Sentences with phrase «widely on contemporary art»

Faye Hirsch is an editor and critic who has published widely on contemporary art, with a specialty in prints.

He has written widely on contemporary art since the 1960s.

Faye Hirsch is an author, curator and critic who has published widely on contemporary art.

She has lectured widely on the contemporary art market and is a member of ArtTable, an organization for women in the arts.

He has published widely on contemporary art as well as contemporary theory and historiography.

Not exact matches

A widely published writer on contemporary art with a focus on issues of sexuality and representation, Kate is the author of numerous articles and museum catalog essays as well as three books.

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

It was widely anticipated that billionaire businessman and philanthropist Eli Broad, who is on ARTnews» list of the Top 200 Collectors, would make an outright gift of his highly prized modern and contemporary art collection to one or more fortunate museums.

She has exhibited widely across the USA in galleries such as, A.I.R. Gallery (NY), PPAC, Philadelphia (PA), Black Box Gallery, Portland (OR), Rush Street Gallery, Washington (DC), Orange County Center for Contemporary Art, Santa Ana (CA) and On The Ground Floor, Los Angeles (CA).

Bois has written widely on modern and contemporary art, and his 2005 essay on Sandback's work has remained one of the most influential pieces of scholarship on the artist to date.

«The Rose Art Museum on the Brandeis campus houses what is widely recognized as the finest collection of modern and contemporary art in New EnglaArt Museum on the Brandeis campus houses what is widely recognized as the finest collection of modern and contemporary art in New Englaart in New England.

Dr. Julie McGee, University of Delaware (moderator) Julie L. McGee, an art historian with specialties in African American art and contemporary African art, has published widely on contemporary African American art and South African art, with particular focus on artist and museum praxis.

This widely debated idea took on a life of its own in the public realm not only in contemporary art, but also in popular culture and cultural studies.

A former curator of modern and contemporary art (Philadelphia Museum of Art; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaart (Philadelphia Museum of Art; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaArt; Seattle Art Museum), she has published widely on Trisha Brown in international museum catalogs and academic journaArt Museum), she has published widely on Trisha Brown in international museum catalogs and academic journals.

Pendleton's work has been widely exhibited internationally in venues including MoMA, the New Museum, The Kitchen (all New York), Stedelijk Museum (Amsterdam), Museum of Contemporary Art (Chicago), Whitechapel Gallery (London); Galerie Eva Presenhuber (Zurich); and the Museum of Contemporary Art (Denver), where his traveling solo exhibition «Becoming Imperceptible» was recently on view.

In addition to its exceptional program, the gallery is widely admired for a sympathetic approach to restoring historic buildings and giving them a new lease on life as contemporary art spaces that invigorate surrounding communities.

He has lectured and published widely on modern and contemporary art for journals including Artforum, Frieze, Kaleidoscope, Mousse, October, Parkett, and Tate Etc..

Ward's work has been widely exhibited on an international level, including solo exhibitions at The Barnes Foundation, Philadelphia, PA (2016); Pérez Art Museum Miami, FL (2015); SCAD Museum of Art, Savannah, GA (2015); Louisiana State University Museum of Art, Baton Rouge, LA (2014); The Fabric Workshop and Museum, Philadelphia, PA (2011); Massachusetts Museum of Contemporary Art, North Adams (2011); Institute of Visual Arts, Milwaukee, WI (1997); Isabella Stewart Gardner Museum, Boston, MA (2002); and Walker Art Center, Minneapolis, MN (2001, 2000).

She taught art history at New York University and has lectured widely on modern and contemporary art.

The # 60,000 prize has a major impact on both the winning museum and their chosen artist: for the winning museum, the award allows the acquisition of an ambitious work of contemporary art of national importance, and for the winning artist (who may be showing widely nationally and internationally but whose work is not represented in collections in this country), the award is a stepping stone to greater visibility and provides access to national and international audiences.

Karen Wilkin, a specialist in 20th - century modernism who has published widely on this period, is the curator of the exhibition; Joanna Marsh, The James Dicke curator of contemporary art at the museum, is the coordinating curator in Washington.

With a intimate view on the role of his art and how it has been shaped through traveling and living abroad, Diango Hernández has been widely exhibited in galleries like Barbara Thumm (Berlin), Marlborough Contemporary (London) and Alexander and Bonin (New York) and institutions such as Kunstahlle Basel (Basel), Museum Morsbroich (Leverkusen), Museum of Contemporary Art (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many otheart and how it has been shaped through traveling and living abroad, Diango Hernández has been widely exhibited in galleries like Barbara Thumm (Berlin), Marlborough Contemporary (London) and Alexander and Bonin (New York) and institutions such as Kunstahlle Basel (Basel), Museum Morsbroich (Leverkusen), Museum of Contemporary Art (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many otheArt (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many others.

