Not exact matches
One imagines a graduate of independent mind in the
audience whose timpani was telling her that Anna Quindlen is the quintessential representative of the self - flattering feminism that has turned the
lives of so many women into a misery.
Gove revealed a bit about his personal story and childhood to the
audience,
whose most avid followers are so far accustomed only to getting snippets about the education secretary's private
life from his wife Sarah Vine's columns in the weekend papers.
It is significant that he chose to reveal that plan (which doesn't really have any details yet) in front of an
audience of potential 2020 Democratic candidates and national politicos at a Center for American Progress event in Washington, D.C., rather than here in New York, in front of the very people
whose lives any policy change would impact.
«Today in the
audience are New Yorkers
whose lives have been personally impacted by the chemical PFOA,» Gillibrand told Dourson at the hearing.
The title refers to a children's TV show made for an
audience of one — a boy named James,
whose life changes after the show's abrupt end.
For
audience members
whose knowledge of modern Middle Eastern history could stand some brushing up, the first act's portrait of Satrapi's early family
life will contain a number of revelations.
Cast as a man
whose desperate attempt to escape the monotony of suburban
life includes a bundle of large helium balloons and a lightweight deck chair, Ifans charmed Australian
audiences in the family - friendly effort.
It's an
audience - approved template that Wiig (who co-wrote the screenplay with Annie Mumolo) has little problem personalizing, sincerely and ridiculously confronting issues of beauty, wealth, loyalty, monogamy, marriage, and sex through the tale of a character
whose life spirals downward after her best friend, Lillian (Maya Rudolph), gets engaged and she's forced to battle for sole possession of BFF status with Lillian's glamorous and wealthy new sidekick, Helen (Rose Byrne).
The World Cinema
Audience Award: Dramatic was presented to Metro Manila, co-written and directed by Sean Ellis — Seeking a better
life, Oscar and his family move from the poverty - stricken rice fields to the big city of Manila, where they fall victim to various inhabitants
whose manipulative ways are a daily part of city survival.
Rebecca Ferguson - so fantastic in the most recent «Mission Impossible» - is utterly wasted as new wife Anna, a character who seemed to have been designed to wring sympathy from the
audience, something I couldn't bestow given that she cheated and lied her way into her seemingly perfect
life and don't even get me started on Haley Bennett's Megan, a woman
whose tragic past was overshadowed entirely by her fingernails - down - the - blackboard performance as a one dimensional woman who had nothing but overt sexuality and a flat whining energy to offer.
Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea
whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the
audience if they have forgotten all about that plot element and are just
living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.
She's our
audience surrogate, surveying the narrative's kink with her typical wild - eyed disbelief; he's a larger than
life bohemian stereotype
whose charm lets Schwartzman wear his crown as the king of amicable jerks more snugly than he has in his last half dozen roles.
Haneke,
whose eclectic output includes Funny Games (both the original Austrian version and the 2007 American remake), Code Unknown, Caché and The White Ribbon, has proven time and again that he loves using the tools of cinema to implicate the
audience — as participatory voyeurs — in the turbulent
lives of his characters.
American
audiences have enjoyed a recent spate of documentaries that take us beyond headlines and just - the - facts news stories about the Islamic State, Iraq and Syria, and that give us, instead, a glimpse of the people
whose lives have been so viciously upended by militancy's rise in the Middle East.
Wattpad Stories, which goes
live at 10 am ET, takes an in - depth look at people
whose lives have been transformed by the power of writing and storytelling, and by the ability to instantly share that creative work with an
audience of over 20 million users.
This deal would expand the digital reach of these papers and allow a broader
audience of readers who have some form of tie to the region — former residents, or readers
whose parents still
live in Denver, for example — to continue to benefit from the serious journalism that takes place in those regions.
Francesca,
whose interests include travel,
live music, craft beer and bourbon, has an organic social media
audience of 26K + and is a member of the International Food, Wine, and Travel Writers Association.
Jan is a visual artist, director, writer, and founder of Early Morning Opera, a genre - bending performance + art lab
whose works explore emerging technologies,
live audiences, and unclassifiable experience.
Curator Michael Komanecky has selected artists currently
living in New England
whose accomplishments deserve the attention of a wider
audience creating an impressive exhibition of primarily large - scale works.
Surround
Audience, the latest triennial exhibition at the New Museum, surveys fifty - one emerging artists, from twenty - five countries,
whose practices are informed by their
lived experience immersed in the digital landscape.
In New York, there was last year's New Museum Triennial, «Surround
Audience,»
whose participants addressed «a society replete with impressions of
life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»
Performance Space 122 provides incomparable experiences for
audiences by presenting and commissioning artists
whose work challenges boundaries of
live performance.
The Writer's Garret is the only year - round independent literary center in North Texas
whose mission is to foster the education and development of readers, writers, and
audiences by putting them in touch with quality literature, each other, and the communities in which they
live and write.
Collapsing past, present, and future, the exhibition invited the
audience to consider vast geological timescales as well as microscopic
life forms
whose scale of experience is unimaginable to the human mind.
They provide a platform for the celebration of a
live experiential space
whose focus lies in evolving a social relationship between the
audience and performers, while maintaining a sense of visual aestheticism and spectacle.
Artes Mundi is Latin for «Arts of the world», reflecting the international focus of this Wales - based arts charity
whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational
life of Wales and its people, develop and inspire new
audiences and build cultural bridges between Wales and the wider world.
From a child of the Peoples Revolution in China, to a genius banned from sharing his music in his native Iran, to a native Syrian witness to his country's destruction, to a sensuous Spanish woman
whose spark for
life mesmerizes her
audiences, it is an incredible journey of love and
life.