Sentences with phrase «winning costume designs»

A lushly produced epic about the harsh realities of creative expression, featuring bravura performances and Oscar - winning costume design and makeup, Topsy - Turvy is an unexpected period delight from one of contemporary cinema's great artists.

In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning costume design for his astute work on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).

Image: The winning costume design, titled «The Dancing Lobster» (second from left), by Pratt Institute Fashion student Elizabeth Gee

The winning costume design is on view...

The winning costume design is on view in the Screaming Mimi's display window, where it will remain throughout the Halloween season.

Not exact matches

The movie, from Time Warner's (TWX) Warner Bros., won awards in categories such as costume and production design, as well as makeup and two sound categories on its way to scoring more total Oscars than any other film Sunday night.

Designed by Academy Award - winning costume designer Helen Rose, Princess Grace's wedding dress was the ultimate fairy princess look, complete with an embroidered pearl and Brussels lace bodice.

The original dress from the movie, designed by 3 - time Oscar winning costume designer Dorothy Jeakins, was such a hit after fans saw the movie that copies were made and sold in 1950s department stores.

More important in that department is the debut of a CinemaScope visual style, which cinematographer Leon Shamroy anchors through often hauntingly precise coloration and lighting, in addition to a tight scope which is intimate and grand enough to immerse you into George Davis» and Lyle R. Wheeler's Oscar - winning art direction, which is immersive enough by its own right, utilizing Paul S. Fox's and Walter M. Scott's impeccable set decoration and Charles LeMaire's and Emile Santiago's costume designs to restore the look of Ancient Rome - from its high society to simple villages - lavishly.

The art direction and costume design were both worthy of their Oscar wins.

One of the most anticipated films of the art - house calendar, it won French Cesars for best film, actress, cinematography, adapted screenplay and costume design.

I know that 13 nominations can result in no wins but on top of art direction, costume design, visual effects, Button can win in supporting actress too.

Those honors went to appropriately named pair «The Great Beauty» and «The Great Gatsby,» the former winning Best Foreign Language Film and the latter taking costume design and art direction.

And while I am primarily concerned with who wins best picture or best screenplay, for some reason, I always paid attention to costume design (which is ironic, as anyone who knows me will tell you my fashion sense consists primarily of jeans, converse and out of date band t - shirts).

The five BAFTA awards «Budapest» took — score, makeup and hair, costume design, production design and an original screenplay prize for Anderson — might all be Oscar wins too, making it the night's most celebrated movie.

«La La Land» won for music and cinematography, «Hacksaw Ridge» for editing, «Arrival» for sound, «Jackie» for costumes, «Florence Foster Jenkins» for makeup, «Fantastic Beasts and Where to Find Them» for production design and «The Jungle Book» for visual effects.

Aren't people always saying that AMPAS is always wont to reward the flashy but not weighty, so I'd think that the costume win for Roth's smart designs in THE ENGLISH PATIENT would be lauded, though I preferred the work in PORTRAIT OF A LADY (I'd say that it's art direction was hands down deserved, though.)

Not so The Grand Budapest Hotel, which dominated the craft categories, winning best original music, makeup and hair, costume design, production design, as well as best original screenplay for its absent director Wes Anderson.

«That»70s Show» not only nails its era with set and costume design (the latter, the subject of the show's only Emmy win), it also supplies some inventiveness in camera and editing techniques, from split - screen scenes to characters dubbing others to inspired fantasy sequences.

Paul Thomas Anderson's tortured - clothing - designer tableau Phantom Thread was nominated in six categories but won only for costume design, while Lady Bird was up for five different Oscars and won none.

Michael Balhaus, cinematographer, Dante Ferretti, production design, Gabrielle Pescucci, costumes, for which she won an Academy Award, Thelma Schoonmaker, editor, Elmer Bernstein, music, Saul and Elaine Bass, opening credits.

• Mark Bridges wins his second Oscar for best costumes for his period - perfect, Charles James - inspired designs for fashion flick «The Phantom Thread,» to no one's surprise.

Curtis, who has directed such films as «My Week with Marilyn» and «Woman in Gold,» has assembled an impressive technical team that includes cinematography by Ben Smithard's («Belle» and TV's «Cranford» for which he won an Emmy), editing by Victoria Boydell («The Second Best Exotic Marigold Hotel»), production design by David Roger (TV's «Great Expectations»), and costumes by Odile Dicks - Mireaux («Brooklyn» and «An Education»).

Three of the film's four Oscar nominations came in technical categories: costume design, art direction, and song; the fourth was for Penélope Cruz, earning a chance to repeat her previous Supporting Actress win.

Sure, last year's win for «Elizabeth: The Golden Age» proved that the Academy does equate «most / biggest costumes» with «best,» but like «Marie - Antoinette» the year before, «The Duchess» deftly employs dress (and undress, in a manner Stella Bruzzi might approve of) to define boundaries of character and gender; the costume design is by far the most intellectually sophisticated element of the film.

