Not exact matches
FILM Rising
art stars Bradford Young (cinematographer,
whose work was featured in Black
Radical Brooklyn exhibition over the summer) and Jason Moran (composer, who collaborates with visual artists and joined Luhring Augustine this year) add the much - anticipated «Selma» to their resumes.
Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo,
whose practice has recently been rediscovered through important group shows such as Soul of a Nation:
Art in the Age of Black Power and We Wanted A Revolution: Black
Radical Women, 1965 - 85.
Andrea Rosen Gallery is thrilled to announce an exhibition of Stan VanDerBeek (d. 1984),
whose visionary approach to
art making was not only
radical in his time, but is also increasingly reflective of a contemporary discourse around the integration of media, technology, and everyday life.
Donald Judd (1928 — 1994) remains one of the most significant artists of the 20th century,
whose radical ideas and work continue to provoke and influence the fields of
art, architecture and design.
The exhibition features 100 key works by artists
whose radical work changed the course of
art history and catapulted New York City to the centre of the international
art world.
Great Collectors and Their Ideas: Patricia Phelps de Cisneros,
whose Colección Patricia Phelps (under the auspices of the the Fundación Cisneros, established with her husband, Gustavo, in the 1970s), is lending the works for the Royal Academy, London's upcoming exhibition
Radical Geometry: Modern
Art of South America, talks to Joshua Mack.
Esperanza Mayobre, a Brooklyn - based artist
whose work explores fictive spaces and ideas of heroes, infinity, and global economies, responds to works in the special exhibition
Radical Women: Latin American
Art, 1960 — 1985.
Sturtevant,
whose repetitions of now - iconic Pop and Minimal artworks in the 1960s anticipated the rise of appropriation
art more than a decade later and formed the core of one of the most
radical and beguiling artistic practices of the past 50 years, has died in Paris.
Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk,
whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and
Radical Presence: Black Performance in Contemporary
Art.
Fontana,
whose slash and puncture «spatial concept» canvases made the
radical statement that the surface of a canvas could be extended into the surrounding space, has long been lauded as one of the key figures in post-war European
art, while Accardi's paintings of brightly colored signs painted on canvas, and later on «sicofoil», were widely known in Italy but were not exhibited extensively elsewhere until more recently.
Knifer first meanders» began during his time as a member of thegroup Gorgona (1959 - 1966), in
whose context first appeared the
radical criticism of modernist painting and the shift into a different conception of
art procedures.
Jennifer Bartlett is an artist
whose radical and pioneering thematic and stylistic innovations have had a significant impact on contemporary American
art of the last three decades.
During his study, he became associated with a group of
radical young German artists, including Albert Oehlen, Martin Kippenberger, and Werner Buettner,
whose work collectively challenged the meaning, status and value of the ubiquitously exhibited
art object, as well as those who view and consume them.
The only painter in the founding group, Klein was a highly influential artist
whose radical techniques and conceptual gestures laid the groundwork for much of the
art of the 1960s and»70s.
Asawa's life encompasses many stories with timely echoes: of a woman artist who came to prominence before the first wave of postwar feminism, of a Japanese - American who went from finishing high school at an internment camp to Black Mountain College, one of the most
radical of all American experiments in
arts education; of an artist
whose oscillating career has typified the vagaries of the artist's life in America.
Converge 45: YOU IN MIND is conceived as an «
art convergence in four chapters» that takes an acute and particular care about the idea and ethos of Portland's inherent positivity to amplify (for good purpose) the generous hand of independent artists
whose practices tend towards perpetuating / activating the now
radical notion of our cultural commons... It is my intention with YOU IN MIND that the projects we exhibit and / or present, focus on artists who have a «public» in mind, conceptually, structurally and / or are actively present within the resulting work itself.
The only painter in the founding group, Klein was a highly influential artist
whose radical techniques and conceptual gestures laid the groundwork for much of the
art of...
While it's not always true of people that young revolutionaries become old conservatives, it seems almost inevitable that in the
arts as much as politics,
radical ideas and movements
whose glory is not preserved by quick defeat turn into shibboleths and establishments.
Site - specific painter
whose understated yet
radical works are rooted in fine -
art tradition wins judges» vote at this year's Turner prize