Like in the book, many of the main characters in the story come to vivid life in the film, including the powerful Gatsby and Daisy, the woman
whose true feelings are never fully realized in either work.
Not exact matches
It's
true — research backs this up — but if you're among those
whose limited acting skills can make putting this idea into action
feel a bit, well, awkward (or even downright creepy), there is another option available.
To know that what is impenetrable for us really exists and manifests itself as the highest wisdom and the most radiant beauty,
whose gross forms alone are intelligible to our poor faculties — this knowledge, this
feeling... that is the core of the
true religious sentiment.
As we write, we
feel the pain of someone
whose lover has died, or who has lost a child in war, or
whose dreams have never come
true.
Starring Michael Keaton, Rachel McAdams, Mark Ruffalo, Stanley Tucci, and Liev Schreiber (
whose top - notch performance will likely go unappreciated in the coming months), the film
feels dynamic and alive and spontaneous despite its
true - story roots.
The overuse of lingering shots and dewy close - ups made it
feel, occasionally, overwrought, but Vikander (
whose English accent
feels flawless) plays Vera bravely, sometimes stubborn and difficult, but always
true.
A person doesn't know
true hurt and suffering until they've
felt the pain of falling in love with someone
whose affections lie elsewhere.
The resorts aesthetics are enhanced by gardens
whose terrain is landscaped for a real tropical look and
feel that defines the
true peace and serenity of a holiday.
While not a bad strategy game, overall it
feels like a standard RTS
whose units are inspired by The Lord of The Rings more than a
true strategy game based on The War of the Ring.
To the past honorees, however, among whom I
feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee],
whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer
whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader
whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic
true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all,
whose generosity of spirit is set off by her unshakable personal integrity.
Elsewhere there are antagonisms and sparrings between shapes
whose true nature is left unstated, and sudden lashing of caked or viscous pigment
whose inspiration is again no longer in nature but in something in the nature of paint, or of the
feeling that takes hold of a painter when he attacks it.