Sentences with phrase «widescreen anamorphic transfer»
THE DVD The DVD release of Antitrust is presented as a sparkling, 16x9 - enhanced, widescreen anamorphic transfer at 2.35:1.
http://www.filmfreakcentral.net/ Not exact matches
Video: It's a very crisp and lovely anamorphic widescreen (2.40:1) transfer.
The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.
Some minor grain is hardly noticeable in the highly pleasing 2.35:1 anamorphic widescreen transfer and the Dolby 5.1 soundtrack is aptly immersive throughout.
Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.
THE DVD by Bill Chambers Warner shepherds Happy Feet to DVD in a 2.40:1 anamorphic widescreen transfer.
Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.
Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.
THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transfer.
Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.
Vadim shoots it in earthy color and CinemaScope and the disc preserves both in an anamorphic widescreen transfer.
Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.
The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.
THE DVD Anchor Bay reissues Johnny Suede on DVD in a 1.75:1 anamorphic widescreen transfer that frankly does Joe DeSalvo's cinematography a disservice.
I wish the disc's 2.35:1 anamorphic widescreen transfer * better preserved all this mise - en - scène minutiae: the image is surprisingly soft, muted, and murky, if only mildly so on each count.
The 1.78:1 anamorphic widescreen transfer is exactly as the makers would want it to be.
The Calling looks fine for standard definition, but the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 1080p.
THE DVD One of six films that won the second round of Amazon's DVD Decision 2006, Looker debuts on the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of grain.
The 1.85:1 anamorphic widescreen transfer is largely dark and murky — partially, I think, to help the little beasts believably blend into their surroundings.
THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.
THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.
As for Fox's Because of Winn - Dixie platter, it's a DVD - 10 containing 1.85:1 anamorphic widescreen and flipside unmatted transfers.
Even so, the anamorphic widescreen transfer looked pretty good, with solid color.
The film looks pretty great in the DVD's 2.35:1 anamorphic widescreen transfer.
The movie looks great in its 2.35:1 anamorphic widescreen transfer.
But this dual - layer DVD is filled nearly to its size limit, which means the 1.78:1 anamorphic widescreen transfer looks superb, with striking color and contrast.
Columbia TriStar's DVD could scarcely better accommodate an appreciation of the picture: the approximately 2.35:1 anamorphic widescreen presentation rivals the Pixar digital - to - digital transfers for clarity of textures.
is showcased in an excellent 1.78:1 anamorphic widescreen transfer so fine in its shadow detail that every pock on Burton's face is like a cave in a lunar landscape.
The anamorphic 1.85:1 widescreen transfer is a pretty good one.
Finishing out the Tayton box (and exclusive to the set), Warner's DVD release of The Comedians presents the film in a 2.36:1 anamorphic widescreen transfer that sparkles.
THE DVD The first platter of Fox's two - disc Collector's Edition reissue of The Hustler sports the film in a slick but unfortunately nonprogressive 2.35:1 anamorphic widescreen transfer.
The first platter of Fox's two - disc Collector's Edition reissue of The Hustler sports the film in a slick but unfortunately nonprogressive 2.35:1 anamorphic widescreen transfer.
While I no doubt have been spoiled by regular exposure to excellent Blu - ray transfers, the 1.85:1 anamorphic widescreen presentation of Swimming to Cambodia seems a tad disappointing even for a standard definition release of a low - budget 25 - year - old experimental film.
Earning its THX certification, The Village's 1.84:1 anamorphic widescreen transfer * invites adjectives like sumptuous and filmlike, and better yet, the studio seems to have curbed its recent habit of overfiltering the image.
We received the NC - 17 disc for review (as if the R release would receive coverage here), whose 1.85:1 anamorphic widescreen transfer is unassumingly breathtaking, a smashing success in every conceivable way.
Disc One features a nice, solid, rain - streaked 1.85:1 anamorphic widescreen transfer that shows the wear of its origins (a Spanish / Italian production on minimal funds and with time and subject limitations) yet acquits itself quite nicely and is arguably more lustrous than the Anchor Bay presentation.
THE DVDs Released on DVD a few years back by DreamWorks in an «Awards Edition» now bundled as part of Paramount's «Best Picture: Academy Award Winners Collection,» American Beauty is crying out for a fresh run through the telecine (there's a hair in a couple of frames), its 2.37:1 anamorphic widescreen transfer conspicuously struck back in the nascence of the format.
Letterboxed in anamorphic widescreen at 1.85:1, the transfer boasts acceptable contrast, plus better - than - average colour rendition for an HK title.
Unsurprisingly for modern stop - motion animation, picture quality is excellent on the DVD's 2.35:1 anamorphic widescreen transfer.
THE DVD Paramount's DVD release of The Temp presents the film in a sharp 1.85:1 anamorphic widescreen transfer that suffers stray edge - enhancement issues.
The 2.40:1 anamorphic widescreen transfer is a disciplined rendering of volatile elements, as evidenced by the «control group» of those two or three shots that don't induce seizures.
The movie is transfered in anamorphic widescreen (1:1.85) and is available in English and French, with optional English, Spanish and French subtitles.
Unlike its last Region 1 DVD, My Neighbor Totoro is treated here to a 1.85:1 anamorphic widescreen transfer.
And finally, Anchor Bay champions The Fallen Ones with a striking 1.77:1 anamorphic widescreen transfer that makes a strong case for the company never doing anything half - assed no matter the content.
THE DVD Fox DVD presents Fathom in a brilliant 2.35:1 anamorphic widescreen transfer long on vibrancy and short on edge enhancement.
The 1.85:1 anamorphic widescreen transfer (fullscreen sold separately) is crisp and brilliant, if prone to too much saturation and contrast.
THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.
THE DVDs Fox presents A Farewell to Arms and Francis of Assisi on DVD in glorious 2.35:1 anamorphic widescreen transfers (the latter misidentified on the box art as 1.85:1) that preserve their CinemaScope origins and, more, honour them with popping the colours and by saturating the screen with the curious sterility of the process.
The 1.66 anamorphic widescreen transfer is, then, wholly at the service of the film, which is as it should be, while the German DD 2.0 mono audio is similarly fulsome, replicating Popol Vuh's hallucinogenic score with fidelity.
THE DVD The Fox DVD presents the film in an anamorphic widescreen transfer (2.35:1) that takes full advantage of the vibrant jungle of Sumatra.