Among its many highlights, Robert Rauschenberg presents the artist's
widely celebrated Combines (1954 — 64) and silkscreen paintings (1962 — 64) in fresh ways, including two rarely lent works: Charlene (1954), the last and largest from the artist's
series of Red Paintings, which incorporates mirrors, part of a man's undershirt, an umbrella, comic strips, and a light that flashes on and off; and Monogram (1955 — 59), Rauschenberg's famous Combine assembled from a taxidermied angora goat and a tire, positioned on a painted and collaged wooden platform.