Sentences with phrase «whose next film»

This subversive subtext surely attracted executive producer Todd Haynes, though Glatzer and West, whose next film was Still Alice, badly lack his vision.

Variety called it a «sprawling, bouncing, jaunty debut» that's «effervescent as an Alka - Seltzer» and The Hollywood Reporter said it was «delightfully quirky,» both good signs for a director whose next film features the famously kooky Harley Quinn.

To date, the mumblecore alumna has been best used by writer - director Noah Baumbach, her current boyfriend whose next film she dropped out of, but Grodin is in.

We caught up with an intense and very tired Pegg, a laidback but slightly shagged - out Frost, and an ever enthusiastic but clearly exhausted Wright, whose next film will be the long discussed «Ant Man,» at, where else, Comic - Con.

Not exact matches

«My studio next to Portobello Road was very similar to the studio of John Cowan (the photographer whose studio was used by Michelangelo Antonioni's for his era - capturing film Blow - Up).

Director Gary Ross (Pleasantville 71, Seabiscuit 72) will be tasked with setting the visual tone of the planned three - or four - film series, whose next installment (Catching Fire) is already scheduled for release on November 22, 2013.

His next film appearance will be this summer in Captain Fantastic, as the son of Viggo Mortensen, who plays a survivalist father bent on raising his children in the harsh forests of the Pacific Northwest whose family is forced to integrate into society.

«Throughbreds» (whose title was singular when it premiered in Sundance's NEXT section in January 2017) may have been overshadowed by «Get Out» at that film festival, but it's no less elegant or lethal, concentrating its satire not on racial mind games (the way Jordan Peele did, seizing the zeitgeist in the process) but a case of blue - blood breeding gone horribly awry.

In the audience, the real Wiseau arrived quietly and sat next to Greg Sestero, his friend and «The Room» costar whose behind - the - scenes memoir was the basis of the Franco film, watching «The Disaster Artist» for the first time.

Next comes Rita, whose underpaid schoolteacher husband George (Kirk Douglas in one of his earlier film roles) was suspiciously dressed in a blue suit this morning and not for fishing.

What benefits Marshland greatly, are the two excellent central performances from Javier Gutiérrez and Raúl Alévaro whose very different ideologies lead to a suspicion of each other which lends the film another level of intrigue where, as a viewer, you're left constantly wondering what the next piece of the puzzle will reveal.

Jeremy Lovering («In Fear») If you went to Sundance looking for the next Christopher Nolan or Rupert Wyatt (who both had films premiere at the festival early in their careers), you'd be hard pressed to find a better candidate than Jeremy Lovering, whose feature film debut «In Fear» has been scaring the living shit out of people in the Midnight strand of the festival.

She's done fine work with everyone from Martin Scorsese (The Aviator) to Adam Sandler (Click), but the fact that she keeps returning to the tight leather outfits of the perplexingly enduring Underworld series (whose fifth film is due next January and sixth is now in development) suggests she isn't being offered better parts than a werewolf - slaying vampire.

Nikos Koundouros for example, a director whose films could stand next to the best works by Carol Reed, Ken Loach and Werner Fassbinder, is almost completely unknown to the cinephiles of the world.

In watching the film, you come to appreciate Al Pacino's off - kilter approach and his counterpart (sort of like a Sienna Miller naturally good looking girl next door) in Kitty Winn, whose Helen makes an almost conscious decision to join Bobby in his downward spiral is just as riveting.

Other highlights include Fox recalling the original film's royal screening, in which he was seated next to Princess Diana and had to use the bathroom the whole time; Secret Cinema's alluring Back to the Future exhibition (in which the 1955 Hill Valley was impressively recreated); a discussion of BTTF books that have been published; and homages to the franchise from ABC's «The Goldbergs» (whose creator Adam F. Goldberg is both an executive producer and interview subject here) to «American Dad» and Harmon's «Rick and Morty.»

Now they move together from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.

We learn next to nothing about anyone in the film, aside from the fact that Newt was once in love with someone whose family plays a large role in the events that take place 70 years later.

Toolbox Murders: it's a butcher's - menu of a title whose visceral potential — next time you mention it to someone, watch his or her face light up in mock disgust — almost outweighs its attendant stigma, and while the slayings pack a vicarious punch, nothing about the film transcends its very superfluousness.

