Sentences with phrase «winning cinematographer»

Award - winning cinematographer bringing a unique vision and more than 8 years experience behind the lens including work on the critically acclaimed independent film: The Unexpected Diplomat.

Directed by Paul Atkins: Emmy award - winning cinematographer whose credits include National Geographic and BBC documentaries and feature films such as Voyage of Time (2016), The Tree of Life (2011), Master and Commander: The Far Side of the World (2003).

For this show, Ms. Hewitt offers two film installations (made in collaboration with award - winning cinematographer Bradford Young) that are inspired by civil - rights era photographs, along with recent sculptures and prints.

Atlanta - based research group Liquid Blackness hosts a public screening and an artist talk with award - winning cinematographer and installation artist Bradford Young (Arrival, Selma, Pariah, Solo).

Atlanta - based research group Liquid Blackness hosts a public screening and an artist talk with award - winning cinematographer and installation artist Bradford Young -LRB-

Award - winning cinematographer Emmanuel Lubezki («Gravity»), in particular, astonishes and awes yet again.

Award - winning cinematographer and director Reed Morano («Meadowland») had quite a remarkable 2017, capped by an Emmy for her work on «The Handmaid's Tale.»

This clip looks at writer / director Aaron J. Wiederspahn and his collaboration with award - winning cinematographer Christophe Lanzenberg (who won Best Cinematography for The Sensation of Sight at the Durban International Film Festival held in South Africa).

He is an Academy Award - winning cinematographer for his work on Christopher Nolan's Inception, and I think his work on Nolan's Batman trilogy is exquisite, especially the IMAX sequences.

Lost Souls (R) After a year on the shelf, New Line is finally releasing the directorial debut of Oscar - winning cinematographer Janusz Kaminski.

Additional celebrities at SIFF this year included Academy Award - winning director Morgan Neville with his documentary The Music of Strangers: Yo - Yo Ma and the Silk Road Ensemble; award - winning writer and director James Schamus of Indignation; award - winning cinematographer Kirsten Johnson with her directorial debut Cameraperson; acclaimed actor Clea DuVall with her directorial debut The Intervention; directors Miles B. Miller and Joshua H. Miller, producer Kathryn Tucker, and actor Paul Sparks of All the Birds Have Flown South; actor Craig Robinson in Morris From America; director Jonathan Parker, producers Catherine di Napoli and Deborah Parker, and actor Eric McCormack with The Architect; Mike Birbiglia, director of Don't Think Twice; YouTube sensation and documentary subject of Presenting Princess Shaw Samantha Montgomery, who performed at the Opening Night Gala; Irish drag queen and marriage equality advocate Panti Bliss, subject of the documentary The Queen of Ireland, as well as director Conor Horgan; director Martin Spirit and subject Spencer Haywood of Full Court: The Spencer Haywood Story; irector Ned Crowley and actor Jim O'Heir of Middle Man; director James Redford with his new documentary Resilience; Pearl Jam founding member and Gleason composer Mike McCready; actor Laura Carmichael and director Chanya Button with the US premiere of Burn Burn Burn; director Iwai Shunji of A Bride for Rip Van Winkle; Joshua Marston, director of Complete Unknown; actor Corentin Fila of Being 17; Andreas Öhman, director of Eternal Summer; Ti West, director of In A Valley of Violence; director Roger Ross Williams and subject Ron Suskind of Life, Animated; director Nathan Adloff, actor Tim Boardman and producers Stephen Israel and Ash Christian of Miles; director Linas Phillips and producer Ian Bugno of Rainbow Time; Richard Tanne, director of Southside With You; Jocelyn Moorhouse, director of The Dressmaker; Brent Hodge, director of The Pistol Shrimps.

Inarritu is the reigning Oscar winning director for Birdman or (The Unexpected Virtue of Ignorance), and he has re-teamed with the reigning Oscar winning cinematographer from that movie, Emmanuel Lubezki.

