Sentences with phrase «window at this figure»

I looked out of the back window at this figure, trying to make eye contact.

Not exact matches

With the UK described as a «shop window on the world of wine», Harpers Editor Andrew Catchpole brings together leading figures at the forefront of NPD, exploring the latest consumer focused developments, the economic imperative of embracing research and change, while asking why wine appears to be lagging behind rival categories of spirits and beers, plus the advances embraced in other global markets

In turn, he has established himself as a highly important figure at the club, showing his versatility to adapt to a central defensive role to fill a gap that will most certainly need addressing in the upcoming transfer window next month.

That is, even though the horses have gone on to another track, the horseplayers would turn out as usual, watch piped - in tote - board figures and see closed - circuit telecasts from the distant tracks (both before and during the races) and make their bets at the old familiar windows.

If our current 3 CBs and the tourted Chambers for CB are at Arsenal after the window is closed on 1st Aug, I can't figure out the necessity for the Boss to engage a 4th or 5th CB for his team.

I don't know about the rest of you Arsenal fans, but I am still scratching my head trying to figure out just what the hell Arsene Wenger was thinking by only completing the one bargain basement transfer deal on the January window, despite the club being sat on a mountain of cash and having our best chance of the Premier League title in a decade put at risk by losing a number of key players to injury.

We must change things are board level because someone there must have an issue with spending money, great finacial figures released by Arsenal again & we spend 5 million in the transfer window & to be fair spent little in the summer too in comparsion to everyone else, all we get is it is not easy to find you players & I take on board some of what Wengers says but at this stage we must bring in someone to help him because he is ntrying to do too much at the club & I would gladly through my hat in the ring to be come head of purchasing but I have a feeling they would not let me spend a penny HELP WANTED to improve the same old story

It is certain that inflation from the TV money (and added oil money) has made the market for the best players very difficult, and from his words it sounds like Wenger is simply not willing to pay the increased figures and will not be buying anyone else in this window despite our current nett spend only coming in at about 25m so far, and we will probably recoup a bit more of that once we get rid of some deadwood.

This has not gone down well with everyone in the dressing room, however, with bigger names and more experienced figures said to be «baffled» at being overlooked for the role, particularly as many felt Shaw was far more likely to actually leave the club in the next transfer window rather than be trusted with such an important role.

The release of the financial figures for Arsenal Football Club for the year 2014 - 15 will no doubt have many fans and people in the media scratching their heads and wondering just what Arsene Wenger was playing at in the summer transfer window.

Incredibly, over the last two transfer windows, the 20 clubs in the English top flight spent approximately # 1.085 billion on new players and, with revenue from TV as well as sponsorship deals increasing at a rapid rate, that figure will only increase in coming seasons.

The scandal has provided a window into the murky depths of British immigration policy and, in particular, a set of policy decisions made in 2012 by the then Home Secretary Theresa May to ensure a «Hostile Environment» aimed at supporting a drive to reduce net migration figures.

At the top of the hour, Happy Wanderer or Edelweiss will play and the figures at the sawmill and the attic window will movAt the top of the hour, Happy Wanderer or Edelweiss will play and the figures at the sawmill and the attic window will movat the sawmill and the attic window will move.

Lynne Ramsay handpicks Maya Deren, Alexander Hammid's fantasy short from 1943: «The strange, disturbing atmosphere, the impossible time and space, the hooded figure with mirror face, the dreaming woman at the window who becomes three!

The first non-store exclusive new Skylanders SuperChargers figure, Birthday Bash Big Bubble Pop Fizz, is now starting to trickle out into stores after a short exclusive window at Toys «R» Us stores.

Bo Ryan, Clark's physical education teacher, boomed up at a figure in one apartment window.

You can't look at a German manufacturer's price list and choose your window - sticker figure accordingly when you have nothing left of Cadillac's true heritage.

Windows itself is fairly fragmented look at Mango, Windows CE, Windows Mobile 8, all in the last few years for their phone OS, they just can't figure it out.

But even pre-internet, the folks at Fair Isaac had to figure out how to deal with someone wanting a second bid, so they created a 30 - day window where all loan applications are treated as 1 inquiry.

There are other launch window games I want, but I haven't preordered any of them because I figured at the very worst, I could always just leave BotW in my cartridge slot and buy everything else digitally if I decide I made the wrong decision.

«So we looked at the timeframe, looked at the timeline, and figured that there's a window there of several months after Emergence Day, where humanity got hit and quickly got their shit back together and figured out, hey, put a chainsaw on the end of the gun — that'll help.

At least there's still a narrow window of time in which to reserve some of the Breath of the Wild Champion amiibo figures, though I doubt that will last.

There is the new open window Theme Park Favourites, Minnie Mouse and Mike Wazowski, both of these figures retail for $ 12.95, and had previously sneaked out early at the Animal Kingdom but...

Activision has released the three new Skylanders Swap Force «swappable» figures Stink Bomb, Rubble Rouser and Spy Rise at all retail outlets including Amazon.com within the past week following a short exclusive window at Target that began in the days following Christmas late last year.