Baker's essays on surrealism, photography, and contemporary art have been widely published, and he has curated the following exhibitions: Undercover Surrealism: Georges Bataille and Documents (Hayward, London, 2006); Close - up: Proximity and Defamiliarisation in Art, Film and Photography (Fruitmarket, Edinburgh, 2008); Exposed: Voyeurism, Surveillance and the Camera (with Sandra Phillips, Tate Modern, 2010); Taryn Simon: A Living Man Declared Dead and Other Chapters I - XVIII (Tate Modern, 2011); and William Klein + Daido Moriyama (Tate Modern, 201art have been widely published, and he has curated the following exhibitions: Undercover Surrealism: Georges Bataille and Documents (Hayward, London, 2006); Close - up: Proximity and Defamiliarisation in Art, Film and Photography (Fruitmarket, Edinburgh, 2008); Exposed: Voyeurism, Surveillance and the Camera (with Sandra Phillips, Tate Modern, 2010); Taryn Simon: A Living Man Declared Dead and Other Chapters I - XVIII (Tate Modern, 2011); and William Klein + Daido Moriyama (Tate Modern, 201Art, Film and Photography (Fruitmarket, Edinburgh, 2008); Exposed: Voyeurism, Surveillance and the Camera (with Sandra Phillips, Tate Modern, 2010); Taryn Simon: A Living Man Declared Dead and Other Chapters I - XVIII (Tate Modern, 2011); and William Klein + Daido Moriyama (Tate Modern, 2012).

Cameron has published hundreds of texts in books, catalogs and magazines on contemporary art, lectured widely at museums and universities throughout the world, and served on the graduate fine arts faculties of Columbia University, New York University, and School of Visual Aarts faculties of Columbia University, New York University, and School of Visual ArtsArts.

A graduate of the University of South Florida's graduate program in Africana Studies, where he focused on literature and critical theory, Eldridge has engaged widely on the role of the arts in constructing identity, and seeks to contribute to contemporary discussions in performance, history, race, ontology and myth.

Rice's writing on contemporary Onkwehonwe art has been published in numerous periodicals and exhibition catalogues, and he has lectured widely.

The book was written and edited by Nigerian independent curator and art historian Okwui Enwezor, who is widely recognized as one of the world's foremost experts on contemporary African art.

Born in 1944 and widely considered a key figure to the post-WWII art scene in Europe, Boltanski has been exerting profound impacts on the development of contemporary art from Europe to Asia, and was a contributing artist to the French pavilion during the Venice Biennale in 2011.

by Jeffrey Keefe Now in its fourth year, SELECT Contemporary Art Fair (on now through 17 May 2015) is one of the fastest growing events to emerge amidst NYC's widely praised Frieze Week.

He writes widely on modern and contemporary art, and is the author of Dara Birnbaum: Technology / Transformation: Wonder Woman (Afterall Press, 2010), and The Exiles of Marcel Duchamp (MIT Press, 2007).

In addition to her book, Pop or Populus: Art between High and Low (Sternberg Press, 2009), her writings on contemporary art and its production have been published widely, in both artist monographs and magazines, including Afterall, Artforum, Bookforum, Speculations, and Texte zur KunArt between High and Low (Sternberg Press, 2009), her writings on contemporary art and its production have been published widely, in both artist monographs and magazines, including Afterall, Artforum, Bookforum, Speculations, and Texte zur Kunart and its production have been published widely, in both artist monographs and magazines, including Afterall, Artforum, Bookforum, Speculations, and Texte zur Kunst.

T.J. Demos writes widely on modern and contemporary art and his and is also a critic, writing for magazines such as Artforum, Texte zur Kunst, and Art Press and Art Journart and his and is also a critic, writing for magazines such as Artforum, Texte zur Kunst, and Art Press and Art JournArt Press and Art JournArt Journal.

Marking Parasol unit's 50th exhibition is the first London showing of Martin Puryear, a giant of American contemporary art who Ardalan feels has been widely overlooked — playing perfectly into the philosophy of pushing a remit that is focused on the public instead of commercial concerns that tend to dominate the two other facets of the art world: galleries and collectors.