Ralph Woolsey, an Emmy - winning cinematographer who worked on such series as Batman and It Takes a Thief and films including The Iceman Cometh and The Great Santini, has died.

To be fair, Forster «was not allowed to bring on his usual team», because the production felt he needed more seasoned supporting players like line producer Colin Wilson (Avatar) and Oscar - winning effects man John Nelson (Gladiator), and Oscar - winning cinematographer Robert Richardson (Hugo), all of whom were eventually replaced.

For Haskell Wexler, the director of Medium Cool, and the Oscar - winning cinematographer of Who's Afraid of Virginia Woolf?

The picture was shot by the Oscar - winning cinematographer John Seale (The English Patient), who came out of retirement for the project, and his eye for quality shows.

Upping the ante on a hot project, three - time Oscar - winning cinematographer Robert Richardson has joined A Private War, the Matthew Heineman - directed feature that stars Rosamund Pike and Jamie Dornan.

On the one hand, the MPEG - 4 / AVC transfer looks in many spots like an award - winning cinematographer supervised the process himself.

Oscar - winning cinematographer Linus Sandgren created a visual style that captured the zeitgeist - changing spectacle between Billie Jean King (Emma Stone) and Bobby Riggs (Steve Carell).

Along with a pretty enticing cast, Tarantino has put together an impressive crew made up of some of his usual collaborators, including three - time Oscar winning cinematographer Robert Richardson, Oscar winning Sound Mixer Mark Ulano, and two - time Oscar winner for Visual Effects, John Dykstra.

Dan Laustsen, the Oscar winning cinematographer for The Shape of Water, shared a couple behind the scenes images from the film's set -LSB-...]

JOMO FRAY is an award - winning cinematographer whose work has been screened worldwide, including such festivals as Cannes, Rotterdam, Sundance, and Tribeca.

González Iñárritu and his two - time Oscar - winning cinematographer Emmanuel «Chivo» Lubezki have achieved an extraordinary look using only natural light for this grueling ride.

However, although he was working hand in hand with the lenser of his new visual language (Oscar - winning cinematographer Robert Richardson has filmed every Tarantino film Kill Bill onward), Tarantino wasn't using a composer, instead he selected bits from previous film scores to «score» his films.

Two - time Academy Award winning cinematographer Emmanuel «Chivo» Lubezki will go to any length to capture an image, so it's clear why he gets along well with fellow Mexican filmmaker Alejandro G. Inarritu, the audacious director of last year's Best Picture Oscar winner, Birdman.

Award - winning cinematographer Roger Deakins, who previously worked on Villeneuve's Sicario has been hired to shoot the untitled sequel.

Legendary horror director and 2 - time Academy Award ® - winning cinematographer Freddie Francis (The Skull, Tales from the Crypt) directed this classic Amicus chiller which is filled with surprises and keeps its viewers on the edge of their seats.

HFPA journalist Elisabeth Sereda moderated a spirited discussion among award - winning Tina Lifford (Queen Sugar), Golden Globe winner Octavia Spencer, Cathy Schulman, producer and president of Women in Film, Golden Globe winner Sandra Oh (Killing Eve) and Reed Morano, award - winning cinematographer, and director.

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

A World Apart is the feature directorial debut of Chris Menges, the Oscar ® - winning cinematographer of The Killing Fields (1984) and The Mission (1986).

Janusz Kaminski, two - time Oscar winning cinematographer for Schinder's List and Saving Private Ryan brings some of the most striking images of the year and adds a much needed element of emotion.

Also attending the star - studded event supporting all things Australian: Luke Arnold (Black Sails), Isabel Lucas (Transformers), Luke (Hacksaw Ridge, Point Break) Bracey, Jonathan LaPaglia (Australian Survivor), Brenton Thwaites (Gods of Egypt), Alicia Debenam - Carey (Fear the Walking Dead), Heath Ledger Scholarship winner Ashleigh Cummings, producer Bruna Papandrea (Wild) and Oscar - winning cinematographer Dion Bebe (Chicago).

