Astronaut Ron Garan,
whose time in space helped him see the world in a whole new way, argues that these apprehensions fail to...
Not exact matches
In 2002, before the sale of PayPal even went through, Musk started voraciously reading about rocket technology, and later that year, with $ 100 million, he started one of the most unthinkable and ill - advised ventures of all time: a rocket company called SpaceX, whose stated purpose was to revolutionize the cost of space travel in order to make humans a multi-planetary species by colonizing Mars with at least a million people over the next centur
In 2002, before the sale of PayPal even went through, Musk started voraciously reading about rocket technology, and later that year, with $ 100 million, he started one of the most unthinkable and ill - advised ventures of all
time: a rocket company called SpaceX,
whose stated purpose was to revolutionize the cost of
space travel
in order to make humans a multi-planetary species by colonizing Mars with at least a million people over the next centur
in order to make humans a multi-planetary species by colonizing Mars with at least a million people over the next century.
When one finds Fred Hoyle announcing his conviction that evolution can not have taken place on this planet from scratch
in the
time available, but must instead have been brought
in from outer
space, the Bible believer obviously is under no pressure to get into line with the evolutionists
whose house itself appears to be
in considerable disrepair.
Now then, what if it is made of particles with no extension at all, such as points
whose tracks
in space -
time can be represented by lines?
Where Whitehead and Santayana are strikingly similar is
in holding that the spatio - temporal world is ultimately atomic or quantic so that what constitutes the world at any one moment, or a piece of history, is a system of facts, events, natural moments, or actual occasions,
whose relations (or perhaps rather possibilities of relations) constitute
space and
time (as opposed to their being as mere possibilities of relations) rather than are
in them as containers (see ED 27).
What exactly does it mean for a (human) body to exist
in space -
time or as a macroscopic extension of a quantum foam, and how can the soul be seen to exist
in a universe
whose hidden dimensions go well beyond the three we can observe?
Yet now and then forever
in the fields Of
space and
time whose carnivals will end Shepherds abide through night to watch and tend Till Wise Men come to know and knowledge yields.
But some may wonder whether it really is suitable for the Scriptures,
whose human authors were distant from each other
in time and
space, and never gathered together
in a television writers» room.
In keeping with an evolutionary universe, a universe of space and time, of growth and passage, man, who relates to others in moments and places, who relates to them through the flesh, and whose relationships with them can never be fully constituted from the beginning but admits of stages, will need the sacramental economy to grow in his relationship with Go
In keeping with an evolutionary universe, a universe of
space and
time, of growth and passage, man, who relates to others
in moments and places, who relates to them through the flesh, and whose relationships with them can never be fully constituted from the beginning but admits of stages, will need the sacramental economy to grow in his relationship with Go
in moments and places, who relates to them through the flesh, and
whose relationships with them can never be fully constituted from the beginning but admits of stages, will need the sacramental economy to grow
in his relationship with Go
in his relationship with God.
These are
times when the public
space is populated by paid agents provocateurs
whose stock
in trade is to grand...
Two proposed forms for dark energy are the cosmological constant, a constant energy density filling
space homogeneously, and scalar fields such as quintessence or moduli, dynamic fields
whose energy density can vary
in time and
space.
That's a shame for the man who discovered what might prove to be the key clue to the theory of everything, advanced our understanding of
space and
time, helped shape the course of physics for the last four decades and
whose insight continues to drive progress
in fundamental physics today.
What struck Barbour most was Einstein's comment that his intuitive leap about
space and
time had been inspired by Austrian physicist and philosopher Ernst Mach,
whose study of the speed of sound
in fluids helped explain the sonic boom heard when objects break the sound barrier.
He is an inner -
space pioneer
whose work holds the promise of freeing himself and others who are locked -
in, at least to a degree, by eventually allowing them to have real -
time conversations.
What could quarks and gluons possibly have
in common with nature's ultimate trash compactors — ultradense concentrations of matter
whose gravitational field is so powerful it curves
space -
time around itself, trapping anything that crosses its surface?
It is the fifth
time in space for veteran cosmonaut Gennady Padalka,
whose first journey into orbit was
in 1998.
PlanRad Live takes to the road again, this
time visiting the
Space Tech Expo
in Long Beach, California for a conversation with enthusiastic team members at Xcor Aerospace, where they are building the Lynx spaceplane, and the Zero Gravity Corporation,
whose «G - Force One» plane has allowed thousands of men and women to experience weightlessness.
