This leads me to withdraw the claim that Fox and the Hound was animated for 1.37:1 and matted for
widescreen theatrical presentation.
Not exact matches
Both the
theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic
widescreen presentations.
A two - minute, full - frame promotional featurette,
theatrical trailer (
widescreen though unscrubbed), four full - frame TV spots, and trailers for the excrescent The Brothers McMullen, Drive Me Crazy, Picture Perfect, and Simply Irresistible round out the deservedly sparse
presentation.
In 3 - D the aspect ratio is enhanced to 1.85:1
widescreen, but both the regular Blu - ray and DVD
presentations of the movie unfold in 1.66:1, preserving the aspect ratio of the movie's original
theatrical presentation.
Coraline's 1.85:1
widescreen theatrical aspect ratio is upheld in all three of its releases and in all three of the Collector's Edition DVD's
presentations.
The product of a time when Disney briefly dabbled in single aspect ratio releases, Tuck Everlasting was fortunate enough to be presented solely in an anamorphic
widescreen transfer duplicating its 2.35:1
theatrical presentation.
By the default FastPlay method, the fullscreen version plays and once it does, you'll have to go to the audio set - up page to select one of the tracks on the
widescreen version to play the 16x9 - enhanced
presentation of the film in its 1.85:1
theatrical aspect ratio (which the case calls 1.78:1 family - friendly
widescreen).
Tropic Thunder won't fill any screens with its 2.35:1 anamorphic
widescreen presentation matching
theatrical dimensions.
Not really the type of movie you'd expect to see in 2.40:1
widescreen, Unaccompanied Minors arrives on DVD in both this wide native
theatrical aspect ratio and a 4x3 television - filling 1.33:1
presentation, on opposite sides of a DVD - 10.
This Double Feature disc brings the frugal fare down to half the cost of a real
theatrical film and it also treats them to the
widescreen presentations that have long been in order.
The 2.35:1 anamorphic
widescreen transfer will impress even the most jaded viewer, exhibiting stark blacks and whites that often suggest the silver retention process used famously in
theatrical and LaserDisc
presentations of Seven.