Similarly, with modern technology at his disposal - and Nolan's Oscar - winning cinematographer Wally Pfister coming off his own ambitious sci - fi directorial effort, Transcendence (assuming the pair reunites)- the portrayal of space flight could be something to admire.

Oscar - winning cinematographer Andrew Lesnie, who worked on «Lord of the Rings» and «The Hobbit,» died from a heart attack on Apr. 27.

Multi Award - winning cinematographer Seamus McGarvey (Avengers Assemble, We Need To Talk About Kevin, Atonement) will be the subject of this Masterclass as part of the IFTA Chapter Focus Event.

But for the first present - day story of the series, last year's winning cinematographer, Dana Gonzales, riffed on the monochromatic look of «Inside Llewyn Davis,» eliminating the blue completely, which made the reds and yellows pop.

Joining the panel discussion will be Tina Lifford, award - winning actress currently starring in Queen Sugar Reed Morano, award - winning cinematographer and director; Golden Globe winner Sandra Oh, star and associate producer of BBC America's Killing Eve; Cathy Schulman, producer and president of Women in Film; and Golden Globe winner Octavia Spencer.

Accompanied by his Academy Award - winning cinematographer John Toll (Legends of the Fall, Braveheart, The Last Samurai, Gone Baby Gone), whom he hired at the beginning of 1997, Malick started principal photography in June the very same year.

Shot by Academy Award - winning cinematographer Robert Elswit, who has worked with Anderson ever since Hard Eight, scored by singer - songwriter Michael Penn, edited by the great Dylan Tichenor, who started as an apprentice on Robert Altman's movies and went on to do great films such as Magnolia, There Will Be Blood, Brokeback Mountain and The Assassination of Jesse James by the Coward Robert Ford, Paul Thomas Anderson's epic drama went on to garner three Academy Award nominations, did reasonably well at the box office by tripling its initial investment and, more importantly, showcased the surprising talent and determination of one of the few brilliant filmmakers of American contemporary cinema.

We have an HD version embedded now, so you can get a better idea of the wet foggy light 2 - time Oscar winning cinematographer Robert Richardson might be using to tone down the gore factor.

He convinces in the action set - pieces (particularly in an extended motorbike chase through Manilla), which are well - executed by second unit director Dan Bradley and Oscar ® - winning cinematographer Robert Elswit (There Will Be Blood), and generally delivers a nuanced portrayal of a complexed character.

Featuring deliciously unsavory dialogue, in an acid, brilliantly structured script by Clifford Odets and Ernest Lehman, and noirish neon cityscapes from Oscar - winning cinematographer James Wong Howe, this cynical masterpiece is accompanied on the Channel by a 1986 documentary about Mackendrick, a 1973 documentary about Howe, and a video interview with film critic and historian Neal Gabler.

Oscar - winning cinematographer Anthony Dod Mantle (Slumdog Millionaire) brings some pictorial flair to all the various locations where the story is set.

A simple, yet sinister - looking teaser trailer has surfaced for the intriguing directorial debut of Oscar - winning cinematographer (and Christopher Nolan's trusted collaborator) Wally Pfister.

Following yesterday's first teaser of a dead - eyed Johnny Depp in the directorial debut of Oscar - winning cinematographer Wally Pfister, we've a second narrated by Morgan...

Garcia collaborates with Oscar winning cinematographer Emmanuel Lubezki (Gravity, The Tree of Life) to deliver a stunning and meditative film that will require patience from the viewer if it ever gets released in theaters.

Oscar - winning cinematographer Robert Richardson - who is a frequent collaborator with Tarantino and Martin Scorsese, among others - prefers a cellphone - free set, but acknowledges certain benefits, including the ability to quickly share footage with other departments.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

The Academy Award winning Cinematographer has his usual working...

The experimental visual installation «CARNE y ARENA» is a six and half minute solo experience that reunites frequent collaborators Alejandro G. Iñárritu and three - time Academy Award (R)- winning cinematographer Emmanuel Lubezki alongside producer Mary Parent and ILMxLAB.