Researchers with the Laser Interferometer Gravitational - Wave Observatory (LIGO) announced today (Feb. 11) that they had made history's first direct detection of gravitational waves, enigmatic ripples
in space -
time whose existence was first predicted 100 years ago by Albert Einstein's famous theory of general relativity.
This type of eating plan has shown promise
in animal studies; mice who are fed
time - restricted diets tend to lose more body fat and have lower risk of chronic diseases than those
whose meals are more
spaced out.
They hoped to attract young professionals
whose hectic lives didn't leave much
time for romance, as well as women who were looking for safer
spaces in which to date.
The logic for audiences was that with more
time and
space to navigate the program (
whose slender catalogue fits
in a back pocket), the packed houses and epic queues would be diffused to a level more commensurate with a holiday weekend of moviegoing than an arduous pilgrimage to cinephile mecca.
In this tale, first serialized in 1912 and set in the aftermath of the American Civil War, we meet the title character (played by the unfortunately named Taylor Kitsch of Friday Night Lights), a former Confederate captain whose search for a gold - filled cave has him leaping through time and space to the planet of Mar
In this tale, first serialized
in 1912 and set in the aftermath of the American Civil War, we meet the title character (played by the unfortunately named Taylor Kitsch of Friday Night Lights), a former Confederate captain whose search for a gold - filled cave has him leaping through time and space to the planet of Mar
in 1912 and set
in the aftermath of the American Civil War, we meet the title character (played by the unfortunately named Taylor Kitsch of Friday Night Lights), a former Confederate captain whose search for a gold - filled cave has him leaping through time and space to the planet of Mar
in the aftermath of the American Civil War, we meet the title character (played by the unfortunately named Taylor Kitsch of Friday Night Lights), a former Confederate captain
whose search for a gold - filled cave has him leaping through
time and
space to the planet of Mars.
Missing a leg, too, by the
time she escapes, she finds refuge — and prosthetic limbs —
in the village of Comfort,
whose denizens mostly give her
space.
Meet Captain America (23:04)(Originally aired October 24, 2010) Captain America (
whose origins are detailed
in an old newsreel) and sidekick Bucky confront Red Skull
in the ongoing World War, as Kang the Conqueror examines Captain America's effect on
space -
time.
Their Little Free Libraries non-profit venture was inspired by Andrew Carnegie's support of 2,509 free public libraries
in the late 1800s / early 1900s; by Miss Lutie Sterns, a librarian
whose «traveling little libraries» delivered books to 1,400 locations around Wisconsin during that same period of
time; and the more recent «take a book leave a book» movement
in cafes and public
spaces.
The JUPITER Research facility is located somewhere
in the remote countryside and is the primary lab of the OLYMPUS GROUP, a shady organization
whose scientists have been conducting experiments and doing research on
Space and
Time.
«As such, Saturn Paintings extends the artist's concern with expressing the psychological and existential maladies of a modern age set adrift
in seemingly boundless
space and endless
time, an age collectively grappling with questions about its significance
in a universe
whose secrets continue to elude us.»
Largely influenced by the late Mexican architect Luis Barragán,
whose vibrant work was considered not modernist but Emotional Architecture, Casebere plays with
space, color, and light yet again, but this
time in a way that is blissfully cheerful and serene.
Marc Quinn is a central figure within British art
whose work is principally concerned with the body's mutability
in time, its physical presence
in space and its anxiety within culture.
For the first
time since its founding
in 1986, the Swiss Institute (SI)--
whose previous homes have included the Swiss Townhouse on 67th Street, the New Era Building on Broadway, and the former Deitch Projects headquarters on Wooster Street — will inaugurate their first permanent
space this June
in the East Village.
Attempting to bring the project full circle, Dodd presents the culmination of the turbulent journey through
time and
space set inside the grumbly, rumbling Catfish studio, its» belly burping and bumping along the ocean floor through heat and sleet, though coup to calm, through leaks, bursts, filibusters and b - flat notes, a kidneys» need, a tickle
in the throat... and the final upheaval of the roaring storm
whose ochre radius swung down and pointed with pin prick precision straight to Catfish and with the last clap of thunder deafly pronounced: «THE FOSS GOES ON!
The mirrors - for - princes genre,
whose most famous examples include Machiavelli's The Prince and Al - Ghazali's Nasihat al muluk, operated as a poetic form of political critique
in both Christian and Muslim lands during the Middle Ages and the Renaissance while carving out a
space for statecraft at a
time when most scholarship was devoted to religious affairs.