The first non-store exclusive new Skylanders SuperChargers figure, Birthday Bash Big Bubble Pop Fizz, is now starting to trickle out into stores after a short exclusive window at Toys «R» Us stores.

Richard Diebenkorn and Wayne Thiebaud defined a California vernacular int he early 1960s — Diebenkorn with suburban views of figures at windows and Thieabud with arrays of desserts.

Diebenkorn often said how much he owed to European painting and the debt is acknowledged here, in the second room of the show, in big works depicting human figures framed in landscape — on a terrace, at a window — or secluded in shady interiors, in placid unanimity with their surroundings, sunken - eyed, reading, or lost in contemplation.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Indeed, Richter had originally painted a full version of this scene — photographed alongside other works in the artist's studio in 1965 — before bisecting his canvas at the base of the windows, leaving only the upper portion of the figure intact.

Legs III's empty nylons, hung high on the wall, can be seen as shriveled stand - ins for the reduced human body, while in Window Piece, fluid - blurred kitchen knives are directed at a cut - out figure of an entertainer, suggesting violence, albeit one tinged with absurdity.

When thinking about figure, colour, interior and exterior I was reminded of Romare Bearden's painting about Penelope, weaving at the window, while staving off the suitors and awaiting the return of Odysseus, as a ship passes by the window.

Featuring work from the 1980s to today, including wooden figures, pottery and newspapers that she has painted on, Himid's section of the Turner Prize exhibition at Hull's Ferens Gallery serves as an intimate window on to her intensely thoughtful practice.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

The viewer is invited to look into the window at a diorama of figures and landscapes that are captured in time in a moment of transition.

Combining her life story with observations of leading figures in the art world, it is at once a window on artistic theory and practice and a virtual how - to for aspiring artists.

His scenes — a man seated in an elaborate office, a polycephalous couple playing cards, a group of figures resting on spindly bunks — are depicted as if you're standing at the edge of a stage set or peering, mesmerized, through a window into another world just slightly different from our own.

The extraneous detail in these pictures is sparse and limited: the figures of Gilbert & George, their expressions at once stern or seemingly distracted; streets, net curtains, reflections in car windows.

Many of Darragh's male portraits have a similar Renaissance aura about them, although both the examples shown here are strictly 20th century: shades of Raymond Chandler in Man Speaking on the Telephone, shades of Edward Hopper in Figure at a Window.

Included in the exhibition are three examples: «Montgomery Block,» 1955; «Woman Getting A Haircut,» 1962; and «Figure at Window,» 1966.

In the apocalyptic «Figure at Window with Boat» (1964), a woman leans on what I think is a parapet, looking down at a lone sailboat.

In iconic works from the Bay Area Figurative Movement, Richard Diebenkorn and Wayne Thiebaud defined a California vernacular in the early 1960s — Diebenkorn with suburban views of figures at windows and Thiebaud with arrays of desserts.

Berkson is right about Bischoff working in a pastoral mode, but he fails to recognize that the dream - like worlds of «Figure at Window with Boat» and the later mythic paintings are obsessed.

However, by including such figurative works as «Figure at Window with Boat» (1964) and the later mythic paintings, «Figure, Boat, Clouds» (1971) and «Figure with Tree» (1972), the exhibition suggests that there are more sides to Bischoff's figurative paintings than his urban scenes, and the full extent of what he did between 1952 and» 72, is still unknown, particularly on the East Coast.

Smoldering color and furious brushwork lend as much drama to a domestic scene, «Girl Getting a Haircut» (1962), as to a grand sea view, «Figure at Window with Boat» (1966).

As Figure 3 makes clear, when there is a strong trend at the end this biases the window's mean towards the values further from the end, i.e. away from the trend.

Figure 6 - A shows that the water vapour of the air is very opaque over almost all the thermal infrared spectrum, from radiofrequencies at some cm - 1 up to 2220 cm - 1, except in the 350 cm - 1 wide «water vapour window» from 770 cm - 1 to 1180 cm - 1.

It is not «conduction» but exchange of radiation; if you keep your hands parallel at a distance of some cm the right hand does not (radiatively) «warm» the left hand or vice versa albeit at 33 °C skin temperature they exchange some hundreds of W / m ² (about 500 W / m ²) The solar radiation reaching the surface (for 71 % of the surface, the oceans) is lost by evaporation (or evapotranspiration of the vegetation), plus some convection (20 W / ²) and some radiation reaching the cosmos directly through the window 8µm to 12 µm (about 20 W / m ² «global» average); only the radiative heat flow surface to air (absorbed by the air) is negligible (plus or minus); the non radiative (latent heat, sensible heat) are transferred for surface to air and compensate for a part of the heat lost to the cosmos by the upper layer of the water vapour displayed on figure 6 - C.

Can't figure out why Microsoft didn't do a tablet version of Windows phone 7 while they were at it.

Looking out of the window to check the weather conditions, Harry noticed a shambling, slender figure in a tweed coat, hair full of autumn leaves, large dog at his heels.

At the very least, figure out a way to allow the desktop IE to send articles to the Windows Reading List app for later perusal.