Sentences with phrase «whose painted subjects»

Not exact matches

Paul Davis, an artist whose paintings and posters have been the subject of gallery exhibitions and museum retrospectives in the United States and abroad, has designed a poster featuring David Pechefsky.

Published to coincide with Chicago - based Kerry James Marshall «s first exhibition at David Zwirner Gallery in London, this catalog documents the 14 paintings on view («the majority of which are portraits of subjects whose disassociated stares suggest the differences between «looking» and «seeing»»).

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

The first group of paintings here are wonderfully restrained little canvases whose subjects include frozen peas defrosting in a kitchen sink, or curls of paper scattered on a linoleum floor whose generic pattern is depicted in quick smears of paint.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

None appear more contemporary in their approach than Kogelnik, whose paintings and drawings from 1964 to ’70 were the subject of this exhibition.

The culmination and continuation of extensive curatorial research across India, Indian Highway features nearly thirty individuals and collectives whose creative practices span a wide range of media — incorporating sculpture, video, installation, painting, and performance — and subject matter are focused around the situation of modern India.

Portraiture is also the focus of Californian artist Henry Taylor, whose crude though ravenously observed paintings are populated by African - American subjects, from historical figures like Eldridge Cleaver to people living in his Los Angeles neighborhood.

In 1937 Gottlieb moved to the desert near Tucson, Arizona, an environment whose flora and relics contributed to a transformation in his subject matter and in his approach to painting.

The new show at the Emily Amy Gallery, «Paint as Subject,» features a delightful selection of paintings whose focus is paint itself.

The sturdy froth of color and texture that comprises his images creates a «glancing, immaterial quality,» an impression not of the world as it is, but as it is remembered.1 While the artist finds that «the subject matter of (his) pictures is often established in one sitting,» he may take up to three years to complete a painting, even one as profoundly simple as After Corot (1979 - 1982).2 Hodgkin's process of recollection is related to that of the master mnemonist, Marcel Proust, whose all - over attention did not discriminate between the most significant details of memory and the most obscure.

Joyce Pensato is a Brooklyn - based artist whose paintings are readily recognized for their iconic subjects and bold presentation.

GEORGE SHAW whose paintings, with their deeply personal juxtaposition of subject matter and material, lie intriguingly on the edge of tradition.

With the aim of drawing attention to the lack of racial diversity through the history of painting, Awol Erizku creates photographs, paintings, sculpture, and video installations that evoke classical artworks whose subjects are replaced with models of color.

And at the height of the Abstract Expressionist movement in the late 1940s he could be found painting a monumental series whose subject was Women, albeit women painted on a scale and with an intensity unlike anything else in the history of art.

Two Modernists whose influence on painting and sculpture still endures rapid artistic trends and production methods are subject to a conjoint exhibition helmed by Pace Gallery and Acquavella Galleries.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

The active moment versus painting's innate stillness has been a central tenet of paintings whose subjects include the Creation myth, Civil War - era battles and high - octane stadium rock gigs.

With a practice spanning painting and photography and landscapes and figuration, he was most recognized for his powerful images of 1970s subjects whose cool poses and confident style of dress conveyed a certain attitude and hipness.

The exhibition's central themes continue in a display of paintings, sketches and watercolours of erotic subjects by Tracey Emin as well as JMW Turner and Auguste Rodin, whose iconic sculpture The Kiss is on show at Turner Contemporary until 2 September 2012.

James Dean Erickson, an artist whose paintings explore the space between realism and abstraction to elicit the ephemeral and enduring qualities of nature, will lead the Painting Traditional Subjects with Modern Material workshop and Simplicity and Synthesis lecture in February.

For another American realist painter, who preferred more urban subjects, but whose vision also embraced dream - like genre paintings, see Edward Hopper (1882 - 1967).

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

Caroline Kent is a visual artist whose practice is a constant pursuit of concretizing an abstract language that speaks beyond the corridor of a traditional painting practice to engage subjects related to the moving image as well as the written word.

Meet Edvard Munch, an icon of emotion whose powerful paintings are the subject of the exhibition Edvard Munch: Between the Clock and the Bed, on view through October 9.

The selection of John Wesley's paintings focuses on works from 1967 to 2002 which depicts an unrelenting and remarkably singular body of work whose subject is no less than the American psyche.

Conner, a shapeshifting boundary - tester whose oeuvre includes film and video, painting, assemblage, drawing, prints, photography, photograms, and performance, was recently the subject of a 50 - year retrospective, Bruce Conner: It's All True, at the Museum of Modern Art (MoMA) in New York.

Compressed into the timeless ambience in which the 2013 Turner Prize nominee's subjects alternately pose, pirouette and turn their backs on us is a profound understanding of the restrained colour that characterises the paintings of Edgar Degas, Édouard Manet and Walter Sickert RA — artists whose disposition Yiadom - Boakye's palette echoes.

