the other day when it occurred to me I don't really understand
why Big Publishing is having such a hard time.
There is a darn good reason
why the BIG publishing companies pay hot - shot graphic designers THOUSANDS of dollars to design their book covers.
I wonder
why the bigger publishing houses feel they have to charge so much for eBooks?
Not exact matches
TheBigLead.com's Ty Duffy
published an article stating
why he thinks Texas should join the
Big Ten.
Micah L. Sifry is the co-founder of Personal Democracy Media and the author of The
Big Disconnect:
Why the Internet Hasn't Transformed Politics (Yet),
published this fall by OR Books.
That is
why we will
publish all the
big contracts government signs with business to make sure there are no secret soft deals.
Her book, «The
Big Fat Surprise:
Why Butter, Meat and Cheese Belong in a Healthy Diet,» will be
published by Simon & Schuster on May 13.»
Though Dave can't quite process The Disaster Artist's early awards hype — USA Today
published a piece last week titled, «
Why James Franco and Seth Rogen's
biggest gamble yet might send them to the Oscars» — the actor admits that one aspect of making it to the ceremony is incredibly tantalizing.
In a recent piece entitled
Why the movement to opt out of Common Core tests is a
big deal and first
published by the Washington Post, Carol Burris writes;
Ego and turf protection are probably the
BIGGEST factors in anti-self-
publishing sentiment, and
why vanity
publishing and indie
publishing are often combined in the debate to muddy the definitions.
While most authors (like me) secretly want to be
published by one of the
big, well - known
publishing houses, there are so many reasons
why it's a good idea to self -
publish — nine to be exact (but that's only because I was restricted by the cats.)
That's a
big reason
why I mentioned in my earlier post that traditionally
published authors should have been going to those sessions too.
One of the
big reasons
why Christian fiction right now is on the decline is authors are no longer getting good incentives from traditional
publishing companies.
Those are the
BIGGEST REASONS
why self -
published authors are NOT getting acclaim from certain industry professionals, because suddenly, high standards went right out the window when they decided correct spelling was optional.
The reason
why many people are self -
publishing is because we get 70 % of electronic royalties and way more royalties in print then we would get from the
Big 5.
In an age when so many of the «
big stories» in
publishing are about amazing self - pub successes, people are asking more and more, «
Why would I want a traditional publisher?»
Received wisdom is that provided the books you've self -
published are any good, and that they are in the same genre, you'll see a significant increase in sales when you
publish your third, fifth and seventh book, and so on — although yesterday someone told me that the fourteenth is the
biggest tipping point (no idea
why!)
But the advantage of DIY
publishing is that you are beholden to no one but an audience — so
why not go
big?»
That begs the question:
why do so many people dip their toe into
publishing every year, whether that's with a
big - name press or as a self -
publishing author?
From commentator Mike Shatzkin in The
Publishing World Is Changing, But There Is One
Big Done That Has Not Yet Barked (Mike likes those long headlines) to Thad McIlroy in
Why Are Ebook Sales Falling?
The
big publishing companies spend thousands to hire the best designers to create covers for them —
why?
That outreach is a
big part of
why the traditional
publishing process takes so long — if you want to get your summer beach read included in a June issue, the editor at the magazine needs to have the final manuscript around January.
LP: Indie / self -
publishing is very
big right now — but not all indie authors hire pros for their covers ----
why they should work with a professional cover designer.
One of the
big reasons
why professional digital
publishing websites have seen a decline in revenue is due to more companies not employing Google Adwords anymore.
One of the
big reasons
why ebook piracy is increasing is due to the sheer amount of books being
published every year.
The end game for this new eBook project is to
publish audiobooks and eBooks and rope the authors into just dealing with Amazon and then saying «hey,
why don't we give you a
bigger reason to continue to
publish with us?»
Why on earth would
big publishing not want the millions of dollars» worth of market research Amazon is conducting every single day, I wonder?
People have been asking
why Don't I mention the
publishing companies by name who informed us of Amazons
big plans in the near - future and the crux of this article?
-LSB-...] Agent Janet Reid answers the question:
why don't
big name authors just self -
publish and make even more money?
And three — I want to share
why I recently turned down an offer from another
Big 6 house in favor of self -
publishing.
It's also
why a rival public petition, signed by over 8,000 indie authors (at last count), also has been posted, opposing Hachette and
Big Publishing in this dispute.
My other
big concern, and the reason
why most of the authors I know self
publish, is maintaining full control of the content.
Why do you think
big publishing houses are signing self -
published authors with fantastic sales records?
Of course there is a
big world outside Traditional
Publishing (which is steadily shrinking — which is
why I support the Sad Puppies) and, while they're trying to poison that, they at least don't control it.
Let us take a look at how and
why ebook
publishing is going to make it
big this year:
If one
big question is looming over the logical explanation
why many local publishers are still relevant to the
publishing scene, one answer that can shroud over curiosity is the ability to understand the needs of the market in its original form and communicative language.
«The same do - it - yourself attitude is at the heart of indie book
publishing, which is
why we're happy that BookBaby is providing resources for NaNo authors to take that next
big step:
publishing and finding an audience of readers.»
As difficult a road as indie
publishing can be, a
big part of
why I chose to go indie was to have the freedom to write and
publish my books my way.
Related Posts: Video Tutorials for eBook Production,
Why Self -
Published eBooks Can Look Better than
Big 6 eBooks, How to Read Your EPUB / MOBI File and How to
Publish on Amazon KDP
But
why the assumption that the main metric and primary purpose of success in self -
publishing is to become more desirable to a
big publisher?
Remove that, and more people will wonder
why Big 5 companies think their ebook is worth twice as much as my Indie
published novel.
Big thanks to «tobiasosir» who suggested I take a look at the myth that self -
publishing is easy, and
why it is not true.
Why shouldn't I make certain my e book looks every bit as good as any e book marketed by the
big publishing houses?
I recently had a conversation with a
big - name agent about
why in a world that's getting more progressive and open minded writers with diverse stories are still being passed over by traditional
publishing.
You're looking at nine to fifteen months from start to finish when you self
publish in most cases so that's one the
bigger point though is I have a number of friends who have had traditional
publishing deals who bought their book back and
why and
why they bought their book back is because the publisher owns the content in that book and what does that mean?
This is the reason
why self -
published books are far outselling and out - competing
big publishers.
Why would a
Big Six company invest in a service whose time has already come and gone — especially given that it's like falling off a log to
publish your (electronic) book these days, and that's what all the publicized success stories focus on.
One of the
biggest criticisms of self -
publishing is the poor quality of the finished product which is
why it's important to take these extra steps.
For example, knowing the
publishing seasons and
why Fall is the
biggest time for New York publishers to launch a book and perhaps the worst time for you to send your book to market if you've self -
published.
Industry pundit Mike Shatzkin just wrote a long blog post in which — as an aside — he mentioned
why the AuthorEarnings analysis is «doomed» to irrelevance: because some of his friends in
publishing say that the true royalties at «
big houses» are 40 % rather than 25 % when you factor in all the unearned advances they pay.