Sentences with phrase «whose use of photographs»

By the time he enrolled at the Slade in the late 60s, his main influences were Gerhard Richter and Sigmar Polke: painters whose use of photographs overlapped with and trumped, in expressive terms, the pop art of a few years earlier.

Not exact matches

Satta, whose PhD is in computer vision and machine learning from the University of Cagliari in Italy, became «fascinated by the possibilities» for making use of the noise in 2011 when he heard Chang - Tsun Li of the University of Warwick in England present work on novel methods for identifying the noise pattern in photographs.
I'd like to extend a big thank you to the ladies who kindly reviewed the books in advance of publishing and to the ladies whose Color Analysis photographs I've been permitted to use - I hope I've done you justice.
You can take a look at the 7 links we have provided where you can see those exact same photographs that prove that these are not actual members of the dating site but are amateur porn stars whose photographs have been stolen and then used to manufacture fictitious profiles.
The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic darkroom give him in a few short hours prints of a quality no photographer achieved before about 1920.
The document, available HERE, outlines not only the benefits to establishing copyright guidelines for these estimated millions of writings, recordings, and photographs whose rights holders are currently unlocated, but also points out some faulty assumptions that current mandate the use of these works.
The fair has become more up - to - date than it used to be, with solo shows by established contemporaries like the photorealist painter of suburban ennui Robert Bechtle, at Gladstone, whose booth happily turns out to be opposite Fraenkel's, where there is a similarly moody selection of photographs of residential development in the American West by Robert Adams.
NINA KATCHADOURIAN: CURIOUSER This midcareer survey will showcase the quirky oeuvre of Nina Katchadourian, a Brooklyn artist whose work includes photographs and videos made on airplanes and photographs that mimic 17th - century Dutch paintings by using napkins to recreate the caps and lace collars.
Characterized by a seemingly objective, straightforward style and the use of large - scale, vibrantly colored prints, their work reflects the teachings of Bernd and Hilla Becher, professors at the Kunstakademie Düsseldorf, whose exacting style and dispassionate examinations of industrial forms are exemplified in their nine - photograph grid Water Towers (1972 — 2009).
Lawler, whose work will be on view at MoMA in Spring 2017 in an exhibition titled, Why Pictures Now, uses imagery to speak about the spectacle of the photograph and invites the viewer to adjust their expectations to what they are seeing, according to Marcoci.
Named after the Amanda Lear song, «I Am a Photograph,» and curated by German photographer Marco Breuer — whose works are famously made without the use of the camera or film — this exhibition brings together a group of 27 artists who engage in photographic processes or are concerned with photographic issues.
http://www.o-matic.com/ Joy Garnett on Wednesday, November 28, 2012, 12:45 p.m., Myrtle Hall 4E - 3 «Painting and the Technical Image World» Joy Garnett is New York - based artist whose paintings are based on news photographs, scientific imagery, and military documents she gathers from the Internet and uses to examine the apocalyptic - sublime at the intersections of media, politics, and culture.
Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.
A pioneer in using found photographs as the raw material for body adornment, German artist Bettina Speckner's work transforms nineteenth century ferrotype portraits of people whose identities are now lost.
Pioneering fashion photographer Guy Bourdin, whose arresting photographs filled the pages of French Vogue for three decades from the 1950s onwards, is notorious for breaking the boundaries of traditional commercial photography and reshaping the classic fashion picture, using a daring narrative and vibrant colour palette.
Famous modern installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of Monumental Sculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes with lights.
Lebohang Kanye, a 26 - year - old photographer who creates digital collages using old and new photographs, caught the eye of Hans - Ulrich Obrist, a celebrity curator and art historian whose choices are closely watched by the international art world.
An Experience of Amusing Chemistry: Photographs 1990 — 1890 comprises some 120 works created using a wide range of historic photographic techniques, whose reinvention causes a ghostly displacement of time characteristic of all McDermott & McGough's work.
Using only natural light, she then started to photograph vegetables and roots whose tendrils, reaching for the sun, expressed all of life's striving and aspiration, and finally, the maturing plant, evoking the inevitable downward spiral into decay.
So he belongs in the pool of postwar figurative painters whose works are, to one degree or another, conceptual or «abstract»: painters like Gerhard Richter and Malcolm Morley, who, like him, use photographs, or, among Americans, Alex Katz, Philip Pearlstein and even Wayne Thiebaud, specialists at a certain laconic registration.
The photographs will be used to create a book of books, whose format and edition are yet to be determined.
The series prompted an ongoing lawsuit in 2015 when Donald Graham, one of the people whose photograph Prince used without permission, sued the artist.
Moyra Davey Artforum International; March 1, 2010; Busta, Caroline; 700 + words Moyra Davey MURRAY GUY The objects populating Moyra Davey's photographs - analog electronics, unplugged and shelved; empty bottles of whiskey, appearing wherever they were finished - are things whose primary use - value has expired, items largely out of exchange, which exist, in curator Helen
Moyra Davey: MURRAY GUY Artforum International; March 1, 2010; Busta, Caroline; 700 + words The objects populating Moyra Davey's photographs — analog electronics, unplugged and shelved; empty bottles of whiskey, appearing wherever they were finished — are things whose primary use - value has expired, items largely out of exchange, which exist, in curator Helen Molesworth's words, «at the
«Susan is one of the few law firm librarians in Vancouver whose photograph and a description of library services appeared in a firm marketing brochure and newspaper advertisement created for client use
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