The studio's transfers are consistently some of the best out there, so for standard definition, this 2.40:1 anamorphic
widescreen presentation looks pretty solid.
Video: In theaters «Fantastic Voyage» was shown in CinemaScope, and the 2.35:1
widescreen presentation looks very good here.
Not exact matches
Both the theatrical and unrated cuts of The Hangover
look pretty good in the DVD's 2.40:1 anamorphic
widescreen presentations.
The film
looks spectacular on Blu - ray and the
widescreen presentation just makes sweeping glances of the varied sea and jungle horizons.
2003 doesn't seem that long ago to me, but The Station Agent
looks its age and then some in Echo Bridge's unremarkable 1.85:1 anamorphic
widescreen DVD
presentation.
Miral
looks nice in the DVD's 2.35:1 anamorphic
widescreen presentation.
THE DVD Anchor Bay's 1.66:1 anamorphic
widescreen DVD
presentation of Link
looks as bright and bouncy as a badly - filmed piece of schlock can.
Although it uses the same 1.81:1 anamorphic
widescreen transfer as before, the
presentation doesn't
look too dated.
Happy - Go - Lucky
looks terrific in this vibrant 2.35:1 anamorphic
widescreen presentation.
Harpoon isn't a handsome film, but it
looks fine (if a little soft and big on interlacing) in the disc's 2.35:1 anamorphic
widescreen presentation.
Still, the show
looks good enough in this DVD's 1.78:1 anamorphic
widescreen presentation, if clearly not as good as it does in HD broadcasts.
The nice -
looking visuals of Hunt for the Wilderpeople do deserve to be seen in high definition, but alas, we here settle for a fine 2.35:1 anamorphic
widescreen presentation.
Due to the stylized post-processing, the 2.35:1 anamorphic
widescreen presentation delivered picture that was painful to
look at.
Getting the now standard 1.78:1 anamorphic
widescreen presentation once reserved for film, «10 Things I Hate About You»
looks pretty dapper.
The Blu - ray
presentation on both films
looks good in 1080p high - def transfer and both with
widescreen 1.78:1 aspect ratio.
Along with a
widescreen presentation of the film, the disc includes an audio commentary (with director Tom McCarthy and actor Richard Jenkins), deleted scenes and two featurettes (Playing the Djembe and The Visitor: An Inside
Look).
The newly - filmed material
looks great in the DVD's 1.78:1 anamorphic
widescreen presentation.
The unimaginatively shot production
looks fine in the DVD's 1.78:1 anamorphic
widescreen presentation.
The Heartbreak Kid
looks and sounds great in this 2.35:1 anamorphic
widescreen and Dolby Digital 5.1
presentation.
Aftershock displays an amateur digital video
look in the Blu - ray's exemplary 1.78:1
widescreen presentation.
Morning Glory
looks pretty terrific in the DVD's 2.40:1 anamorphic
widescreen presentation.