A year after Germany had its milestone exhibition of Chinese contemporary art, «Die 8 der Wege» («The 8 of ways») in 2014, a new, widely - promoted show on the same subject opened its (many) doors in May, in Germany's North - Rhine Westphalia state.

Art historian and art critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary aArt historian and art critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary aart critic, Professor at the West University, Faculty of Fine Arts in Timișoara, freelance curator Ileana Pintilie has curated many one - person and group exhibitions in Romania and abroad, and published widely on modern and contemporary artart.

Widely regarded as an authority on China's contemporary art scene, he was co-curator, with Alexandra Munroe and Hou Hanru, of the 2017 «Art and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New Yoart scene, he was co-curator, with Alexandra Munroe and Hou Hanru, of the 2017 «Art and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New YoArt and China After 1989: Theater of the World» exhibition at the Solomon R. Guggenheim Museum in New York.

His work is now on view in three widely separated exhibitions: «Under the Westside Highway,» a small show of paintings and drawings focused on a single, expansive triptych, at the Aldrich Contemporary Art Museum in Ridgefield, Conn.; «Onsite Paintings, 1972 - 2008,» a retrospective display of 25 paintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery in Chelsea.

PULSE is a premiere contemporary art fair and one of the longest running Art Basel satellite fairs (established in 2005), strongly focused on discovery and acquisition of cutting - edge contemporary art and widely praised for its distinctive commitment to the art community and visitor experienart fair and one of the longest running Art Basel satellite fairs (established in 2005), strongly focused on discovery and acquisition of cutting - edge contemporary art and widely praised for its distinctive commitment to the art community and visitor experienArt Basel satellite fairs (established in 2005), strongly focused on discovery and acquisition of cutting - edge contemporary art and widely praised for its distinctive commitment to the art community and visitor experienart and widely praised for its distinctive commitment to the art community and visitor experienart community and visitor experience.

Moyer «s work has been widely exhibited both nationally and internationally, including such venues as PS1 / Institute on Contemporary Art, the Palm Beach ICA, Yerba Buena Center for the Arts, the Weatherspoon, Cooper - Hewitt and Tang Museums, Shedhalle, Zurich, Le Magasin, Grenoble, and the Project Centre, Dublin, among others.

She writes and lectures widely on the graphic arts from the eighteenth - century to the present, and is the author of the catalogue raisonné of the graphic work of contemporary artist Warrington Colescott.

She has lectured widely on contemporary Chinese art and has published in Yishu: Journal of Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews fcontemporary Chinese art and has published in Yishu: Journal of Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPULart and has published in Yishu: Journal of Contemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews fContemporary Chinese Art, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPULArt, Journal of Contemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews fContemporary Chinese Art (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPULArt (JCCA) and ArtAsiaPacific magazine in addition to regular reviews for ARTPULSE.

Entang Wiharso (b. 1967, Tegal, Indonesia) studied painting, graduating from the Indonesian Institute of Arts in Yogyakarta in 1994 and is widely regarded for his dramatic visual language which draws on popular culture and ancient mythology to create unique images of contemporary life.

Specialising in post-war European and contemporary international art, she has published widely on the subject and has also curated projects with many contemporary artists from Britain and abroad, including Miroslaw Balka, Chris Burden, Genevieve Cadieux, Sophie Calle, Mark Dion, Luciano Fabro, Paul McCarthy and Nicholas Pope.

Nari Ward's work has been widely exhibited on an international level, including solo exhibitions at the Fabric Workshop and Museum, Philadelphia (2011); Massachusetts Museum of Contemporary Art, North Adams (2011); Institute of Visual Arts, Milwaukee (1997); Isabella Stewart Gardner Museum, Boston (2002); and Walker Art Center, Minneapolis (2001, 2000).

NEW YORK — It was widely anticipated that billionaire businessman and philanthropist Eli Broad, who is on ARTnews» list of the Top 200 Collectors, would make an outright gift of his highly prized modern and contemporary art collection to one or more fortunate museums.

She has written widely on: Post-war Italian Art, Pop Art, exhibition histories and contemporary aArt, Pop Art, exhibition histories and contemporary aArt, exhibition histories and contemporary artart.

Doris Salcedo Museum of Contemporary Art Chicago February 21 — May 24, 2015 220 East Chicago Ave Chicago IL 60611 The image most widely associated with the Doris Salcedo show, currently on view at the...

He has lectured and published widely on modern American and international contemporary art, addressing the work of such artists as Albert Bloch, Andrew Wyeth, Willem de Kooning, Robert Motherwell, Elizabeth Murray, and Wenda Gu.