the computer's systematic logic.

«Working in a studio is actually a bit isolating; this is a chance to meet and interact with artists and art appreciators in my area,» said Scally, whose paintings include stark, wild landscapes emblazoned with vivid images of man - made things and people.

The Hayward reopens after a two - year refurbishment with the first British retrospective devoted to the German photographer whose large - scale, minutely detailed images of workplaces, nightclubs and natural landscapes are made with computer - enabled post-production techniques.

James Enos is an architect and artist whose sculpture is made of building materials, and skinned with found images from magazines.

Its subjects — two anonymous women whose mouths are frozen in forced smiles — are made nearly unidentifiable through Raysse's distortion of their images.

Anne - Claudie Coric: A young Chinese artist who makes installation from stolen neons: He - An (see image below); Indian artist Atul Dodiya (we sold his work for 60 000 EUR); Berlin - based Japanese artist Chiaru Shiota, whose thread sculptures we sold the first day and now have a waiting list (price range 8,000 — 15 000 EUR).

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Schnabel's inspiration for the series originates from twelve calendar prints published by John & Josiah Boydell and made by Royal Academy artists William Hamilton (1751 — 1801) and Francesco Bartolozzi (1727 — 1815), whose names appear at the bottom of each image.

The show, curated by Jeannette Tremblay, features ten artists whose process of making photographs, paintings, sculptures, and performances contradicts the historical image of the Artist working in isolation with steadfast direction.

The show opens with striking photographic images that document early performances in which Mendieta enacted dramatic bodily transformations — applying thick make - up, donning wigs, covering her face with a torn stocking — whose similarity to later works by Cindy Sherman has been noted by more than one critic.

Stefanie Motta is a Minneapolis based photographer and filmmaker, whose art practice explores ephemerality and spirituality through alternative and experimental image making processes.

Centered on the notion of image - making as pictorial writing, or what Aupetitallot calls a «visualized narration,» the focus in «Tell Me a Story» is on a generation of artists whose work has a novelistic or story - like quality, from Karen Kilimnik and Raymond Pettibon to Xavier Veilhan and Jeff Wall.

The show, curated by Jeannette Tremblay, features ten artists whose process of making photographs, paintings, sculptures, and performances contradicts the historical image of the Artist working -LSB-...]

As it is often used, the phrase refers to a range of painters and photographers active during the 1970s and «80s whose work made use of images appropriated from mass culture.

Tala Madani makes paintings and animated videos whose indelible images bring together wide - ranging modes of critique.

Sammy Peters produces abstract, multimedia compositions whose complex, layered images are made up of expressive brushwork, scribbles, gestural marks, drips, and collaged papers and fabrics.

It is a tantalising taste of what is still to come from one of the world's most prolific and respected living artists, whose insatiable desire to explore the languages and possibilities of painting and image - making continues to keep him at the forefront of developments in contemporary art today.

It brilliantly shows his talents, showcasing him as an artist, an activist, an historian... The exhibition is complemented by a small photo exhibition from several members of the Photographic Society of Mytilene, whose poignant images depict the journey made by refugees and migrants.

The Dutch photographer Rineke Dijkstra, whose images have appeared in W, makes naturalistic portraits and videos of those whose lives are in transition: young adults, soldiers, new mothers.

Unlike Auerbach, whose gestures structure his image, or Hodgkins, whose paintings are abstractions based upon memories yet still appear anchored in reality, Caivano's best results seem less emphatic statements and more queries into the nature of picture - making.

A smallish structure built from two - by - fours, whose «walls» were, in fact, made of tacked - up images, the house — since it offered no entryway — required viewers to peek and strain in order to look inside, not only granting them visual access to further images but also