Sentences with phrase «widescreen aspect ratio for»

Some phones seem content to stick to the standard 16:9 widescreen aspect ratio for the moment, though Samsung, LG and Apple are extending that to 18:9 and beyond: this is one area where we might continue to see some variation for a while yet.

Not exact matches

16:9 Aspect ratio for widescreen entertainment, sharper, crisper images, amazingly accurate colors and more.

Batman appears in both an aspect ratio of approximately 1.85:1 and in a fullscreen version on this double - sided, single - layered DVD; the widescreen image has been enhanced for 16X9 televisions.

Mission: Impossible appears in both an aspect ratio of approximately 2.35:1 and in a fullscreen version on this single - sided, double - layered DVD; the widescreen image has not been enhanced for 16X9 televisions.

KEY: 1.33:1 - 4 x 3 Fullscreen; 1.66:1, 1.77:1, 1.78:1, 1.85:1, 2.35:1, 2.55:1 - Widescreen aspect ratios; Pan & Scan (p & s)- movie is modified to fill 4:3 TV screen; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby 2 - Channel Surround or Stereo SRP - Suggested Retail Price; TBA - To Be Announced; OAR - Original Aspect Ratio (DVD preserves the ratio the film was createaspect ratios; Pan & Scan (p & s)- movie is modified to fill 4:3 TV screen; DD 5.1 - Dolby Digital 5.1; DTS 5.1 - Digital Theater Surround Sound; DD 2.0 - Dolby 2 - Channel Surround or Stereo SRP - Suggested Retail Price; TBA - To Be Announced; OAR - Original Aspect Ratio (DVD preserves the ratio the film was createAspect Ratio (DVD preserves the ratio the film was createdRatio (DVD preserves the ratio the film was createdratio the film was created for)

Now for playback performance starting with Batman, presented in 1080p high definition on Blu - ray disc with a 1.78:1 widescreen aspect ratio and a DTS - HD MA (Master Audio) 5.1 lossless (48kHz, 24 - bit) mix, the animated film looks and sounds up to standards in HD.

Free To Rock is presented on standard definition DVD with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 2.0 Stereo track, the presentation here is fine for DVD and includes archival footage, interviews, and Sutherland's voice pushing the story forward.

My guess is that Monkeys» original aspect ratio is something like the 1.75:1 widescreen ratio that was used for Old Yeller and Pollyanna.

The Muppet Movie is presented in the 1.85:1 widescreen aspect ratio (matching the dimensions of its original theatrical exhibitions) and has been enhanced for 16x9 displays.

The DVD quality itself looks very sharp in its widescreen 2.35:1 aspect ratio, especially for a 1964 released film.

The 1:85 aspect ratio has been shaved to fit the 16 × 9 widescreen format and the mastering is weak, with unstable, noisy colors and hazy resolution, adequate for a bargain - priced film but not worthy of the beauty of John Huston's swan song.

It plays under a crisply - detailed, well - compressed anamorphic widescreen transfer that for no explicable reason dispenses with the Super35 film's projected aspect ratio of 2.35:1 in favour of its negative aspect ratio of 1.78:1.

The Aspect Ratios & The Movie's Time Periods I'm the last person to fetishize aspect ratios, but Wes Anderson films are known for their distinctive widescreen look which is due to the way Anderson shoots his films, assisted by longtime DP Robert Yeomen who has worked on all of his films aside from «Fantastic Mr. Fox.&Aspect Ratios & The Movie's Time Periods I'm the last person to fetishize aspect ratios, but Wes Anderson films are known for their distinctive widescreen look which is due to the way Anderson shoots his films, assisted by longtime DP Robert Yeomen who has worked on all of his films aside from «Fantastic Mr. Fox.&Ratios & The Movie's Time Periods I'm the last person to fetishize aspect ratios, but Wes Anderson films are known for their distinctive widescreen look which is due to the way Anderson shoots his films, assisted by longtime DP Robert Yeomen who has worked on all of his films aside from «Fantastic Mr. Fox.&aspect ratios, but Wes Anderson films are known for their distinctive widescreen look which is due to the way Anderson shoots his films, assisted by longtime DP Robert Yeomen who has worked on all of his films aside from «Fantastic Mr. Fox.&ratios, but Wes Anderson films are known for their distinctive widescreen look which is due to the way Anderson shoots his films, assisted by longtime DP Robert Yeomen who has worked on all of his films aside from «Fantastic Mr. Fox.»

