Sentences with phrase «whose painting career»

Some of his biggest stars, including McCarthy, who pushed Painter to open the gallery and is now represented by Hauser & Wirth; Shaw, who did six solo shows with Painter but is now represented by Blum & Poe; and Glenn Brown, whose painting career Painter launched and who now shows with Gagosian, refused to be interviewed for this story.

The artist, whose painting career spanned most of the 20th Century, developed a style that was a synthesis of the intimacy and light often associated with early French Modernism, and a painterly directness and active brush strokes of Abstract Expressionism.

Biala, whose painting career spanned most of the 20th Century, developed a style that was a synthesis of the intimacy and light often associated with early French Modernism, and the painterly directness and active brush strokes of Abstract Expressionism.

Not exact matches

Steely and implacable, Jerene presides over her family's legacy of paintings at the Mint Museum; Duke, the one - time college golden boy and descendant of a Confederate general, whose promising political career was mysteriously short - circuited, has settled into a comfortable semi-senescence as a Civil War re-enactor.

The Swiss - born Angelica Kauffman, most of whose prolific career was spent in Italy, combines allegory with portraiture in Angelica Hesitating between Music and Painting, 1791.

Donald Moffett, whose paintings and prints are currently on view at the Blanton, discusses growing up in San Antonio, and his career as an artist and an activist based in New York with acclaimed novelist and art critic Jim Lewis.

Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.

Perhaps initially something of a dilettante, De Keyser began painting seriously in his mid-30s after a brief journalistic career, becoming associated with the East - Flanders» «New Vision» group whose proponents drew upon post-war American painting, most notably Abstract Expressionism, Minimalism and Pop Art.

Walasse Ting, who mixed works on paper with artist's books throughout his career, was an itinerant Chinese - American artist and poet whose color - saturated paintings refer to calligraphy and Abstract Expressionism.

Another notable highpoint of the exhibition, Lewison points out, is Neel's self - portrait, painted at the age of 80: «Curiously, for an artist whose career focused on painting people, this is the only self - portrait she painted; and, she depicts herself naked.

artSümer represents artists at early stages of their career development, whose diverse practices include painting, drawing, sculpture, photography, video and new media.

Now in his late career, the feisty octogenarian shows no signs of slowing down in his latest paintings, whose targets include Hyacinthe Rigaud, Jacques - Louis David, Théodore Géricault and Abstract Expressionism.

For an artist whose output extends far beyond the fine paintings of World War One and exceeds the parameters of British landscape painting within which his work is usually understood, the recurrence of certain themes and preoccupations — a sense of significant place, and the idea of trees as sentient, mystical beings — creates a satisfying symmetry to his career.

The sculptor Lee Bontecou, whose career enjoyed a major revival after two exhibitions at the gallery in 2004 and 2007, left, as did the Jules Olitski estate, which canceled a major show of the artist's paintings from the 1960s and»70s that had been scheduled for mid-November.

Drawing more than 50 paintings from museums like the Art Institute of Chicago and the Musee d'Orsay, the exhibition will look at the work of an artist whose career may have been overshadowed by his role as a patron and collector of his contemporaries.

Johns, whose career has spanned six decades, has since employed a diversity of motifs, from targets to numbers to maps, in his paintings, prints, sculptures, and drawings.

With a career spanning almost three decades, Francesca Fuchs is a well - known Houston - based artist whose paintings draw from art historical and personal references, evoking a strong sense of narrative around themes of memory, family, and home, and how they define our sense of place and self.

These paintings are the «mature» work of Jeremy Moon whose career was cut tragically short by a motorcycle accident in November 1973.

Eugenie Tsai states, «In the single decade of Basquiat's artistic career, he went from spray - painting witty, cryptic aphorisms on the street to being an international art star whose paintings were highly coveted by collectors.

A selection of recent paintings demonstrates the rich, bold palette which has gained international attention in recent years for a poet and writer whose career has spanned six decades.

Quiñones has put an interesting twist on work that otherwise could be viewed as a footnote to the long career of photographer Aaron Siskind, whose curling paint images posited him well within abstract expressionism.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Confronted with his «black paintings», for instance, it's strange to consider that his career began in St Ives in the 1950s, where he developed his skills alongside Trevor Bell and Peter Lanyon, painters whose abstractions were more obviously rooted in the Cornish landscape.

One of the greatest practitioners of genre painting in Britain, and, along with J. M. W. Turner and John Constable, one of the most influential British artists of the 19th century, the Scottish - born Wilkie made his career in London, where his list of patrons included the top members of British society, such as the Duke of Wellington, and John Julius Angerstein, whose collection founded the National Gallery, London.

As an artist whose career has spanned four decades, Olivier Mosset first attracted international attention in the 1960's when he started defining his paintings as simply art objects.

Most recognized for her evocative paintings marked out with pale color washes and subtle pencil lines, Agnes Martin was a Canadian - born American artist, whose conviction of the emotive and expressive power of art shaped her career.

John Hoyland, born in 1934, belongs to that generation of British painters whose careers were decisively affected in the late fifties and the early sixties by the impact of American painting since the war.

Hugh Steers: The Complete Paintings, is the first monograph focused on the career of American figurative painter Hugh Steers (1962 - 1995), whose life was cut short by AIDS, at the age of 32.

