Sentences with phrase «widescreen versions of the film»

The DVD has a short feature on the making of the film, which was created with off - the - shelf software as a sort of low - rent counterpart to the computer animation applied in fellow nominees «Shrek» and «Monsters, Inc.» The disc also has two music videos, a dozen promotional TV spots, seven games playable on computer DVD - ROM drives and full - screen and widescreen versions of the film.

Anchor Bay's Return to Oz DVD contained both fullscreen and widescreen versions of the film, remastered in 5.1, and with the added bonus of a new interview with star Fairuza Balk.

The DVD features both the full - frame and widescreen versions of the film.

This Special Edition disc contains both the full - frame and widescreen versions of the film.

The DVD contains both the full - frame and widescreen versions of the film.

The DVD contains both the full - screen and widescreen versions of the film.

This could have been a perfect chance for Disney to release a widescreen version of the film, which is known to exist (as seen in the making - of featurette and a couple music videos).

This 10th Anniversary Edition disc contains both the full - frame and widescreen versions of the film.

The hearty slate of extras begins with not one but two audio commentaries on the widescreen version of the film.

Not exact matches

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

Though the film was projected at IMAX venues in 3 - D, it's offered in 2 - D only for the home viewing audience, and the 1.78:1 anamorphic widescreen image is consistently good in the face of a mélange of source media — note that the longer version relies more heavily on video - based footage originated by the MIR's electronic eyes.

Warner's DVD version of McCabe & Mrs. Miller is unfortunately something of a disappointment in the technical department: the 2.35:1 anamorphic widescreen image is too black for a film that was pre-exposed in order to decrease contrast, while digital video noise reduction looks like it was rather severely applied to the intentionally gritty images, resulting in a general lack of detail.

For review we received the widescreen «Unrated Version,» which runs five minutes longer than the theatrical cut, though the disc provides no indication of what's been restored to the film.

Four versions of the film cohabit a dual - layer platter: 1.85:1 anamorphic widescreen editions of the unrated and R - rated Storytelling, plus two full - frame (unmatted) editions of the same.

There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.

The DVD is a flipper and it contains both the widescreen and full - frame versions of the film.

By the default FastPlay method, the fullscreen version plays and once it does, you'll have to go to the audio set - up page to select one of the tracks on the widescreen version to play the 16x9 - enhanced presentation of the film in its 1.85:1 theatrical aspect ratio (which the case calls 1.78:1 family - friendly widescreen).

Munroe's enthusiasm for the property and this particular film comes through in his informative feature commentary, and Warner Home Video has taken similar care in assembling this fully - loaded platter, which includes both the widescreen and full - frame versions of the film.

The DVD contains both the widescreen and full - frame versions of the film.

Though the 1.85:1 anamorphic widescreen transfer of the film (full - frame version sold separately) starts out looking scuffed, the speckles clear up after the opening credits — but then edge - enhancement intrudes, and there's a bizarre lapse in quality during chapter 6, when intermittent shots lose so much definition as to suggest second - generation VHS.

The disc contains both the widescreen and full - frame versions of the film.

As well, there is a history lesson on CinemaScope, an audio interview with screenwriter Philip Dunne (recorded in 1969), press materials from the movie's début, a comparison of the widescreen and standard versions of the film and a picture - in - picture mode.

The film makes good use of the 2.35:1 widescreen frame, so if you somehow happen to mistakenly buy the fullscreen version, swallow your pride and do an exchange.

The DVD contains both the widescreen and full - frame version of the film.