Still, it's kind of a fun movie and, restored it to its original widescreen aspect ratio, this disc makes for a decent first - time purchase at the right price.

Though this presentation is touted as «family - friendly widescreen» on the sequel's official website, it is actually in the aspect ratio being employed for all of DisneyToon Studios» direct - to - video features today and 16x9 can be considered the original dimensions of the cartoon.

The feature film is presented in the 1:66:1 widescreen aspect ratio and is enhanced for 16x9 televisions, resulting in tiny black bars on the sides that won't be visible on most screens due to overscan.

THE DVD Blue Underground, gaining momentum on Anchor Bay in the area of extensive catalogue cult releases, offers The Final Countdown in an astounding, THX - certified anamorphic widescreen presentation that preserves the picture's original 2.35:1 Panavision aspect ratio for the first time on DVD legitimately.

Holding almost half the first season and selling for less than one - fourth the price, Turn Your World Around seems like a good deal and a great way for casual «Punky Brewster» fans to begin a DVD collection, but the episodes are packed too tight and, if it affects you, that widescreen aspect ratio is inexcusable.

As an added «screw you» to those who don't or won't do widescreen, this is only available for your hearing pleasure on the original aspect ratio version of the movie.

Presented in its original 1.66:1 widescreen aspect ratio and enhanced for 16:9 displays, black & white Hand in Hand looks great.

KEY: 1.33:1 - Fullscreen; 1.66:1, 1.85:1, 2.25:1, 2.35:1 - Widescreen ratios; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by AWidescreen ratios; 16:9 (or anamorphic)- widescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Awidescreen presentation enhanced for 16 x 9 widescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Awidescreen TVs OAR - Original Aspect Ratio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by AnchorRatio (DVD maintains ratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Anchorratio the film was created for); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround; SRP - Suggested Retail Price; OOP - Out of Print Anchor Bay - Disney film released on DVD by Anchor Bay.

KEY: 1.33:1 - Fullscreen; 1.66: 1, 1.77:1, 1.85:1, 2.35:1 - Widescreen aspect ratios; DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround 2.0; DTS 5.1 - Digital Theater Surround Sound (5.1 channels); CE - Collector's Edition; 16:9 - widescreen presentation enhanced for 16 x 9 widescreen TVs (aWidescreen aspect ratios; DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Surround 2.0; DTS 5.1 - Digital Theater Surround Sound (5.1 channels); CE - Collector's Edition; 16:9 - widescreen presentation enhanced for 16 x 9 widescreen TVs (awidescreen presentation enhanced for 16 x 9 widescreen TVs (awidescreen TVs (anamorphic)

Available exclusively in its «2.35:1» widescreen theatrical aspect ratio, Invincible has, of course, been enhanced for 16x9 televisions.

Mr. 3000 is presented in its original theatrical aspect ratio, 1.85:1, and has of course been enhanced for widescreen televisions.

Also, I hate to be one of those aspect - ratio boors, but I honestly wonder if 1.33:1 is the intended AR for this film, which was made well into the widescreen era.

The film is presented in its original 2.35:1 widescreen aspect ratio, enhanced for 16x9 screens.

The film is presented in its original 2.35:1 widescreen aspect ratio and is enhanced for 16x9 displays.

Fortunately, A Far Off Place is presented in its original 2.35:1 widescreen aspect ratio and has been enhanced for 16x9 televisions.

