Jeffrey Trachtenberg joins Digits to discuss how it works and
why big book publishers may not be thrilled about it.
Not exact matches
To the point,
why take 1 - 2 years to write a good
book at a higher price than spend less time on a $ 0.99
book, the industry can allow for both without a
big publisher being involved.
That's
why, traditionally, small
publishers didn't get the
big books.
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One has to wonder that if Facebook and Twitter work well for selling
books (as XYZ would have you believe),
why don't the
Big Publishers use these in their marketing?]
This is
why sites like goodreads and kobo have grown so fast, and it's
why authors and
publishers need to carefully consider the
big picture of each
book before drilling down to (and investing in) specific marketing efforts.
Coming at it from the other end if the
Big Publishers are so outraged at Amazon's pricing and the way it effects small
book stores (which they keep trumpeting in the press)
why do they keep giving Amazon the best discounts?
You're looking at nine to fifteen months from start to finish when you self publish in most cases so that's one the
bigger point though is I have a number of friends who have had traditional publishing deals who bought their
book back and
why and
why they bought their
book back is because the
publisher owns the content in that
book and what does that mean?
This is the reason
why self - published
books are far outselling and out - competing
big publishers.
Besides, this whole story ignores the fact that if Amazon is such a bad company
why doesn't Hachette and the other
big old fashion
publishers sell their
books somewhere else and pull all their products from Amazon?
For example, knowing the publishing seasons and
why Fall is the
biggest time for New York
publishers to launch a
book and perhaps the worst time for you to send your
book to market if you've self - published.
Just think about how a great
book by an unknown will compete with a brand name author... Yes, life is tough, but again...
why doesn't Amazon address the fact that it makes most of its money off of the same old same old,
books that are either «built» by
big publishers or by indies who often combine formulaic storytelling with full on marketing.