«There have been the singing nun and the flying nun, but the hippest of all is Los Angeles's painting nun,» noted Newsweek in its 1967 cover story on Sister Corita Kent, the artist, activist, and teacher, whose first career survey, as The Saratogian reports, opened at the Francis Young Tang Teaching Museum at Skidmore college this week.

Last November's event was led by a painting by Martin Wong, whose career is experiencing a revival almost 15 years after his death (his estate is handled by P.P.O.W.).

Huckaby, whose career enters its third decade, persists in exploring the possibilities of painting to evoke hidden worlds and poetic interpretation.

Organised in collaboration with MoMA in New York, each chapter of Rauschenberg's long career will be represented by important works, among which will be a stellar selection of his legendary Combines — hybrids between painting and sculpture — as well as his graphic screen prints whose depiction of the assassinated US president John F Kennedy signal the artist's early commitment to political activism.

«FERGUS MCCAFFREY (C16): MARCIA HAFIF: For sincere Minimalism, you can't beat the paintings of this veteran artist, whose distinguished, five - decade career is represented here by nearly two dozen paintings.

His decidedly low - key booth featured, among other works, the monochromatic paintings of British artist Rebecca Salter, who developed her career in Japan and whose layered washes of acrylic demand close looking.

«Kehinde Wiley, the World Stage: Africa, Lagos - Dakar,» a show of 10 of his most recent paintings at the Studio Museum in Harlem, proposes another possibility: Mr. Wiley is a young artist whose intellectual ambition and Photo Realist chops have allowed his career to get ahead of his art.

An untitled abstract painting from 1960 by John Coplans shows the artist, writer and editor as a capable colorist whose interest in stiff, interlocked geometry would soften, but never disappear, over his long career.

Michael Werner Gallery presents Sigmar Polke: Lens Paintings, an exhibition of extraordinary new works from an artist whose career is characterized by over 40 years of radical innovation in painting.

Herbert Lee Creecy Jr., whose career stretched from the 1960s to early 2000s, tested the bounds of Abstract Expressionism developing ingenious painting and printmaking techniques...

«I can think of no other artist whose paintings exude the joy and pleasure of being an artist with more intensity than Karl Benjamin's, nor any other artist whose long teaching career has left no blemish of cynicism on his practice,» critic Dave Hickey wrote in the catalog of a 2007 survey of Benjamin's paintings at Louis Stern Fine Arts.

The exhibition includes over twenty - five paintings and multimedia installations by the late Berlin - based artist, whose promising career was cut short by a plane crash at age 35.

John, whose career includes a 1979 solo show at the National Gallery of Canada and a major retrospective at the Museo de Arte Moderno in Mexico City in 1994, has been working on small still - life paintings in the pulsating colours and fastidious realism that have long been his trademark.

So, Kahlo is sitting this one out as we highlight eight historical female Surrealists whose careers spanned everything from painting to poetry.

Damien Hirst, whose career retrospective at London's Tate is much anticipated next year and whose «Spot» paintings will soon be the subject of a worldwide exhibition at Gagosian Gallery, sold out briskly at White Cube's booth.

Overlapping with his first solo museum exhibition in New York at the Studio Museum in Harlem (through Oct. 25), Whitney is presenting new paintings and works on paper for his debut show in Italy, «the country whose influence has proved vital in his five decade - long career.»

Toby Kamps, Director and Chief Curator of the Blaffer Art Museum, Houston and curator for the section Spotlight talks about its incarnation at Frieze New York 2018, with themes and through - lines including abstract painting, Conceptualism, African diaspora traditions, and West Coast artists; Kamps alights on two fascinating artists whose careers are brought to light this year in the section: Cameron (1922 - 1995), presented jointly by Marc Selwyn Fine Art and Nicole Klagsbrun and Mestre Didi (1917 - 2013), presented by Galeria Marilia Razuk.

A one - woman show of the paintings of Tina Louise, whose former career highlight was playing Ginger on «Gilligan's Island,» is to open in December at the Stendahl gallery in Manhattan.

Bell began his career in 1959 and his earliest works consisted of abstract, monochrome paintings on paper and shaped canvases whose outlines corresponded to the silhouette of a box drawn in isometric projection.

He is also co-founder of the Jendela artist group whose members, in the early phase of their careers, surprised art audiences in Indonesia with works that eschewed sociopolitical themes or efforts to capitalize on the technical sophistication of realist painting.

(Mahwah)- Hamptons landscape painter Robert Dash, whose realist paintings span four decades and incorporate what a world - renowned curator calls an underlying disquiet regardless of how alluring the subject matter,» brings a career - spanning exhibit, Robert Dash Selected Works 1961 - 2002 to Ramapo College's Kresge and Pascal Galleries Wednesday, April 2 through Friday, May 9.

It's not simply the sequel to High Times Hard Times, nor the revision of genealogies traced in the «Provisional Painting» essays, nor the direct extension of ideas explored in «Abstraction Out of Bounds» — though it shares something in common with each of these.2 Though it's not necessary to think of the show in conjunction with anything else at all, it could be interesting to consider it, since I've been pursuing comparisons thus far, as a sequel to one of Rubinstein's poems — for example, his «Some Ways of Looking at «Some Trees»», 3 part of which goes: The artist whose work inspired this experiment once titled a canvas «Contempt of one's work as planning for career.»