Sentences with phrase «widescreen format as»

Not exact matches

Tarantino, who began the film in black and white before switching to color, plays with formats here, too; to suggest the claustrophobia of being buried, he shows The Bride inside her wooden casket, and as clods of earth rain down on the lid, he switches from widescreen to the classic 4x3 screen ratio.

THE DVDs Released on DVD a few years back by DreamWorks in an «Awards Edition» now bundled as part of Paramount's «Best Picture: Academy Award Winners Collection,» American Beauty is crying out for a fresh run through the telecine (there's a hair in a couple of frames), its 2.37:1 anamorphic widescreen transfer conspicuously struck back in the nascence of the format.

The Resurrecting The Champ enters the DVD ring in widescreen (2.35:1 aspect ratio) format with a making - of featurette, as well as interviews with cast and crew (Josh Hartnett, Samuel L. Jackson, Kathryn Morris, Alan Alda, director Rod Lurie and boxing / stunt coordinator Eric Bryson).

As with previous widescreen processes (e.g., Fox's Grandeur process two decades earlier), Fox and other studios deemed the panoramic expanse of widescreen formats especially well - suited to Westerns.

The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.

Long recognized as one of George Lucas» primary inspiration for Star Wars (among other things, the bickering peasants who wander into the odyssey inspired R2D2 and C - 3PO), it's Kurosawa's his first go at the widescreen format and he proves to be a master at it, dynamically spreading his compositions out to an epic scope and boldly setting his cascade of sharp action scenes against a magnificent landscape.

Sony and Warner, two of the first studios to embrace the format, viewed DVD as a successor to VHS and operated under the belief that customers didn't want or need widescreen presentations of comedies and family films.

As a 1954 movie, On the Waterfront was made right when the industry was transitioning from the long - standard Academy Ratio to widescreen formats, devised and touted in response to television's widespread popularity.

John Gibbs and Douglas Pye's chapter is also interested in widescreen stylistics as they examine the contrasting styles of Otto Preminger's CinemaScope film River of No Return (1954) and Sam Peckinpah's Junior Bonner (1972), shot in Todd - AO 35 (a Panavision - like format based on Japanese anamorphic lenses).

Also presented in standard definition with an anamorphically enhanced 1.78:1 widescreen aspect ratio and a lossy Dolby Digital 5.1 surround mix on the disc as well, the Shadowman presentation is up to par with the format.

It's impossible to imagine this movie not being presented in CinemaScope, as the widescreen format is integral in supporting the imaginative use of split - screen techniques.

Alvin and the Chipmunks releases as single flipper disc, offering the movie in both full screen (1.31:1 aspect ratio) and widescreen (1.85:1 aspect ratio) formats.

The Techniscope format was a cheap way to get a widescreen image by only using half as much film as true CinemaScope (i.e., anamorphic) requires, and this presentation seems to reflect the reduced effective resolution of the material, evincing a softness around the edges that's sometimes exacerbated by missed focus.

Initially released on a dual - format disc with both letterboxed widescreen and fullscreen, Big Red, like many Anchor Bay titles, was reissued merely as a Fullscreen - only disc.

Son of the great animator Max Fleischer, he had an artist's eye as he adapted to both traditional movie frame ratios and the expansive widescreen format that he himself helped usher in.

The 12.3 - inch infotainment touchscreen has a widescreen format and blends seamlessly into the dashboard, and with its excellent Apple CarPlay and Android Auto smartphone integration, the Panamera feel as up - to - date as possible.

Rock Boshers DX is a 2D pixel drawn arcade action game, created as if made on an 8bit hardware (either NES or ZX Spectrum visuals), but modernised with widescreen formatting, HD rendering and of course — no colour clash.

The three large - scale collages (134 x 222 cm) borrow their format from the aspect ratio of widescreen cinema, as well as repeatedly riffing on the motif of curtains that alternately conceal and reveal.

The extra size of the Dell Precision and Lenovo ThinkPad is nice for working with documents, though, especially since the widescreen format robs the user of vertical space for editing documents as it is.

Its screen is just as gorgeous as the Tab S2's, and the widescreen format will be better - suited to movie watching.