Sentences with phrase «window on contemporary arts»

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

Not exact matches

This graciously appointed space features two balconies, contemporary art pieces from the Demsa art collection, full - length windows, and is decorated in earth tones based on the Art Deco influenart pieces from the Demsa art collection, full - length windows, and is decorated in earth tones based on the Art Deco influenart collection, full - length windows, and is decorated in earth tones based on the Art Deco influenArt Deco influence.

Tate Britain, London, until 4 January 2015 The Turner Prize is the nearest contemporary art comes to a spectator sport, something akin to horse racing: it relies on form but past successes can go out the window when the nags face the conditions on Derby Day — the best contribution to the Tate Britain show often takes the prize.

This, alongside Lichtenstein's 1978 sculpture of the same fish bowl, is a striking example of how American artists have expanded Matisse's place in history: Matisse arrived on the scene as a window into the European avant - garde, but along the way was transformed for a uniquely American cause, becoming a vital foundation for contemporary art.

I predict this singular record of diy clips, most of them ten - minute windows on the art of today, will be more important to art history than almost anything being written about the contemporary scene.

His solo exhibitions include: Walead Beshty: Legibility on Colored Backgrounds, The Hirshhorn Museum and Sculpture Garden, Washington, DC (2009); Pulleys, Cogwheels, Mirrors, and Windows, The University of Michigan Museum of Art, Ann Arbor, MI (2009); Travel Pictures (2006 - 2008), LAX ART, Los Angeles, CA (2009); Industrial Pictures, Galerie Rodolphe Janssen, Brussels, Belgium; Hammer Project: Walead Beshty, The Armand Hammer Museum, Los Angeles (2006); Walead Beshty, P.S. 1 / MoMA Contemporary Art Center, Long Island City, Los Angeles (200Art, Ann Arbor, MI (2009); Travel Pictures (2006 - 2008), LAX ART, Los Angeles, CA (2009); Industrial Pictures, Galerie Rodolphe Janssen, Brussels, Belgium; Hammer Project: Walead Beshty, The Armand Hammer Museum, Los Angeles (2006); Walead Beshty, P.S. 1 / MoMA Contemporary Art Center, Long Island City, Los Angeles (200ART, Los Angeles, CA (2009); Industrial Pictures, Galerie Rodolphe Janssen, Brussels, Belgium; Hammer Project: Walead Beshty, The Armand Hammer Museum, Los Angeles (2006); Walead Beshty, P.S. 1 / MoMA Contemporary Art Center, Long Island City, Los Angeles (200Art Center, Long Island City, Los Angeles (2004).

On the heels of an important solo exhibition at Magasin 3 Stockholm Konsthall, Zittel's work currently has a major presence at the Museum of Modern Art, in a room dedicated to the artist in the Contemporary Galleries on the second floor, as well as a commission by the Museum in the window of its 53rd Street entrancOn the heels of an important solo exhibition at Magasin 3 Stockholm Konsthall, Zittel's work currently has a major presence at the Museum of Modern Art, in a room dedicated to the artist in the Contemporary Galleries on the second floor, as well as a commission by the Museum in the window of its 53rd Street entrancon the second floor, as well as a commission by the Museum in the window of its 53rd Street entrance.

In Big Windows: Skin: Portals, Nicola López draws on her recent monumental installation In Gentle Defiance of Gravity and Form at Museum of Contemporary Art Jacksonville, to explore architecture as a metaphor for the human experience on both societal and individual levels.

Xin Song (b. 1970, China, lives in New York) is rare in the eclectic Contemporary art world as she embraces traditional Chinese paper - cutting as her medium, long considered a folk art chiefly used in decorating windows and doors, and displayed on festive occasions such as weddings and childbirths.

Her solo exhibitions have included The Atlanta Contemporary Art Center, Sandler Hudson Gallery, The Arts Festival of Atlanta, La Mama in New York City, SECCA in Winston - Salem NC, and Window on Gaines in Tallahassee FL..

She was spotted on the streets of San Francisco, loitering in front of shop windows and visiting galleries (photographs show a glum bystander, out of place among contemporary art).

Known by most, in the contemporary art scene, for his 16th century inspired allegorical still lives, where his carefully constructed panels contain playful, yet honest objects which remind viewers of death's inevitability, to his various grandiose and remarkably detailed storefront window installations commissioned by the exclusive and internationally renowned Bergdorf Goodman department store; this particular third solo exhibition at Salomon Contemporary, «Interstellar Overdrive «is a hypnotic show all contemporary art scene, for his 16th century inspired allegorical still lives, where his carefully constructed panels contain playful, yet honest objects which remind viewers of death's inevitability, to his various grandiose and remarkably detailed storefront window installations commissioned by the exclusive and internationally renowned Bergdorf Goodman department store; this particular third solo exhibition at Salomon Contemporary, «Interstellar Overdrive «is a hypnotic show all Contemporary, «Interstellar Overdrive «is a hypnotic show all on it's own.