Sorry to say this now but i did nt remember when you did 2001: i think Star Wars Episode I deserved a nomination in best costume design and it should have won.

Some upsets of the evening included Leonardo DiCaprio, «Inside Llewyn Davis,» and «Captain Phillips» leaving empty handed, although a film in which DiCaprio starred («The Great Gatsby») won awards for costume design and production.

It also won for costume design (Stefanie Bieker) as well as hair and makeup (Barbara Kreuzer).

In regards to costume design, I'm actually thinking of predicting «Coco Before Chanel» for the Oscar because year in year out I hope that the voters stop just giving the award to the British period movie (the «Marie Antoinette» win notwithstanding) and because for those who haven't seen all the nominees — i'm sure there are more than a few — «Coco» has the advantage of have Coco Chanel in the title.

«The Girl With the Dragon Tattoo» won for editing, «The Artist» for costume design, «The Iron Lady» for makeup.

The winner of the Jet Ski was Mark Bridges, who won an Oscar for his work designing costumes for the movie «Phantom Thread.»

Boasting sumptuous period production design, cinematography in the irregular 2.0:1 aspect ratio by accomplished Italian cinematographer Vittorio Storaro (Apocalypse Now, The Last Emperor, and a number of Warren Beatty films), and costumes, Café Society could get recognized in some technical award categories, even if it doesn't add to the long list of original screenplay nominations (and wins) Allen has earned with apparent apathy.

With production and costume design more glowing than the Oscar ® statuettes they will win, Anna Karenina is a visual feast from the moment the curtain goes up.

Indeed, «Blade Runner 2049» could be this year's «Mad Max: Fury Road,» which won six out of 10 craft Oscars last year (costume, editing, production design, sound editing, sound mixing, makeup).

Though Sound of Music took home top honors, Zhivago ended up claiming the same number of Oscars, five in total, winning for adapted screenplay, costume design, cinematography, art decoration, and original score.

But more surprising was costume designer Jenny Beavan's triumph in over dual nominee Sandy Powell and the production design win for Colin Gibson and Lisa Thompson, as many expected the Academy to go with a more traditional period piece like «The Danish Girl» or «Bridge of Spies.»

Who we think will win: One could make a decent argument for the Academy honoring any of these films based on their excellence in the craft of costume design.

Ishtar even boasted the participation of cinematographer Vittorio Storaro (Apocalypse Now), who would win his third Academy Award the same year for his work on The Last Emperor, and Anthony Powell, a three - time winner of the costume design Oscar.

Bridges, who also won the Oscar for costume design, evidently had no use for the bright green Kawasaki, as he has now donated it to the Motion Picture Television Fund so it can be given away in a raffle on Omaze.com.

Those wins were mainly for technical «below - the - line» achievements — including best costume design, hair and make - up and production design.

Lady Bird is fighting some Oscar history here, as movies without any nominations in the so - called «tech» categories (your cinematography, your production and costume design, your sound and visual effects and editing and makeup) hardly ever win.

Mark Bridges won his second Oscar for costume design for the couture gowns of «Phantom Thread,» in which Daniel Day - Lewis plays a perfectionist tailor in midcentury London.

Mark Bridges wins the 2018 Academy Award for costume design for «Phantom Thread.»

Additionally, we are excited to announce that award - winning composer Mick Gordon will return to produce the soundtrack for Killer Instinct: Season 2 and Kevin Bayliss, the original art director for Killer Instinct and Killer Instinct 2, will design eight costumes for Killer Instinct: Season 2 — Ultra Edition.

The explosive trailer shows off some of the spectacular combat, the new cast of fighters, as well as some of the customization options, which number at «400 open and unlockable costumes, including 31 brand new costumes consisting of winning designs created by actual Dead or Alive players.»

Pratt fashion alumnus Paul Tazewell, costume designer for the Broadway musical Hamilton, won the Tony Award for Best Costume Design at the Tony Awards ceremony held on June 12 at the Beacon Theatre in Manhattan...

When the Turner Prize winning artist Chris Ofili was asked to design a set and costumes for the Royal Ballet's Metamorphosis: Titian 2012, he found inspiration in the story itself

When the Turner Prize winning artist Chris Ofili was asked to design a set and costumes for the Royal Ballet's Metamorphosis: Titian 2012, he found inspiration in the story itself of a hunter who comes upon the chaste goddess Diana and her nymphs bathing in a sacred grove.

Designed by Francis Kéré, the first African architect to win the commission, the big disc of spindly wooden slats will hover over a gathering space enclosed by curving blue walls, built of staggered wooden blocks in a textile - like pattern in reference to the festive costumes of his native village.

With over 12 years of experience and a never ending passion for elaborate armor designs she already created many award winning Costumes and is invited to countless big events all over America, Europe and Asia where she judges, hosts or passes on her self - taught knowledge.