This activity combined with the eerie noises of trains, horses and coyotes,
wind and rain create a heightened awareness of space, sound and time.
Not exact matches
The
rain continued,
and with it came a 42 ° temperature
and a blustery
wind to
create a day that would balk a football fan in late December.
With the Original Universal Cover, you can easily
create a quiet
and peaceful environment for your baby, protected from light,
wind, sun, noise, light
rain and other surrounding influences.
This cover is
created by the Kids N» Such company with 360 - degree coverage in mind to protect your little one from the sun,
wind,
rain, bugs,
and any other element during breastfeeding sessions.
When reflected back by
rain, hail, airborne debris, or even insects, the waves
create an image of storm activity
and indicate
wind velocity.
This activity can
create strong
winds, lightning
and even
rain.
Taube speculates that painters
created a metaphor of
wind and rain assisting the growth of maize.
«The combination of the heavy
rain and prolonged
wind will
create the potential for long - lasting power outages
and serious flooding.
Once exposed to snow, ice,
rain,
and wind, the layers began to rapidly erode,
creating the picturesque formations I was able to see today.
Alternate between
wind,
rain, thunder,
and lightning to
create a storm.
In the laboratory, controllers can
create rain,
wind, sand storms, freezing
rain,
and luckily for us, snow.
Yes, that was it; it produced what seemed like a subtraction of noise, because one was used to sound accompanying weather;
wind sighed or roared,
rain drummed or hissed or — if it was mist
and too light to produce noise directly — at least
created drips
and glugs.
TIP: One way to break the
wind and create more protection from
rain is to place two shelters facing each other,
and then place a board on top, spanning the two roofs.
Fluctuating temperatures, snow, freezing
rain,
wind - the crazy weather we've been experiencing
created some challenges for Regina Cat Rescue volunteers
and Regina's cats.
The swells
created in the winter months
create the largest waves of the year
and for that reason many surfers will brave the
wind,
rain and even snow to surf some of the most radical waves of their lives.
Volcanic eruptions
created this surreal moonscape: the lava flows formed tuff rock, which
wind and rain sculpted into sinuous valleys with curvy cliff faces
and pointy fairy chimneys.
In these paintings which could have been
created nowhere else, the conversation with nature intones layers of sediment
and stone, the fall of
rain, the path of the
wind,
and the swath of the haze of the Milky Way.»
In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence
and art; his admiration for de Kooning, Jack Tworkov,
and Franz Kline; the support he received from musicians Morton Feldman, John Cage,
and Earl Brown; his goal to
create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city,
and the importance of that element in his work; the facsimile quality of painting
and consequent limitations; the influence of Albers» teaching
and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting
and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals,
and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology
and aesthetics; his interest in moving to the country
and the prospect of working with water,
wind, sun,
rain,
and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings;
and his disapproval of value hierarchy in art.
It is the color of music, the sound of the spirit
and the emotions that exist in our living environments, the color of
wind, the smell of
rain, the texture of snow, the salty taste of tears, the discord of the broken heart, the color of love, the music of the road,
and rhythms of change that are
created each time we arrive
and say our goodbyes.
The ocean then releases some of its heat into the atmosphere,
creating wind and rain clouds.
Ice cover loss can influence
winds and precipitation on other continents, possibly leading to less
rain in the western United States
and creating more in Europe.
Wind, sun,
and waves grind down large - scale plastic artifacts, leaving the seas full of microscopic plastic particles that will eventually
rain down on the ocean floor,
creating a layer that could persist for geological timescales.
Part of
creating the ultimate sustainable planet will be our ability to find sustainable energy sources in a variety of means, such as sunlight, water flow,
wind,
and yes, even
rain.
Created, for example, by taking out the whole of the Water Cycle
and taking out
rain from the Carbon Cycle
and changing the real gases oxygen
and nitrogen to ideal to take out heat transfer by convection which transfers heat away from the surface
and sets up convection currents which bring cold air back to the surface,
winds.
Wind and rain may
create mud holes, fell trees
and limbs
and create hazards that race officials don't even know about.
When gale force
winds harm roofs
and windows, this often
creates the opportunity for
rain and debris to cause additional damage.