For the group exhibition 14 Rooms
in Basel (Switzerland), the curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between
space,
time, and physicality with an artwork
whose «material» is the human being.
As a fledgling company
in the 1970s, it mounted perfor - mances
in galleries and alternative
spaces as well as theaters, and served for a
time as the resident company at La Mama and the Public Theater —
whose director Joseph Papp dubbed Mabou Mines his «black sheep.»
The installation — which the artist has interpreted as a metaphor for
time, where the trail of all memories is condensed on a single point
in space — synthetizes the core points of the artist's research, that is, the presentation of suggestive situations
whose narrative must be completed by the viewer; the simultaneity of different temporalities; and the game between reality and representation.
To cap off the opening weekend of an expanded MASS MoCA (a project that will nearly double our
space for exhibitions and that we hear will make us the largest contemporary art museum
in the country), we chose CAKE, a five - piece band
whose mission from the outset was to make its lyrics smart, its sound pure, and its music a good
time.
The first
time that the British artist George Henry Longly stepped into Red Bull Studios New York, the
space where he'd eventually be installing his first - ever New York solo show,
whose only real resemblance to a typical gallery is its white walls, he slightly panicked: «I was like, «God, this is a crazy
space, how the hell am I going to do a show
in here?»»
But Locher,
whose work has been exhibited internationally, including at Aperture Foundation / New York, Le Dictateur / Milan, and Fashion
Space Gallery / London, and has appeared
in numerous magazines such as the New York
Times Magazine, W, Neon, and Interview hasn't just done it for fun; sometimes confrontational, often amusing, her photographs are intended to raise serious points about politics and social conventions.
For the first
time since 2007, the gallery
spaces in the Villa Salve Hospes are being filled with a thematic group exhibition: OPEN HOUSE — A Group Show on Hospitality brings together eleven international artistic positions
whose works provide commentaries on hospitality as a social, cultural and political phenomenon.
«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists
whose work deals with
time,
space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate
in America, 2016, as well as specifically Oakland, CA.
Cedric Price was one of Britain's most provocative and visionary architects,
whose projects would push against traditional architectural boundaries and delight
in questioning the impact of
time and
space on the built environment.
Another important figure
in the movement was Carl Andre, who shared a studio
space with Stella and
whose sculpture was exhibited for the first
time in 1964, known for his use of materials such as bricks and metal plates arranged
in simple geometric compositions positioned on the floor.
Annette Lawrence is a visual artist
whose work relates to text and information and
in response to physical
space and
time.
uniciolour will also mark a year of site - specific installations at Brewer Street Car Park, and bring Nicolai back into contact with long
time collaborator Ryoji Ikeda,
whose installation supersymmetry opens at the
space in April.
The empty
space exhibited as such thus became,
in a way, a classic of radicalism, and would be repeated and remade
in other contexts, other places and other
times by other artists
whose intentions might be similar, different or even opposed to Klein's.
They are not meant for a family's valuables or heirlooms, but for the most elementary household goods with which to make a start
in another place -LSB-...] The pieces of clothing are stand -
ins for the people
whose second skin they once were -LSB-...] with her ambulatory, transportable bundles, [Kimsooja] has succeeded
in calling forth a reflection on the connection between movement and consciousness, knowledge,
time and
space.
He might have seemed, at the
time, to be speaking for the great cultural movement about to emerge — for James Joyce, with his layering of classical myth and the profane reality of early - twentieth - century Dublin
in Ulysses; for Picasso,
whose postwar art of pastiche seemed to disassemble and recombine historical styles just as his earlier work had taken apart and reconstructed pictorial
space; for Stravinsky,
whose music had found a sense of modernity
in both primitive ritual (The Rite of Spring) and the mincing artifices of the eighteenth - century ballroom (Pulcinella), and who sought for his Oedipus Rex «a medium not dead but turned to stone.»
«The material of film is
time,» says von Wedemeyer,
whose goal was to preserve a
space that may not exist
in the future.
Steven Kurutz of The New York
Times gives good exposure to the small house movement, «
whose adherents believe
in minimizing one's footprint — structural as well as carbon — by living
in spaces that are smaller than 1,000 square feet and,
in some cases, smaller than 100.
«Wind power's ecological footprint is so small — a million
times smaller than ethanol's — that if all the cars driven
in the United States were battery - electric, they could be fueled by wind turbines
whose total land footprint, not counting
spacing in between, takes up less than 1.2 square miles, Stanford University environmental engineering professor Mark Jacobson found.»