Sentences with phrase «why does the exhibition»

Not exact matches

It doesn't take more than a couple of seconds to understand why Apple are backing this exhibition considering the amount of cash they are riding on the Apple Watch.

Why they didn't have the exhibition in 2016 (cry face)?!

While the historical landmarks that Cooke aims to contextualize with her exhibition remain significant, they beg an investigation into why they didn't endure.

Perhaps Jeffrey Deitch knew about this, which is why, for this year's Armory Show (March 2 — 5, 2017), he reprised a group exhibition focusing on Stettheimer that he did more than twenty years ago.

This exhibition explores some of the ways in which human beings create and manipulate patterns, and why we are intrinsically driven to do so.

While Biala does not participate in the exhibition, critic Hilton Kramer of The New York Times notes her obvious absence: ``... why, by the way, is Biala, a serious artist, not represented by some paintings in the show?»

In a 2000 interview with Hans Ulrich Obrist (whose ongoing Do It project owes a debt to Mr. Siegelaub's book exhibitions), Mr. Siegelaub explained, in part, why he stopped curating contemporary art.

Mika Ninagawa / group exhibition» A special summer exhibition: Why does everyone love flowers?»

On top of running your own commercial gallery — which just launched its fall season on September 11 with an exhibition of Michael Bauer's work — why did you want to add a whole other level of one - night programming, and off - site no less?

Jean - Christophe, Stephan Balkenhol: 57 Penguins / 57 Pinguine, Parkett 36, pp. 66 - 69 Benezra, Neal, Stephan Balkenhol: The Figure as Witness / Die Figur als stummer Zeuge, Parkett 36, pp. 37 - 41 1992 Ammann, Jean - Christophe and Horst Schmitter, 57 Pinguine suchen 57 Freunde, advertisement, Frankfurter Allgemeine Zeitung, 30 April, pp. 110 - 111 Searle, Adrian, Not Waving, Not Drowning, Frieze 4, April - May, pp. 17 - 20 Fleissig, Peter, Stephan Balkenhol, Juan Munoz at the Hayward, Doubletake and the New Tate Re-Hang, exhibition review, Hayward Gallery, London, England, City Limits 5, No. 12, February - March, p. 18 Stringer, Robin, Why Cant You Dummies Just Let Me Be Alone, London Evening Standard, London, England, 28 February Bourriaud, Nicholas, Figuration in an Age of Violence, Flash Art, No. 162, January - February, pp. 87 - 91 Cork, Richard, Do You See What I See?

«It seems», wrote the artist Donald Judd of a 1963 Warhol exhibition, «that the salient metaphysical question lately is «Why does Andy Warhol paint Campbell Soup cans?»

The Museum does a great job of emphasizing the looking process, and I'd like to think that our Clyff Notes exhibition provides more insight into why it is so important to learn about Clyfford Still by looking closely at his work.

To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?

Why do museums recreate landmark exhibitions, installations and performances, and what can we learn from these restagings?

We don't know why Gavin Brown gets a slightly larger board than everybody else to display a photograph of the inside of his fridge, but the Bulletin Boards show was the only exhibition we saw that resulted in varied, engaging and interesting responses from all of its participants.

2009 Moyniham, Miriam, St Louis artist's imagery is intense, The Post-Dispatch, 11 June Rosenberg, Karen, More Over, Humble Doily: Paper Does a Star Turn, The New York Times, 19 October 2008 Applin, Jo, Bric - a-Brac: The Everyday Work of Tom Friedman, Art Journal, Spring, pp.69 - 81 Artner, Alan G, Beautiful art books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 October

Emily Floyd, The Cultural Studies Reader (2001) Photo; Eva Fernandez For the exhibition, Why do we do the things we do, nine artists turn the mirror on their creative process with honesty and biting self irony.

Why did you work with the idea of the clown and in particular the process of transformation into a clown for that exhibition?

AH: What political stance did your exhibition at Gavin Brown take in relation to global investment in New York real estate and why is it important to you?

What / Why: «Beverly resident and artist Alyssa Watters, owner of artbyalyssa, is known for doing two things really well: turning her backyard garden into an art gallery each summer and curating an annual exhibition of her own beautiful and colorful oil paintings of birds.

So why does her last decade appear to be neglected by the big Hepworth exhibition coming to Tate Britain this year?

This documentary record of all the exhibitions held at Galerie Max Hetzler in Berlin vividly illustrates why Hetzler has the reputation he does.

That exhibition included a temporary public reference library and in the final third of this talk he will try to explain why making functioning libraries as installationary art works is one of the things Thurston does, using as examples documentation from my recent solo show, Pretty Brutal Library (& Model Gallery, Leeds, 2013) and one of his works - in - progress, Hate Library.

