This look is perfect for
those whose work dress code allows for something more casual.
Not exact matches
MM.LaFleur was created to cater to women
whose work days can look more like 8 a.m. to 9 p.m. and who might not want to devote their limited free time to trying on
work dresses in a changing room.
In my own neighborhood, which I would describe as middle class, there are quite a few kids
whose parents go to
work early and leave the it up to the kids to get themselves up,
dressed, and onto the bus.
For those of you
whose office
dress codes mandate pantyhose year - round, and for those who just like wearing them to
work, we've gathered a few tips from readers on staying comfortable if you have to wear pantyhose in the summer:
It's like a double treat for me looking at these heavenly photographs, not only do they showcase Claire Pettibone's designs in all their natural beauty, these images were crafted by one of my favourite London Wedding Photographers, Sarah Gawler —
whose work I have already featured on Love My
Dress, and am looking forward to featuring more regularly.
I used a twilly scarf as a belt because a) I happened to have one
whose colours
worked perfectly with this sort of pink and b) it brings out the softness of this
dress (more than a normal leather belt would in my view).
Stahl, who
dresses down his leading man looks, carries the burden of James» life with contorted features and hunched shoulders (he misses
work regularly due to a sore back) and is very good; Sophia - Robb,
whose most high - profile roles to - date have been in tween adventures (Because of Winn - Dixie, 2005; Charlie and The Chocolate Factory, 2005; Bridge To Terabithia, 2007; Race to Witch Mountain, 2009), plays tough at first, responding to Joleen's waywardness with a smart mouth and door - slamming physicality, but she softens into a trusting friendship with James.
Dressed in provocative clothing that looks more appropriate for the bedroom than the boardroom, Carly (Rosie Huntington - Whiteley)
works for an antique car collector (Patrick Dempsey)
whose actions could easily be interpreted as sexual harassment.
Dashing and handsome when he goes out on the town and given to massive appetites — he meets Alma when she serves him a hilariously heavy breakfast while
working in a restaurant in the countryside — Reynolds is a Bluebeard
whose manor is home not to the corpses of ex-wives but to a wealth of
dresses, each measured to the contours of live - in lovers long since discarded as easily as their formal wear.
Phantom Thread Daniel Day - Lewis stars as a
dress designer in 1950s London,
whose obsessive
work habits distort every relationship.
This is a listless, uninspired piece of
work whose most outrageous sexual material — toned down by [Larry] Clark's standards — is no match in the offensiveness department for the scene where Marfa Girl (Drake Burnette) verbally
dresses down a Mexican border patrol officer from her perch of privilege.
And new
work by Britain's top two maverick directors: Mike Leigh,
whose «Naked» portrays a hapless, cruel drifter in post-Thatcher England, and Ken Loach,
whose «Raining Stones» tells an equally bleak but much funnier story of an unemployed man determined to buy his daughter a confirmation
dress.
From early photo - text pieces, where Wilson
dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent
works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist
whose strong and humorous voice has endured and remained current through many waves of feminism.
Their
work is exhibited at Eigen + Art's stand alongside painters who hark back to the German Romantic era — most notably Martin Eder,
whose paintings of bloodied, embattled women
dressed in armour are a comment on the tribulations of contemporary feminism; and Jörg Herold, who paints crepuscular scenes as mournful as any Caspar David Friedrich.
After her husband died, Stern consigned a portion of their collection, including many
works by black artists, among them David Hammons (above), Wangechi Mutu (below), Simone Leigh, Yinka Shonibare, and Lynette Yiadom Boakye,
whose painting of five black women in white
dresses sold for more than $ 1.5 million, setting an artist record.
Max Beckmann, the German Expressionist
whose self - portraits were among the standout
works of a comprehensive exhibition at New York's Museum of Modern Art last spring, invariably painted himself either in evening
dress or a masquerade costume.
Seeing Red: Bibi Davidson Goes 3D at Gallery 825 By Genie Davis Through November 18th In a stunning solo exhibition, «The Girl in the Red
Dress,» now at Gallery 825 through November 18th, Bibi Davidson,
whose favorite color — and favorite color element in most of her vibrant
works — is red, has taken...
When Sol LeWitt, many of
whose works mess with gallery walls, gets a full -
dress retrospective, as he did recently at the San Francisco Museum of Modern Art, then an intervention such as Rathbone's is doomed to appear more sportive than critical, whatever she intends.
Putra's
work has a similar problematic nature to it; a female figure
whose mouth has been slit apart and stuffed with corals, or a woman
dressed in a trench coat with plants growing from her head — there is a sense of darkness to his
works.
The auction also features
works by acclaimed living artists such as Stephen Scott Young,
whose Hibiscus
Dress (Little Cindy), 2009, realized $ 68,500 and Final Study for Mr. Buck's Funeral, 2010, sold for $ 62,500.
Narratives indisputably evolve upon viewing
works as diverse as the openness and glamour of Diane Arbus's Girl in a shiny
dress, NYC 1967 to the enigma of Jackie Nickerson's portrait of a young bride in the Oman,
whose upper body is covered by a transparent veil barely revealing her identity.