It was a quick chat but I could easily see how his humble charm could
win over film critics.
Now with a scene - stealing breakthrough on the big screen as the Bearded Lady in 20th Century Fox's «The Greatest Showman,» the original movie musical premiering Dec. 20 and starring Hugh Jackman as P. T. Barnum, Settle is about to
win over film audiences as well.
Not exact matches
The dark comedy Three Billboards Outside Ebbing, Missouri
won big at the Golden Globes earlier this year, but the
film has also seen a sustained backlash from critics
over its questionable ending and a perceived failure in fleshing out the movie's non-white characters.
After
winning Christmas Day, the
film finished third in the box office totals
over the weekend, according to BoxOfficeMojo.com, narrowly losing out to «The Hobbit» and «Django Unchained» despite being on significantly fewer screens.
After decades of Christian movie flops, the last 30 days have finally proven that faith - based
films can both
win over critics and make real money.
It's a safe bet that the
film will
win at least a few of those, but even if it doesn't, 12 Years a Slave has undoubtedly brought back up an important, though often glossed
over, part of American history.
And while it's true that every branch of Christianity has been racked with scandal
over the years,
films like the Oscar -
winning Spotlight and Netflix true crime series The Keepers do a much better job of creating compelling art that raises questions about faith and morality.
And while the band and director may have had nonbelievers in mind, the
film is powerful enough to
win over skeptics of the modern worship movement.
On Saturday night, after Kentucky's Final Four
win over Wisconsin, the 7» 0» shot blocker
filmed his reaction to Aaron Harrison's clutch shot and was expectedly excited.
In this award -
winning film, Eamonn Coghlan, former world indoor record - holder for the mile, travels to Kenya to exploring the country's dominance
over middle and long distance running
In a rare TV sit down interview for a documentary
film about his late father, Cuomo reflects on his 2010 comeback
win, saying he doesn't think he could have been successful if New York voters hadn't gotten
over the anger that led them to oust the late ex-Gov.
So I go there to the banana farm and
film the gorillas and get whacked
over the head by a big silver - backed gorilla and everyone
wins.
Many blockbuster
films have featured a down - on - her - luck lady, from Julia Roberts in «Pretty Woman» to Jennifer Lopez in «Maid in Manhattan,» who meets a wealthy individual by chance,
wins him
over with her charms, and lives happily ever after.
Empire Strikes Back ended with the Empire
winning, Han Solo being taken by Jabba the Hutt, and Luke Skywalker facing his darkest moment, and the next
film more or less reversed all of that
over the course of its running time.
Overall, it's a feather - light collection of extras that won't really change your mind if the
film didn't
win you
over.
I was mostly struck with how, in the
film, Lincoln mostly seemed to be a president who had gotten beyond the hump: re-election
won, the war almost
over, his legacy more or less secured, and yet wanted to go that extra mile.
I like a crisp image if the
film warrants it, but crispness, or seeing detail in a versimiltude way is not going to
win me
over.
The
film champions the supreme might of man and machine working in unison, a combination that ultimately
wins out
over the soulless tech geekery which aims to outmode workers altogether.
However it is incredible that this middling
film won Best Picture
over the original A Star is Born, Stage Door and the Awful Truth!!
Heder's dead - on characterization struck a chord with audiences and the small independent
film became a huge hit, raking in
over 44 million dollars and
winning the MTV Movie Award for Best Movie.
It won't
win any awards for originality, but with quality visuals, outstanding voice acting, and challenging gameplay,
Over the Hedge is guaranteed to entertain and delight young and old alike, and should make the perfect companion piece to the upcoming
film.
This is also one of the best looking
films around with the humans looking good and quite sensible instead of wacky but its the humour here that
wins you
over.
The
film, in which Tarantino had a voice -
over cameo, reunited him with Fiction star Samuel L. Jackson and
won him the raves that had been missing for much of his post-Fiction career.
Whether you have a
film like Ex Machina
winning the Oscar for best visual effects
over films like Mad Max: Fury Road or The Hurt Locker taking precedence
over behemoth's like Avatar for best picture, independent
films have always had a way of
winning over the hearts of many viewers.
Still, nearly two - thirds of the studio's
films failed to
win over critics, and Paramount's average Metascore declined a bit compared to the year before.
The first
film was a huge hit, taking more than eight times its budget at the box office and
winning over critics and audiences alike with its intelligent storytelling and witty script.
I don't think the
film deserves its negative reputation, as I'll take it
over its Oscar -
winning predecessor.
I thought the message for children especially, those with disabilities, who can find some type of encouragement and hope through this
film was amazing and that's what
won me
over in a family - friendly
film that typically wouldn't catch my mind or time.
Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid -»30s, when his
films for RKO (The Lost Patrol [1934], The Informer [1935]-RRB-, 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]-RRB-, and Walter Wanger (Stagecoach [1939]-RRB-,
won over the public, the critics, and earned various Oscars and Academy nominations.
Lauren has received good reviews for his lead performance, but the
film hasn't
won over critics so far.
If you aren't already a fan of the Broadway smash about the misérable population of 19th century France, the
film adaptation is not likely to
win you
over.
Additional
film credits include TALK TO ME; the 2006 Oscar ®
winning Best Picture, CRASH, which Cheadle also produced; HOTEL RWANDA, for which his performance garnered Academy Award ®, Golden Globe ®, Broadcast
Film Critics Award and Screen Actors Guild ® Award nominations for Best Actor; OCEAN»S ELEVEN, OCEAN»S TWELVE, and OCEAN»S THIRTEEN, directed by Steven Soderbergh; Mike Binder's REIGN
OVER ME with Adam Sandler; the Academy Award ®
winning film TRAFFIC and OUT OF SIGHT, both also directed by Soderbergh; Paul Thomas Anderson's critically acclaimed BOOGIE NIGHTS; BULWORTH, SWORDFISH, MISSION TO MARS, John Singleton's ROSEWOOD, for which Cheadle earned an NAACP Image Award nomination; FAMILY MAN, directed by Brett Ratner and starring Nicolas Cage; COLORS, HAMBURGER HILL, and the independent features MANIC and THINGS BEHIND THE SUN.
For all its darkness and tragedy, Monster's Ball is a
film that wants to be liked and Forster stumbles
over his good intentions to
win the audience
over.
Other popular American
films that year: «One Flew
Over the Cuckoo's Nest» (which
won the Best Picture Oscar), «Dog Day Afternoon,» and «Shampoo.»
The
film might benefit from a trim, particularly when it shifts gears in the second half, but its protracted style also delivers some sensational soundtrack moments — like the remarkably paced opening scene, which introduces our free - spirited chanteuse
winning over a rowdy crowd.
Just when 21 Jump Street seems like it is about to trip under its own feet, it finds the perfect joke or visual to
win you back
over, making it a very difficult
film to condemn.
Director Shane Black has covered familiar territory before in the 2005 movie «Kiss Kiss Bang Bang» (a massively underrated
film in my opinion), but he has managed to
win me
over once again here.
That might be why it ended up with a whopping 14 nominations, and now remains the only
film to get that many nominations and not
win best Picture, as you can see
over at FilmSite.org.
It is our inescapable awareness of the calculation behind this effort to
win her — and us —
over that robs the
film of the poignancy it longs to evoke with its flashbacks to Travers» childhood.
The
film instantly
won over critics with its unique and absurd style,
winning the Un Certain...
He has never really excited me as an actor, starring in a few
films that I hate with a passion, but here I was finally
won over by his steady charisma and willingness to satirise himself.
The studio swiftly hired Hugh Hudson, hot off the Oscar -
winning «Chariots Of Fire» to direct the finished
film, with Christopher Lambert as the king of the swingers, along with Ralph Richardson, Ian Holm and, as Jane, a debuting Andie MacDowell, who hilariously had her voice dubbed
over by Glenn Close due to her impenetrable Southern accent.
David Fincher was once attached to the
film but departed due to «creative differences» after Universal reportedly wanted to portray Shyamalan's 2008
film «The Happening» as a massive box office hit, including a scene where «The Happening»
won Best Picture
over Fincher's «The Curious Case of Benjamin Button.»
FOX quickly wanted to
win back their fans respect they lost
over the past two X-Men
films (X-Men: The Last...
The ultimate goal is two-fold: package a
winning family
film built around The Rock that will increase his fan base, while also giving us a movie that crosses
over demographics such that dads and sons, mothers and daughters, and even just the kids or adults alone can sit through the movie and be engaged enough to follow along entertained.
With his
films it feels as if he's luring us as the audience
over into his world of demented people and visceral storytelling and when we like it and are shocked by that fact, he knows he's
won.
Over in the acting categories, George Clooney and Tilda Swinton
won for «The Descendants» and «We Need To Talk About Kevin» respectively, with both
films also ranking as one of the best of the year.
Academy Award -
winning director will officially take
over directing duties for the remainder of the
film's shooting schedule — there's nearly a month of principal photography to go in addition to five weeks of pre-scheduled reshoots.
It's clear that Todd Phillips shouldn't be admired for attempting something different with this third
film, because instead of sticking to his formula he decided that placing familiar characters on the screen was enough to
win his audience
over.
Of course, when watching the
film, you could assume that Captain America
wins when placing his shield in the reactor of Iron Man's suit, but in the end everyone is devastated
over the loss of the Avengers and the fact they are broken up.