This is presented for the first time in
widescreen format with its original monaural soundtrack.
The disc features the IMAX presentation, with the film letterboxed in the 2.39:1
widescreen format with some scenes reverting to IMAX full frame and special effects spilling out of the frame and into the black bars.
Authored in BD - J with AVEC (MPEG 4) compression on two dual - layer 50 GB discs, the movie is presented in
widescreen format with audio tracks recorded in 5.1 DTS HD Master Audio (English), 4.0 Dolby Surround (English), Stereo (English), and 5.1 Dolby Digital (French and Spanish).
The movie is presented in
widescreen format with audio tracks in Dolby Digital 5.1 (English) and subtitles in English, Spanish and French.
Not exact matches
Tarantino, who began the film in black and white before switching to color, plays
with formats here, too; to suggest the claustrophobia of being buried, he shows The Bride inside her wooden casket, and as clods of earth rain down on the lid, he switches from
widescreen to the classic 4x3 screen ratio.
Laden
with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic
widescreen transfer fails to show off the capabilities of the
format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.
There are the 130 episodes spanned out over the 24 discs which are
formatted with 16 × 9
Widescreen 1.78:1 Presentation and packing a Dolby Digital Audio 2.0 tracks.
PHILOMENA Blu - ray ™
with Digital HD UltraViolet ™ Street date: April 15, 2014 Pre-book: March 19, 2014 Catalog #: BD61632 UPC: 013132616322 Run time: 98 Minutes Rating: PG - 13 SRP: $ 34.99
Format:
Widescreen Aspect Ratio:
Widescreen 1.78:1 Audio: 5.1 DTSHD - MA
The show is presented anamorphically enhanced in its original 1.78:1
widescreen aspect ratio and has a lossy 5.1 Dolby Digital track
with is up to par
with the DVD
format.
The film is presented on standard definition DVD
with a 1.85:1
widescreen aspect ratio and a 2.0 lossy Dolby Digital Stereo track, both of which are up to standards
with expectations of the
format.
The 1:85 aspect ratio has been shaved to fit the 16 × 9
widescreen format and the mastering is weak,
with unstable, noisy colors and hazy resolution, adequate for a bargain - priced film but not worthy of the beauty of John Huston's swan song.
The Resurrecting The Champ enters the DVD ring in
widescreen (2.35:1 aspect ratio)
format with a making - of featurette, as well as interviews
with cast and crew (Josh Hartnett, Samuel L. Jackson, Kathryn Morris, Alan Alda, director Rod Lurie and boxing / stunt coordinator Eric Bryson).
As
with previous
widescreen processes (e.g., Fox's Grandeur process two decades earlier), Fox and other studios deemed the panoramic expanse of
widescreen formats especially well - suited to Westerns.
The 2.40:1 anamorphic
widescreen presentation suffers from no specific drawbacks other than being encoded in a
format with a lower resolution than is commonly found these days.
The film over which this is heard is exhibited in both 2.35:1 anamorphic
widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the
format, making the decision to stick
with letterbox a definite no - brainer.
Working a
with a nascent
widescreen format that would be delayed by the financial considerations of the Great Depression, director Raoul Walsh crafts an uneven but visually stunning Western that anticipates the genre's glory days by more than a decade.
Also presented in standard definition
with an anamorphically enhanced 1.78:1
widescreen aspect ratio and a lossy Dolby Digital 5.1 surround mix on the disc as well, the Shadowman presentation is up to par
with the
format.
The film is presented in standard definition
with a
widescreen aspect ratio and a lossy English Dolby Digital 5.1 track, both of which play fine for the
format.
Presented in standard definition
with an anamorphically enhanced
widescreen aspect ratio of 1.78:1 and a lossy Dolby Digital 5.1 track, the show looks and sounds fine on the aging
format but could have been stronger on HD.
In this Wii U remake, Twilight Princess HD takes the best assets of the original GameCube release, adding the superior
widescreen format of the Wii port, but remade
with enhanced graphics, improvements and new features in this fantastic Wii U upgrade.
If your little chipmunks want more, they can sink their teeth into the 2 - Disc Special Edition, which offers the movie in a
widescreen format (1:85.1 aspect ratio)
with the following special features: Digital Copy Download, Behind the Nuts Munkumentary, Chip - Chip - Hooray!
Initially released on a dual -
format disc
with both letterboxed
widescreen and fullscreen, Big Red, like many Anchor Bay titles, was reissued merely as a Fullscreen - only disc.
This edition is authored in BD - J
with AVEC (MPEG 4) compression on a dual - layer 50 GB disc, and presented in the Fox CinemaScope
widescreen format.
The single - disc DVD is reportedly a flipper
with both
widescreen and fullscreen viewing
formats.
SPECIAL FEATURES INCLUDE: A Fairy Tale for Troubled Times Anatomy of a Scene: Prologue Anatomy of a Scene: The Dance Shaping the Waves: A Conversation
with James Jean Guillermo del Toro's Master Class Theatrical Trailers 4K Ultra HD ™ Disc Specification Street Date: March 13, 2018 Screen
Format:
Widescreen 1.85:1 Audio: English DTS - HD Master Audio 5.1, English Descriptive Audio 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English SDH, French, Spanish Total Run Time: 123 minutes
The 12.3 - inch infotainment touchscreen has a
widescreen format and blends seamlessly into the dashboard, and
with its excellent Apple CarPlay and Android Auto smartphone integration, the Panamera feel as up - to - date as possible.
Having used all sizes, we would subjectively argue that 7 - inch tablets are too small and 10.1 - inch tablets are too large, especially
with the
widescreen format that Android uses.
With 15:9 aspect ratio, the LG Optimus Pad allows users access to the full range of applications in Android Market and its 1280 x 768 WXGA resolution vividly displays multimedia content in full
widescreen format.
Viewsonic is getting into the digital photo frame business and the first digital frames to launch will include an 8 - inch
widescreen frame
with an 800x480 screen resolution that displays popular movie
formats, has an integrated speaker for MP3 sounds and a remote control at a price under $ 200.
Rock Boshers DX is a 2D pixel drawn arcade action game, created as if made on an 8bit hardware (either NES or ZX Spectrum visuals), but modernised
with widescreen formatting, HD rendering and of course — no colour clash.
Widescreen support is also being added to the game
with a 16:9 screen ratio
format.
The extra size of the Dell Precision and Lenovo ThinkPad is nice for working
with documents, though, especially since the
widescreen format robs the user of vertical space for editing documents as it is.
Having used all sizes, we would subjectively argue that 7 - inch tablets are too small and 10.1 - inch tablets are too large, especially
with the
widescreen format that Android uses.
Apple chose to stick
with the 4:3 screen aspect ratio for the iPad Mini, where Google went
with a
widescreen format.