Ruscha is a pop artist, a conceptual artist and a surrealist
whose images portray the same sinister Hollywood you see in David Lynch films.
Not exact matches
Although a few of these may refer primarily to other
images, the average report
portrays the congregation as a machine
whose work is detected by quantitative measurements and program vectors.
«Children have a right to books that reflect their own
images and books that open less familiar worlds to them... for those children who had historically been ignored — or worse, ridiculed — in children's books, seeing themselves
portrayed visually and textually as realistically human was essential to letting them know that they are valued in the social context in which they are growing up... At the same time, the children
whose images were reflected in most American children's literature were being deprived of books as windows into the realities of the multicultural world in which they are living, and were in danger of developing a false sense of their own importance in the world.»
Original artworks and commentary by Mark Tansey (b. 1949),
whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular
images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and
whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently
portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955),
whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth,
whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.
As Mickiewicz's words
portray images of curved, bent, and broken branches —
whose entangled forms evoke crumbling buildings and memories of past battles — so trees become metaphorical carriers of memory in the landscape.