The reason why it took more than three decades for these exhibitions to be revalued and restaged is not simply that they have been overlooked, but the result of Colab members» rejection and search for disappearance from an art system they did not identify with, and still struggle with.

Why, do you think, the artists represented in this exhibition choose to work with the medium of photography?

I hate to admit it, but neither did I. That's one reason why I was so enthralled by the exhibition «Van Gogh's Bedrooms,» which is on view at the Art Institute of Chicago.

Read on to discover what she thinks the point of Frieze Projects is, how she distinguishes between High Line and Frieze commissions, and why her and her husband — the Phaidon author and director of exhibitions at the New Museum, Massimiliano Gioni — don't hang any art in their home.

HR: This was entirely why we decided to do this exhibition with her.

Why are so many artists left out of these histories and how do you get them into the history books, into museum exhibitions and widen the terrain to be more inclusive of not only artists but different aspects of art making that overlap with the times.

While sitting at Dio Horia's recently opened rooftop bar sipping a cocktail, I wonder why does Mykonos feel like such a natural choice for exhibitions like Greek Gotham.

Why did the museum confirm a major retrospective for its exhibition calendar when no curator was attached to the project?

«The exhibition, it has a focus, an emphasis, which is on the way throughout his mature career Hockney has really interrogated what it is to make pictures, why make pictures, how do you capture the real world of time and movement in something flat and static,» said Chris Stephens, curator of the exhibition.

Rist guides us through her exhibition at the Hayward Gallery in 2011 and discusses why her works look as they do, and what videos can potentially do to a space: «You can open the walls — you can change the architecture.»

galerie frank elbaz is pleased to announce its second exhibition by Los Angeles artist Mungo Thomson, Why Does the World Exist?

Eva's recent solo exhibitions and public commissions have included the Hugh Lane Gallery, Dublin, (2014), Why Don't You?

Ratman has exhibited in numerous of international group exhibitions, including Real Time: Israeli Art 1998 - 2008, at Israel Museum (Jerusalem) in 2008, Teritorial Bodies at the Museum Beelden Aan Zee (Haag) also in 2008, Why don't you say it at the Herzliya Museum of Art in 2005 and the Video Art Festival in Beijing in 2003.

For the Project Space Festival 2016, U10 and guests will elaborate in a talk about their work, the production and exhibition context Belgrade and address questions such as: Why does the collective operates a space in Belgrade?

By placing an image of a power chord on the floor in lieu of an actual chord — taped as though purely functional and part of the trimmings of an exhibition space — Emma intervened in my viewing experience, offering me the chance to evaluate both how and what I was seeing and to think about why she had done this.

Why, she asks, don't they mix them up since curators are all about innovative integrative methods and groundbreaking exhibition methods?

«The strenuousness of an exhibition idea has never swayed us from doing anything before, so I don't know why it would now,» Knowles told me through laughter.

He did so with a multi-part series explaining why he was leaving the job, which by all appearances was a great, powerful position; the Voice was the only other paper in the city other than The New York Times that reviewed gallery exhibitions while they were still on view, and Mr. Indiana found himself feared and beloved in equal measure.

With its high profile contributors, this exhibition will give a boost to the Queens Park Railway Club — tho why it's called a Club I still do not know!

A: Sound art is currently becoming increasingly popular, with exhibitions at MoMA and South London Gallery focusing on the form this year - why do you think there has been an increase of interest?

A: Your recent exhibition at Lisson involved working with your brother, who is training as an architect, why did you decide to work together?

We don't need to dwell on the problematic elements of how and why Bearden's solo elevation made it into the modernist pantheon; that has been the subject of many of the exhibitions seen long ago in the home city of the National Black Arts Festival, which this year rightly celebrated Bearden's birth centenary.

So, it's not just, «Oh, we didn't get these works, so that's why the exhibition is this size.»

It's one of those rare creative curatorial notions that makes one wonder why no one has done this before and it is typical of Ingleby's lively exhibition record.

Bass Museum of Art (2100 Collins Avenue, Miami Beach)-- Why o why did the Bass do this Gold exhibitiWhy o why did the Bass do this Gold exhibitiwhy did the Bass do this Gold exhibition?

The Light and Space artist Mary Corse does not consider her work to be complete until it is experienced by a viewer — and a visit to her solo exhibition of recent work at Lehmann Maupin (until 7 October) shows why.

«The waters of the Sao Francisco don't fit in only one fashion collection, in one book or in one exhibition, which is why this is not an archive exposition but installations in which fashion and the river culture are «sewed» together,» he says at the project's website.