Sentences with phrase «whose voice performance»

Among those is a lovely Emilia Clarke, who serves as both a first love and big problem for Han, a dandy Donald Glover, slyly forming a wary alliance with Solo on his own, and a wonderful Linda Hunt, whose voice performance as Lady Proxima is so much fun, I want her to get her own movie.

Not exact matches

There were many fine performances at Alabama's pro day on March 13 in Tuscaloosa, but none so intense, so all - in, so loud as the effort put forth by Scott Cochran, the Crimson Tide strength coach whose Klaxon voice provided a frenetic, urgent sound track to the proceedings.

A few reviewers found the material a bit too dated, but this adaptation of Terence Rattigan's 1952 play of the same name by Terence Davies (Distant Voices, Still Lives) drew mostly raves, especially for Rachel Weisz's powerful performance as a woman whose life is torn apart when she cheats on her older husband (Simon Russell Beale) with a young war veteran (Tom Hiddleston).

The best comic performance comes not from Schumer but Michelle Williams as Avery, the beauty executive whose hamsterish voice holds her back in the workplace.

Its power comes through its repetition in the movie, not any single performance — and neither voice actor Gael Garcia Bernal, whose opening minute was on the timid and slightly shaky side, nor Miguel and Natalia LaFourcade, who followed with the pop duet version, were prepared to do it full justice on their own.

His I Am Love star Tilda Swinton is back — playing a Bowie-esque glam rocker resting her voice after a throat operation — and Guadagnino has cast Ralph Fiennes as a fast - talking record producer, whose performance includes a berserk extended frug to the Rolling Stones» Emotional Rescue.

It's a terrific performance by blue - haired, dressed - in - black Meryl Streep, whose singing voice is as powerful as her acting.

Daniel Day - Lewis channels John Huston (whose Noah Cross in Chinatown is a clear template both as a character and a voice) in a literally volcanic performance that slowly builds to an eruption in the film's closing sequences that either sends the film over the top into masterpiece territory or destroys the whole drama of the picture, depending on the viewer.

The supporting cast is largely made of obviously dubbed European actors whose performances are really only as good as the voices they are paired with.

On the face of it, Dickinson might seem well - matched to Davies, the English writer - director whose penchant for penetrating studies of anguished women (The Deep Blue Sea, Sunset Song) ought to place Cynthia Nixon's performance in a recognisable spectrum, of distant voices and still lives.Instead, Davies's screenplay is remarkable mostly for an archness and artifice only partially redeemed by several of the performances.

The film ultimately belongs to Riggan, who suffers repeated humiliations (learning a drunk Carver probably wrote a prized note, having to wander Times Square in his underwear after a mishap with a stage door, and getting a lambasting from Lindsay Duncan's cruel critic) while the voice of his movie alter - ego prattles in his head about the actor's failures, and Keaton, whose performance finds the right balance between longing determination and outright insanity.

November 21, 2014 • Hear a performance from the Texas native, whose distinctive voice evokes classic jazz singers.

Dan Akroyd puts in a solid supporting performance here as Ben Bart, an executive whose voice of reason and stability helps keep Brown's energy under control but the performance that stands head and shoulders above the rest is Boseman, who captures the highs and lows of Brown's personality.

The voice acting is also very impressive, with the exception being Max himself portrayed by Bren Foster, whose performance can be a little hit or miss, although it is very nice to see an actual Australian taking on the role and thereby delivering a proper Australian accent, unlike Tom Hardy who just didn't bother.

From early photo - text pieces, where Wilson dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist whose strong and humorous voice has endured and remained current through many waves of feminism.