Actors: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan Director: Edgar Wright Writers: Simon Pegg, Edgar Wright Producers: Nira Park, Tim Bevan, Eric Fellner Format: Color, Widescreen Language: English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1), English (DTS - HD Master Audio 5.1), Spanish (Dolby Digital 5.1), Spanish (DTS 5.1) Subtitles: Spanish Subtitles for the Hearing Impaired: English Region: All Regions Aspect Ratio: 2.35:1 Number of discs: 2 Rated: R (Restricted) Studio: Universal Studios DVD Release Date: November 19, 2013

The film is presented in standard definition with a widescreen aspect ratio and a lossy English Dolby Digital 5.1 track, both of which play fine for the format.

The standard definition presentation is fine for DVD with an anamorphically enhanced 1.85:1 widescreen aspect ratio and a lossy 5.1 mix.

Presented in 1080p high definition on Blu - ray disc with a widescreen aspect ratio of 1.85:1 and a great sounding DTS - HD MA (Master Audio) Mono lossless track, the low budget film has been superbly restored for HD.

#artoffline is presented on standard definition DVD and an anamorphically enhanced 1.78 X 1 widescreen aspect ratio with a lossy Dolby Digital 2.0 Stereo track, both of which are fine for a documentary such as this but nothing breathtaking.

In Imax, the widescreen aspect ratio expands to fill the entire screen during the Hunger Games portion of the film, though it's an unnecessary boost, as helmer Lawrence and his team have calibrated the entire experience for maximum engagement.

We get both the original 2:35.1 aspect ratio widescreen (enhanced for 16:9 televisions) and the not - so - welcome 1.33:1 Pan & Scan options.

The World's Greatest Athlete joins the ranks of the lucky live action Disney films which on DVD have been preserved in their original widescreen aspect ratios and enhanced for 16x9 televisions.

Jaws appears in an aspect ratio of approximately 2.35:1 on this single - sided, double - layered DVD; the widescreen image has been enhanced for 16X9 televisions.

Cliffhanger appears in an aspect ratio of approximately 2.35:1 on this single - sided, double - layered DVD; the widescreen image has been enhanced for 16X9 televisions.

The Village is presented in its original widescreen aspect ratio of 1.85:1 and of course has been enhanced for 16x9 televisions.

Presented in a 1.78:1 widescreen aspect ratio enhanced for 16 × 9 televisions, the movie comes with Dolby digital 5.1 surround sound audio tracks in English, French and Spanish, with optional subtitles in each of those languages.

Club Dread appears in both an aspect ratio of approximately 2.35:1 and in a fullscreen version on this double - sided, single - layered DVD; the widescreen image has been enhanced for 16X9 televisions.

Presented in its 1.85:1 original widescreen aspect ratio and enhanced for 16x9 televisions, Where the Red Fern Grows looks quite good.

I can't imagine having to watch it reformatted for fullscreen dimensions, but that's not an option, since Fox issues it on DVD and Blu - ray exclusively in its 2.35:1 widescreen aspect ratio.

Disney's DVD release presents The Island at the Top of the World in a 1.85:1 widescreen aspect ratio, and for the first time, the film is enhanced for 16x9 televisions.

Squanto is presented in its original widescreen aspect ratio, 1.85:1, and has been enhanced for 16x9 televisions.

Summer Magic is presented in its original 1.75:1 widescreen aspect ratio and has been enhanced for 16x9 televisions.

Appearing in its original widescreen theatrical aspect ratio of 1.75:1 and enhanced for 16x9 televisions, Old Yeller looks to be at its peak.

This is almost certainly NOT its original aspect ratio, which would have been widescreen for theatrical exhibition in the mid -»60s.

Although captures weighing the fullscreen version of the SE (reviewed below) against the Superbit's 1.85:1 anamorphic widescreen transfer wouldn't prove much other than the disparity in aspect ratios, the Superbit platter boasts a much more expressive colour palette, blacks that approach pitch for a change, and detail so microscopically fine that, while Gobby's costume now officially looks stupid, the CGI has, conversely, never been more convincing, since all that compositing work is finally discernible.

The movie is presented in its original 1.85:1 widescreen aspect ratio and enhanced for 16x9 displays.