(Her principle role in the film is to appear briefly in her underwear, thus achieving the dual purposes of supplying Kirk with a romantic interest for the next installment and reaffirming the commitment of any Trekboys whose enthusiasm for spaceships has begun to wane.)

For his next feature, Reitman is directing Kate Winslet, Tobey Maguire, and Josh Brolin in a film about a young boy and his agoraphobic mother whose lives are turned upside down when an ex-con enters the picture.

The original film starred Rogen and Byrne as a married couple with a young baby whose lives were turned upside down when Zefron's fraternity moved in next door.

The film loses some of its imaginative pop as the frenetic pacing of Christmas subsides and Arthur decides to go against the orders of Santa and Steve, who assumes he will be next in line to take on the mantle of Santa Claus (There's a rich history to the tile, although we have to wonder what happened to Santa Claus the 18th, whose portrait is missing from the wall), to transport Gwen's gift directly to her home.

Directed by first - time filmmaker Stuart Blumberg — whose previous work includes scripting the slapdash romantic comedy, THE GIRL NEXT DOOR and Lisa Cholodenko's superb artificial insemination dramedy, THE KIDS ARE ALL RIGHT — the film has a particularly adroit and wholly believable stance depicting a contemporary society governed by the taken mantra that sex sells, especially within the hub of cultural metropolis that is New York City.

Gandolfini made a name for himself early in his career as a character actor, whose performances were almost unrecognizable from one film to the next.

Friedkin, whose career has spanned six decades, has a new film in theaters next week, the documentary The Devil and Father Amorth.

Emboldened by a studio hungry for the next Batman (after that 1989 film's smash success), Raimi invites to the playground Batman composer Danny Elfman, whose pop - operatic score compliments the film's gleefully over-the-top macho profanity and cartoon violence.

The next stop on this episodic journey is the realm of monkeys, whose temple ruins are ruled by King Louie (Christopher Walken), who in keeping with the film's scale is a massive orangutan.

«There are movies where horror is just horror for horror's sake, but sometimes supernatural things can become a key to push you out of a certain way of experiencing and seeing,» says Ana Lily Amirpour, whose visually stunning vampire film A Girl Walks Home Alone at Night, much like next year's cannibal - adjacent The Bad Batch, defies easy categorization.

We'll get «Dawn Of The Planet Of The Apes,» from «Cloverfield» helmer Matt Reeves, there's the $ 200m «Guardians Of The Galaxy,» helmed by James Gunn, whose most expensive film before now was the $ 15 million «Slither,» and, next summer, «The Fantastic Four» from «Chronicle» director Josh Trank,» and «Jurassic World,» whose helmer Colin Trevorrow has only one feature under his belt, the tiny indie «Safety Not Guaranteed.»

Del Toro, whose film Crimson Peak debuts later this year, will next be working on a sequel to Pacific Rim.

In the next year or so, we'll see the $ 150 million budgeted «Godzilla» from Gareth Edwards, whose previous effort was «Monsters,» a film that cost only $ 500,000.

The Amazon pilot is but the latest small - screen project for the busy Soderbergh, who recently announced an anthology series based on his 2009 film «The Girlfriend Experience» for Starz and whose 10 - episode series «The Knick» premieres next month on Cinemax.

Captain Marvel, which will introduce Brie Larson's eponymous hero next year, comes from directorial duo Anna Boden and Ryan Fleck, whose highest - grossing indie film earned less than $ 7 million.

When the Costume Designers» Guild announce their nominees next week, I have no doubt that Mark Bridges» work on «The Fighter» will show up in their contemporary category — not really the right classification for a film whose lurid early - 1990s threads are as meticulously era - specific as any of 2010's more lavish period spectacles.

A second chapter, filmed at the same time and set for release next year, will surely wrap up the mystery over whose In Memoriams will stick.

Reichardt's next film, Wendy and Lucy, centered around the escalating hardships of Wendy (played by Michelle Williams; Lucy is her dog) whose car breaks down in a rural Oregon town en route to a well - paying summer job, the film shows how seemingly minor setbacks can lead to devastation.

The exhibition continues next door at 526 West 22nd Street with an installation of thirty - six small square paintings spontaneously executed in a variety of media, as well as larger enamel on aluminum paintings, whose sleek, spare surfaces portray familiar characters from the 1995 film Toy Story.