She was, as The Canadian Press put it, «a singer - songwriter from small - town Canada
whose powerful voice explored genres from country, to folk, to gospel.»
Not exact matches
«Big corporations and
powerful insiders have warped the laws that should protect our communities and shut out the
voices of the people
whose health and livelihood are at stake.»
«Throughout my career, I've never been afraid to stand up for ordinary citizens
whose voices are drowned out by special interests, big corporations, and
powerful insiders,» she said in a statement.
A few reviewers found the material a bit too dated, but this adaptation of Terence Rattigan's 1952 play of the same name by Terence Davies (Distant
Voices, Still Lives) drew mostly raves, especially for Rachel Weisz's
powerful performance as a woman
whose life is torn apart when she cheats on her older husband (Simon Russell Beale) with a young war veteran (Tom Hiddleston).
Said Judd,
whose accusations were detailed in the very first New York Times article that broke open the Weinstein story: «The changes that we are witnessing are being driven by the
powerful sound of new
voices, of different
voices, of OUR
voices, joining together in a mighty chorus that is finally saying, «Time's Up!»»
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching,
powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster,
voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl
whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
It's a terrific performance by blue - haired, dressed - in - black Meryl Streep,
whose singing
voice is as
powerful as her acting.
The plot involves an evil ram - like villain named the Storm King (
voice of Liev Schreiber),
whose magical staff needs the power of the
powerful ponies to power it — or something like that.
Plant comes across as a confident but agreeable superstar, a «preening peacock»
whose long locks and
powerful voice secured his place in the rock pantheon.
Told in the inventive, funny, and poignant
voice of Jack, Room is a celebration of resilience - and a
powerful story of a mother and son
whose love lets them survive the impossible.
My idea was that I could explore how they became
powerful young women
whose lives and
voices intersected that day.
The
powerful and inspiring debut from Susan Nussbaum invites us into a landscape populated with young people
whose lives have been irreversibly changed by misfortune but
whose voices resound with resilience, courage, and humor.
He emerged with this
powerful, intimate account of his students,
whose voices are included in excerpts from their writing and conversation.