Not exact matches
«Very Bad Things,» written and directed by the
actor Peter Berg, is about
as funny
as the
character who
winds up a double amputee in its closing scene.
Both The Purge and Before Midnight are worth seeing for a variety of reasons, but surely one of those is to catch the
wind at Ethan Hawke's back
as he leaves behind the boy and becomes something and someone wholly different: a
character actor.
All of these
characters are colorful but so clearly labeled
as such that, through no fault of the
actors, they
wind up having certain robotic tendencies.
Always an
actor we want to see more of, here he emerges
as the lead
character and has a blast playing the unhinged and unfiltered Billy whose increasingly self destructive tendencies come to a boil
as the movie
winds torward its conclusion.
Slow, not terribly interested in lore or internal logic, and fatally hamstrung by the choice of
actors like Billy Crystal and a zombified Emily Mortimer to voice its American dub, it's a regression for Miyazaki from his last two films (Princess Mononoke and Spirited Away) in almost every sense, starting with his decision to have a lonely young woman
as the central
character in place of the prepubescent little girls front and centre in most of his masterpieces (the last two films, Kiki's Delivery Service, Nausicaä of the Valley of the
Wind, and My Neighbor Totoro) and ending with a gross simplification of his usually complex themes of confidence and actualization into a colourless, flavourless drone about the hard - to - dispute badness of war.
Both Kheda Gazieva
as Aminat, Ramasan's still beautiful but exhausted - looking mother and Aslan Elbiev
as the ambivalent, mysterious Isa, who was
wounded in the conflict (the
actor really is missing some fingers which gives the
character's dexterity
as a handyman an added prurient fascination) are excellent, and the supporting cast of local neighbors, Austrian police officers, social workers and schoolchildren are perfectly cast too.