In 1815 he painted Aretino and Charles V's Ambassador as well as Aretino and Tintoretto, an anecdotal painting whose subject, a painter brandishing a pistol at his critic, may have been especially satisfying to the embattled Ingres.

Her mature artistic style was faux - naïve, featuring paintings whose subjects, furniture and clothing set in doll - house type interiors and suburban landscapes, were stand - ins for the implicitly female figure.

The exhibition's central themes are continued in a group of sketches and paintings of erotic subjects by Tracey Emin, JMW Turner and Auguste Rodin, whose iconic sculpture The Kiss is on show in the Sunley Gallery at Turner Contemporary.

Philip Pearlstein Paintings 1990 — 2017 at the Saatchi Gallery, London: January 17 — March 25, 2018 The nude is a subject that has long enthralled artist Philip Pearlstein, whose painted figures are often surrounded by the artist's own household ephemera in his complex and captivating pieces.

One of his best - known subjects from that period was of another young artistic talent, composer Philip Glass, whose portrait Close painted and showed in 1969.

The model was previously unknown to the artist, but struck him — perhaps by the strong cut of his jaw, perhaps by his leonine confidence — as a fitting candidate for the elaborate and sophisticated impersonation in which he was hired to participate.The model, who remains unnamed, is from Harlem (New York City), as was the original subject, Willem van Heythuysen, a Dutch wool merchant from Haarlem (the Netherlands), whose portrait was painted by Frans Hals in 1625.

The term «landscape painting» comes from the Dutch word «landschap», meaning «a patch of ground», and denotes any picture whose main subject is the depiction of a scenic view, such as fields, hillscapes, mountain - scapes, trees, riverscapes, forests, sea views and seascapes.

Taunay was best known for his landscapes having studied from the age of 13 with artists like the Italian painter Francesco Giuseppe Casanova (1727 - 1803), whose landscape and history paintings inspired Taunay's own subject matter.

For a writer whose subject was unstable identity, Woolf left behind a wealth of images finessed for the world at large, be that Roger Fry and Vanessa Bell's paintings of her, Man Ray's photos, or the various images of the stylish women published in Vogue.

Elizabeth Murray, a New York painter who reshaped Modernist abstraction into a high - spirited, cartoon - based, language of form whose subjects included domestic life, relationships and the nature of painting itself, died yesterday at her home in upstate New York.

Damien Hirst, whose career retrospective at London's Tate is much anticipated next year and whose «Spot» paintings will soon be the subject of a worldwide exhibition at Gagosian Gallery, sold out briskly at White Cube's booth.

The series of oil paintings, a nearly decade - long project whose tremendous canvases capture both the cathedral - like scale of the abandoned factories and the echo of the human industry they once hosted, is the subject of a solo show that opens Friday, February 29, at the Crisp Museum in Cape Girardeau.

Produced on the occasion of the artist's first exhibition at David Zwirner in London, this volume features reproductions of 14 new paintings (the majority of which are portraits of subjects whose disassociated stares suggest the differences between «looking» and «seeing»), as well as preparatory drawings, details and new scholarship by Robert Storr and Hamza Walker.

... whose subdued palette and severely reduced subject matter — a few jars and bottles — bespeak an eloquent obsession that appeals to me; or by a painting by Sean Scully...

Roberta Smith writes in the NYTimes: «Elizabeth Murray, a New York painter who reshaped Modernist abstraction into a high - spirited, cartoon - based, language of form whose subjects included domestic life, relationships and the nature of painting itself, died yesterday at her home in upstate New York.

Grace Weir, A Reflection on Light, 2015 A meditation on time and the nature of light «A reflection on light» consists of a seemingly single long take that weaves together events from different histories and disciplines that orbit a painting whose subject is light by the Irish Cubist artist Mainie Jellett.

His parents encouraged his interest in art, and at age 16 he quit high school to study painting in New York City under Robert Henri, leader of the group known as The Eight (later absorbed into the Ashcan school), whose teaching emphasized the importance of taking subject matter from urban life.

Thus genre paintings or figurative works whose subjects are depicted (eg) in a romantic or nostalgic light are excluded from this genre.

(Mahwah)- Hamptons landscape painter Robert Dash, whose realist paintings span four decades and incorporate what a world - renowned curator calls an underlying disquiet regardless of how alluring the subject matter,» brings a career - spanning exhibit, Robert Dash Selected Works 1961 - 2002 to Ramapo College's Kresge and Pascal Galleries Wednesday, April 2 through Friday, May 9.

A talented War Artist during World War I, he was later influenced by Surrealism, whose creative aesthetics he used in several abstract paintings of landscape subjects.

The painting, whose reclining figure «has a sensuous, alluring posture, looks back at the classical traditions of the nude in a very different way» than in the treatment of similar subjects by other artists.