1977 Two Decades of Exploration: Homage to Leo Castelli on the Occasion of his Twentieth Anniversary, The Art Association of Newport, Newport, Rhode Island, US The 1977 Los Angeles International Film Exposition, Plitt Century Plaza Theatres / ABC EntertainmentCenter, Los Angeles, California, US Bookworks, Museum of Modern Art, New York, US Words, The Whitney Museum (downtown), New York, US O3 23 03, Institut d'Art Contemporain, Montreal, CA Words At Liberty, Museum of Contemporary Art, Chicago, Illinois, US American Art in Belgium, Palais des Beaux - Arts, Brussels, BE dokumenta 6, organised by Rudi Fuchs, Kassel, DE 10 Years, Kabinet für Aktuelle Kunst, Bremerhaven, DE A View of a Decade, Museum of Contemporary Art, Chicago, Illinois, US Space Window, Bell Gallery, Brown University, Providence, Rhode Island, US $ oul, CAYC, Buenos Aires, AR Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, Michigan, US The Seventies, Museo Universitario de Ciencias y Arte, CDMX, MX Novembre, Galerie Mathias Fels, Paris, FR The Record as Artwork, The Fort Worth Art Museum, Fort Worth, Texas, US; Moore College of Art, Philadelphia, Pennsylvania, US; Musee d'Art Contemporain, Montreal, CA; Museum of Contemporary Art, Chicago, Illinois, US Museum of Drawers, Bern, CH; Israel Museum, Jerusalem, IL Radical Attitudes to the Gallery, Art Net, London, UK Mail Art, Librije Beeldende Kunst, Zwolle, NL Artists» Books, Smart Gallery, University of Chicago, Illinois, US Working or Sketching Photographs by Artists, Los Angeles County Museum of Art, Los Angeles, US

De Chirico's metaphysical art had a major impact on contemporary and later painters, notably the French - born artist Yves Tanguy (1900 - 55), who claimed to have started painting in 1923 after seeing a De Chirico painting in a gallery window, despite never having held a brush.

A collaboration between Hayward Gallery, Delfina Foundation, Maraya Art Centre, Sharjah and Shubbak - A Window on Contemporary Arab Culture (11 - 26 July 2015) with additional support raised through A. M. Qattan Foundation and the Art Basel Crowdfunding Initiative on Kickstarter.

The «window gallery» Kunsthalle LAB of the Dom umenia / Kunsthalle Bratislava is to host a new exhibition on feminism — an issue that still remains current and rather sensitive within contemporary art.

It is within this platform or portrait painting and historical significance that Lerma finds windows of opportunity to expand on conversations of contemporary political, economical and civic discussion, creating work that is conscious of how the present is always contingent on the past and how art and history share parallel lines of innovation and progression.

Frankly, the better window into contemporary art in Arizona is a trio of shipping containers transformed into galleries in the Roosevelt Row arts market in downtown Phoenix — where recent exhibitions have explored invasive species, border surveillance, and the impact of human activity on the desert.

The concept of window is reactivated from a contemporary perspective, focused on painting practice and expanding its scope towards the installation and intervention at an early stage, and to the performance and public art in a second.

Bergmans» work has been exhibited at the Ontario Science Centre, Toronto (2014), Fieldwork, Perth, ON (Fall 2011 - Spring 2012), the Mississippi Mills Textile Museum, Almonte, ON (2010), Stride Gallery +15 Window Space, Calgary (2010), Montreal Centre for Contemporary Textiles (2009) and at Dumbo Arts Festival, Brooklyn, (2009).

We are most happy to share with you this creative window on the fundaments and premises of contemporary art as we know it.

An eighteenth - century villa that opens the windows on a magnificent Italian garden and houses a collection of contemporary American art among the best known in the world, as well as international exhibitions.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

This show contributes to the heated debate over the relationship between contemporary art and digital technology by cleverly focusing on the idea of «windows.»

Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT

As one of the largest two bedroom two bath floors plans, it offers floor to ceiling windows, furniture convey option on separate bill of sale, European Maistri soft close cabinetry, Bosch stainless steel appliances, bamboo floors, in unit washer / dryer and an overall contemporary design with the 12» concrete ceilings, exposed ducting, art niches, private balcony and adequate storage.