The 1.80:1 anamorphic
widescreen presentation exhibits some combing, though it's not especially pronounced unless you step through the film frame - by - frame and no other authoring artifacts are detectable.
Not exact matches
The 2.35:1 anamorphic
widescreen transfer will impress even the most jaded viewer,
exhibiting stark blacks and whites that often suggest the silver retention process used famously in theatrical and LaserDisc
presentations of Seven.
THE DVD A 1.78:1 anamorphic
widescreen transfer is the flipside to a pan-and-scan DVD
presentation of The Sandlot 2, both of which
exhibit almost exactly the same flat, blooming colours and, particularly in the daytime sequences, the same subtle patina of overexposure haloing and bleed.
For standard definition, the 2.40:1 anamorphic
widescreen presentation isn't bad,
exhibiting nothing worse than some probably deliberate grain.